Synopses & Reviews
Windows on the War
is a groundbreaking publicationand#8212;the first in English to focus on posters designed by the Soviet Union's TASS News Agency to bolster support for the Soviet war effort. TASS posters were created by a large collective of Soviet writers, printers, and artists, including such notables as Mikhail Cheremnykh, Nikolai Denisovskii, the Kukryniksy, and Pavel Sokolov-Skalia. Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see. They were also sent abroad to serve as international cultural "ambassadors," rallying Allied and neutral nations to the Soviet cause. Drawn from the Art Institute of Chicago's collection, as well as other private and public holdings, these TASS posters have not been seen since World War II.and#160;
An international team of scholars presents the TASS posters both as unique historical objects and as artworks that reveal how preeminent artists of the day used unconventional technical and visual means to contribute to the war effort, marking a major chapter in the history of design and propaganda. Generously illustrated, the book presents photographs, documentary materials, and memorabilia in meaningful juxtapositions with images of the TASS posters. Also included are documents illuminating the expression of Russian cultural life in the United States during the war, opening a fascinating window onto the war along the Eastern Front.
and#8220;The first major scholarly study of the topic in English.and#8221;and#8212;New York Times
Winner of the 2011 50Books/50 Covers Book Design competition sponsored by Design Observer, AIGA, and Designers and Books.
A fascinating look at the aesthetic means and political ends of the graphically bold posters of the Soviet Union's TASS News Agency during WWII
About the Author
Peter Kort Zegers is the Rothman Family Research Curator, Department of Prints and Drawings, at the Art Institute of Chicago. Douglas Druick is Chair and Searle Curator of Medieval to Modern European Painting and Sculpture, and Chair and Prince Trust Curator of Prints and Drawings, both at the Art Institute of Chicago. Konstantin Akinsha is an art historian, formerly at the Museum of Western and Oriental Art, Kiev. Robert Bird is an associate professor in the Department of Slavic Languages and Literature at the University of Chicago. Jill Bugajski is an exhibition research associate, Department of Prints and Drawings, at the Art Institute of Chicago. Adam Jolles is the chair of the Department of Art History at Florida State University, Tallahassee.