Synopses & Reviews
connects scholars of divergent geographical areas and academic fieldsandmdash;from archaeologists and anthropologists to art historiansandmdash;to show the significance of articles of regalia and of dressing and ornamenting people and objects among the Formative period cultures of ancient Mesoamerica and Central America.
Documenting the elaborate practices of costume, adornment, and body modification in Panama, Costa Rica, Nicaragua, Honduras, Oaxaca, the Soconusco region of southern Mesoamerica, the Gulf Coast Olmec region (Olman), and the Maya lowlands, this book demonstrates that adornment was used as a tool for communicating status, social relationships, power, gender, sexuality, behavior, and political, ritual, and religious identities. Despite considerable formal and technological variation in clothing and ornamentation, the early indigenous cultures of these regions shared numerous practices, attitudes, and aesthetic interests. Contributors address technological development, manufacturing materials and methods, nonfabric ornamentation, symbolic dimensions, representational strategies, and clothing as evidence of interregional sociopolitical exchange.
Focusing on an important period of cultural and artistic development through the lens of costuming and adornment, Wearing Culture will be of interest to scholars of pre-Hispanic and pre-Columbian studies.
andldquo;The papers are engaging and well written and have scholarly dimensions that will significantly impact Formative period studies and beyond. The bookandrsquo;s fine organization, methodological approaches and varied disciplines create a cohesive story.andrdquo;
andmdash;Laura M. Amrhein, University of Arkansas at Little Rock
andquot;The book provides an excellent synthesis of the topic and is well illustrated and rich in detail so that readers can draw their own conclusions.andquot;
--N. J. Parezo,and#160;CHOICE
andquot;A valuable resource for scholars and students interested in the costumes, adornments, and body art of the Mesoamerican and Central American Formative period. It contains detailed descriptions of varied data sets, is abundantly and appropriately illustrated, and includes a plethora of useful references for further investigation.andquot;andmdash;Frances F. Berdan,and#160;Journal of Anthropological Research
About the Author
Heather Orr is chair and professor of art history in the Department of Art at Western State Colorado University. Matthew Looper is professor of art history in the Department of Art and Art History at California State University, Chico.