Synopses & Reviews
In the early 70s, Detroit was the musical hub of America, but by the early eighties, it was a wasteland. It took a group of skateboarders, a teacher and a census clerk to wake the city up and start one of the first hardcore punk scenes in America.
Why Be Something That You're Not chronicles the first wave of Detroit hardcore from its origins in the late 70s to its demise in the mid-80s. Through oral histories and extensive imagery, the book proves that even though the California beach towns might have created the look and style of hardcore punk, it was the Detroit scene - along with a handful of other cities - that cultivated the music's grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about.
The book includes interviews with members of The Fix, Violent Apathy, Negative Approach, Necros, Pagans, Bored Youth, and L-Seven along with other people who had a hand in the early hardcore scene like Ian MacKaye, Tesco Vee and Dave Stimson.
In the early seventies, Detroit was the musical hub of America. Everything from the chart topping sounds of Motown records to the vicious proto-punk of The Stooges was being brewed out there and it seemed like there was no end in sight. But by the early eighties, the city was both a physical and cultural wasteland due to major label buyouts of the artists as well as the crippling drug habits of some
of the others. Detroit's most known musical export at the time was the vapid sounds of New Wave heartthrobs The Romantics; this wasn't good. It took a gaggle of suburban skateboarders, a grade school teacher and a census bureau clerk to wake this city up from its slumber and start one of the first hardcore punk scenes in America.
Why Be Something That You're Not chronicles the first wave of Detroit hardcore from its origins in the late seventies to its demise in the mid-eighties. Includes interviews with Negative Approach, L-Seven, The Fix, Necros, The Meatmen, and many more.