Synopses & Reviews
Here is an American mind contemplating contemporary society and culture with wit, imagination, and a brave intelligence. Tillman upends expectations, shifts tone, introduces characters, breaches limits of genre and category, reconfiguring the world with the turn of a sentence. Like other unique thinkers, Tillman sees the world differentlyshe is not a malcontent, but she is discontented. Her responses to art and literature, to social and political questions change the reader's mind, startling it with new angles. Which is why so many of us who know her work often wonder: what would Lynne Tillman do? A long-time resident of New York, Tillman's sharp humor is like her city's, tough and hilarious. There are distinct streams of concern coursing through the seeming eclecticism of topicsHillary Clinton, Jane Bowles, O.J. Simpson, art and artists, Harry Mathews, the state of fiction, film, the state of her mind, the State of the Nation. There is a great variety, but what remains consistent is how differently she writes about them, how well she understands, how passionate and bold her writing is.
What does Lynne Tillman do? Everything. Anything. You name it. She has a conversation with you, and you're a better, smarter person for it.
Review
Praise for
What Would Lynne Tillman Do"Ive long admired Lynne Tillmans criticism. Her writing is founded on curiosity and deep feeling. Its precise and imaginative, devoid of jargon or cliché. Its the opposite of what I dislike in criticism, and I know Im not alone in my appreciation of what she does."Joanna Fateman, BOOKFORUM
"But like Renata Adler, who experienced a belated renaissance last year, Tillmans work is ready to be embraced by a new generation of readers. After so many years of waiting for her writing to find its way to more readers, the answer to the question posed on the posters stuck up on buildings in Manhattan and on the cover of her new book couldnt be more clear: What would Lynne Tillman do? Lynne Tillman would just keep writing."Jason Diamond, Flavorpill
"[A] singular mastery of rhetoric...palpably excellent...demonstrates a good ear and a knack for skipping to the good part of the story (sex, poison)."Full Stop
Praise for Lynne Tillman
"Lynne Tillman has always been a hero of mine not because I 'admire' her writing, (although I do, very, very much), but because I feel it. Imagine driving alone at night. You turn on the radio and hear a song that seems to say it all. That's how I feel...:" Jonathan Safran Foer
"Lynne Tillman's writing is bracing, absurd, argumentative, and luminous. She never fails to exhibit her unique capacities for watchfulness and astonishment." Jonathan Lethem
"Like an acupuncturist, Lynne Tillman knows the precise points in which to sink her delicate probes. One of the biggest problems in composing fiction is understanding what to leave out; no one is more severe, more elegant, more shocking in her reticences than Tillman." Edmund White
Anything Ive read by Tillman Ive devoured.” Anne K. Yoder, The Millions
Praise for American Genius, A Comedy
Tillmans prose builds to poetic brilliance.” Entertainment Weekly
What emerges here is a bold showcase of a novel, a cabinet of curiosity, a proposal for what fiction could be.” New York Times Book Review
To read Tillmans tightly woven novel, which meshes inner and outer realms as well as past and present, is to enter into an intense relationship, a communion with another spirit, perhaps with some sort of genius. An involvement that, like all forms of heightened attention, be it friendship, love, hate, or pursuits intellectual or creative, is demanding and bewitching, harrowing and bemusing, revelatory and transforming.” Donna Seaman, Bookforum
Reading the novel is like entering a room crowded with peculiar portraits, all brilliantly drawn. The book is a consummate work, one that levels Western history with family dynamics, pet deaths, Manson family references, the Zulu alphabet, skin disorders, and the loss of memory that afflicts us both personally and as a nation. Tillman once again proves herself a rare master of both elegant and associative writing, urging us to enter the moment, which is all we have and simultaneously cannot keep.” San Francisco Bay Guardian
"If I needed to name a book that is maybe the most overlooked important piece of fiction in not only the 00s, but in the last 50 years, [American Genius, A Comedy] might be the one. I could read this back to back to back for years." Blake Butler, HTML Giant
Praise for No Lease on Life
"Confirms and enhances her reputation as one of America's most challenging and adventurous writers." Guardian
should be awarded a special Pulitzer for the most perfect use of the word moron” in the history of the American novel." Fran Lebowitz
[Elizabeth] neither recoils nor romanticizes
Shes a character who stays with you after you put the book downa creature of occasional dark impulses, intermittent grumpiness and perennial willingness to pull up her socks and deal.” David Gates, The New York Times Book Review
"A book anyone concerned with urban life, women, or American culture, as it stumbles into the 21st century, must read." Sapphire
"Exquisite... To encounter a writer of Tillman's acute intelligence writing as well as this is a cause for real celebration." Independent (UK)
"Tillman describes much of the wearing, wearying routine of the city's daily life all that garbage, all those druggies and creeps and whores we've met in a million Letterman one-liners jammed into a scrawny crevice of land while the rest of America's so huge and airy and free. But Tillman's book is utopian precisely because it takes those things into account; because its heroine fantasizes about murdering all the morons not out of hate, but dignity and a social space, a civil space, actually civilian space.
