Synopses & Reviews
Stoneybridge is a small town on the west coast of Ireland where all the families know one another. When Chicky Starr decides to take an old, decaying mansion set high on the cliffs overlooking the windswept Atlantic Ocean and turn it into a restful place for a holiday by the sea, everyone thinks she is crazy. Helped by Rigger (a bad boy turned good who is handy around the house) and Orla, her niece (a whiz at business), Chicky is finally ready to welcome the first guests to Stone House’s big warm kitchen, log fires, and understated elegant bedrooms. John, the American movie star, thinks he has arrived incognito; Winnie and Lillian are forced into taking a holiday together; Nicola and Henry, husband and wife, have been shaken by seeing too much death practicing medicine; Anders hates his father’s business, but has a real talent for music; Miss Nell Howe, a retired schoolteacher, criticizes everything and leaves a day early, much to everyone’s relief; the Walls are disappointed to have won this second-prize holiday in a contest where first prize was Paris; and Freda, the librarian, is afraid of her own psychic visions.
Sharing a week with this unlikely cast of characters is pure joy, full of Maeve’s trademark warmth and humor. Once again, she embraces us with her grand storytelling.
"This less-than-thrilling final work (after Minding Frankie) in the late Irish novelist's prolific oeuvre tells the life stories of a cast of characters that show up for a week's stay at a bed and breakfast called Stone House. The house is located in the idyllic village of Stoneybridge on western Ireland's 'wet and wild and lonely' Atlantic coast. Binchy begins with the hotel's founder and proprietor, Chicky Starr, whose life hasn't turned out the way she'd hoped. Several disparate narratives overlap and intermingle in various ways, as the reader views the characters who each receive their own chapter from the others' perspectives. Binchy encapsulates the lives of her characters with such authority and so completely that there is little room for mystery or urgency. The reader gets the sense that all of the intrigue has been removed from the characters' unique yet matter-of-fact lives. The novel, however, is welcome territory for those looking for a feel-good read, and as Binchy writes, no matter how awry their lives seem to go, 'It was all going to be fine.' (Feb.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
Maeve Binchy, "the grand story teller,"* returns with a cast of characters you will never forget when they all spend a winter week together on holiday at Stone House, a restful inn by the sea...
Stoneyville is a small town on the coast of Ireland where all the families know each other. When Chicky decides to take an old decaying mansion, Stone House, and turn it into a restful place for a holiday by the sea, the town thinks she is crazy. She is helped by Rigger (a bad boy turned good who is handy around the place) and her niece Orla (a whiz at business). Finally the first week of paying guests arrive: John, the American movie star thinks he has arrived incognito; Winnie and Lillian, forced into taking a holiday together; Nuala and Henry, husband and wife , both doctors who have been shaken by seeing too much death; Anders, the Swedish boy, hates his father's business, but has a real talent for music; Miss Nell Howe, a retired school teacher, who criticizes everything and leaves a day early, much to everyone's relief; the Walls who have entered in 200 contests (and won everything from a microwave oven to velvet curtains, including the week at Stone House); and Freda , the psychic who is afraid of her own visions. You will laugh and cry as you spend the week with this odd group who share their secrets and might even have some of their dreams come true.
About the Author
Maeve Binchy is the author of numerous best-selling books, including her most recent novels, Minding Frankie, Heart and Soul,
and Whitethorn Woods,
as well as Circle of Friends
and Tara Road,
which was an Oprah’s Book Club selection. She has written for Gourmet
; O, The Oprah Magazine; Modern Maturity;
and Good Housekeeping,
among other publications. Married to Gordon Snell, she lived in Dalkey, Ireland, until her death in July 2012 at the age of seventy-two, shortly after finishing this book.
Reading Group Guide
1. Why is Chicky attracted to Walter? Why does she defy her mother’s doubts and admonitions about going to New York [p. 6]? “Reality was, for Chicky, this whole fantasy world that she had invented of a bustling, successful Manhattan lifestyle” [p. 9]. Do Chicky’s deceptions blind her to Walter’s true character? Does she love him? What other feelings might explain her pleas to him to stay [p. 11]?
2. After Walter leaves, Chicky vows she will never go back to Stoneybridge. Is she motivated by pride and stubbornness or does her decision reflect realistic concerns about the reactions her return is likely to generate? How do her periodic visits home influence her feelings about her family and Stoneybridge [p. 15]?
3. Step-by-step, Chicky takes charge of her life in New York. What character traits help her succeed? Discuss Mrs. Cassidy’s observations when Chicky leaves for Stoneybridge after twenty years in New York [p. 22-23]. In what ways does Chicky’s temperament, as well as her skills, prepare her for life as an innkeeper?
4. In Winnie and Lillian’s antagonistic relationship, which woman initially has the upper hand and why? How does Teddy’s behavior affect their opinions and interactions? What do they learn about each other when they are trapped in the cave? What do they learn about themselves?
5. Why is John eager to hide his true identity during his stay at Stone House? What advantages does he enjoy as an actor and what toll has his career taken on his personal life? Do you think he represents a majority of celebrities? Are Orla’s insights about the nature of fame persuasive [pp. 155-60]?
6. Henry and Nicola are shaken by the deaths they have seen as doctors. Why have their attempts to create satisfying careers been futile? What does the prospect of practicing in Stoneybridge offer them both personally and professionally?
7. What does Anders’s story convey about the difficulties of making a choice when one is faced with a conflict between duty and desire? How do his mother’s and Erika’s actions and advice, as well as his relationship with his father, influence him? What aspects of his experiences in Ireland help him to clarify his goals? What does his conversation with Chicky reveal about the way we ultimately make decisions [pp. 226-27]?
8. The description of the Walls and their obsession with contests is at once humorous and touching. What does their story demonstrate about the foundations of a loving long-term marriage? How do their enthusiasms change and enrich the experiences of the group at the inn?
9. Nell Howe is the only guest unmoved by the charms of Stone House. What accounts for her resistance to the atmosphere at the inn and her critical opinions of her fellow guests? What do her conversations with Rigger [pp. 271-72] and Carmel [pp. 296-98] reveal about her and the reasons she is unable or unwilling to bond with other people? Does her stay at Stone House change her in any way?
10. Why does Freda try to ignore or repress the visions she has? How do they interfere with her everyday life and her hopes and plans for the future? Even without her special “feelings,” is she foolish to embark on a love affair with Mark? Why does she decide to tell a “group of strangers” [p. 323] about her psychic powers? Reread the predictions she makes [p. 324]. Which of them do you think will come true?
11. Talk about how Binchy introduces each of the guests at Stone House. How does she pique your interest in them? Which character makes the strongest first impression? Which one takes the longest to get to know?
12. Anders tells himself, “Problems don’t solve themselves neatly like that, due to a set of coincidences. Problems are solved by making decisions” [p. 224]. Discuss how the various stories in A Week in Winter confirm or belie this observation.
13. Minor characters are an important part of A Week in Winter. What do Miss Queenie, Orla, and Rigger and Carmel contribute to the novel? What insights do their behavior, attitudes, and ambitions provide into the connections as well as the conflicts between traditional and contemporary Irish culture and society? Why does Nuela refuse to see her son, Rigger? What makes her change her mind?
14. Binchy is well known for making the landscape of rural Ireland as vital as the characters in her novels. What descriptions of the countryside and the coast in the wintertime are particularly vivid or evocative? How do they help set the mood of the narrative?