[Tillman] sprinkles the text with dozens and dozens of jokes... Who can't relate? Isn't every public-transportation-riding, rent-paying, law-abiding urban dweller about two or three knock-knock jokes away from homicide?” Sarah Vowell, Salon
"Richly surreal
yet darkly humorous
Tillman demonstrates her wit, superb observational skill, realism of representation, and verbal eloquence
No Lease on Life is a meditation on the realness and the ridiculousness of daily living. Yet again, Tillman tackles issues on her terms, freshly reshaping traditional literary forms.” Donna Seaman, Booklist
"We first meet Elizabeth sitting at the window of her East Village apartment at 5 a.m. spinning gruesome revenge fantasies about the noisy hoodlums in the street . . . this novel [is] graced by flashes of bilious wit, a series of funny, inconsequential jokes and an appealingly loopy milieu." Publishers Weekly
As energetic and raunchy as a New York street.” San Francisco Chronicle
A terribly up-close and personal examination of urban angst and fury. It is also a funny, frightening, and utterly brilliant tour de force.” Bay Area Reporter
Darkly humorous . . . [the] New York that one doesnt see on Seinfeld.” Library Journal
"In a society that increasingly deals with the unbearable by cleaning it up, by sweeping the streets and parks of the homeless and addicted, and/or stashing it away (in ghettos, prisons, etc.), No Lease on Life provides a straight-on view and acknowledgment of the unbearable, if not an acceptance. What Elizabeth collects keeps her from sleeping, drives her to thoughts of murder, and yet she [has] to be open ... like a window ... sometimes transparent, usually paradoxical, and always open to tragicomic views of life.” Elisabeth Sheffield, Review of Contemporary Fiction
Synopsis
This is a showcase for Tillman's acuity, charm, vision, and intellectual breadth, What Would Lynne Tillman Do? offers an American mind interrogating our society's complacencies with grace and compassion.
Just as many of Tillman's short fictions have an essayistic quality about them, Tillman's essays often surge with narrative power, as she upends expectations, shifts tone, introduces characters, breaches limits of genre and category, reconfigures the world with the turn of a sentence. A long-time resident of New York, that city's sharp humor pervades these pages; Tillman's generosity and humanity are always there to soothe the wince of an acknowledged truth.
There are distinct streams of concern coursing through the seeming eclecticism of topics (Whitney Houston, interior design, Hilary Clinton, Jane Bowles, O.J. Simpson, Harry Mathews, the state of fiction, the state of her mind, the State of the Nation, but those consistent concerns, to which she returns like fingers to worry stones, are around what happens when men behave badly and when women behave too well.
What does Lynne Tillman do? She makes us better people for having read her.
About the Author
Lynne Tillman is the author of five novels, four collections of short stories, one collection of essays and two other nonfiction books. She has collaborated often with artists and writes regularly on culture. Her novels include
American Genius, A Comedy (2006),
No Lease on Life (1997), a
New York Times Notable Book of 1998 and a finalist for the National Book Critics Circle Award;
Cast in Doubt (1992);
Motion Sickness (1991); and
Haunted Houses (1987).
Someday This Will Be Funny (2012) is her most recent short story collection. Her nonfiction books include
The Velvet Years: Warhol's Factory 1965-1967, with photographs by Stephen Shore (1995);
Bookstore: The Life and Times of Jeannette Watson and
Books & Co. (1999), a cultural history of a literary landmark, and
The Broad Picture, an essay collection.
Colm Toibin lives in New York City.