2009 Man Booker Prize
2009 National Book Critic's Circle
Synopses & Reviews
In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the kings favor and ascend to the heights of political power
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the kings freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum.
Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?
In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.
"Hilary Mantel's Wolf Hall is a startling achievement, a brilliant historical novel focused on the rise to power of a figure exceedingly unlikely, on the face of things, to arouse any sympathy at all....This is a novel too in which nothing is wasted, and nothing completely disappears." Stephen Greenblatt, The New York Review of Books
"Wolf Hall is a magnificent service to the language and literature whose early emancipation it depicts and also, in its demystifying of one of history's wickedest men, a service to the justice that Josephine Tey first demanded in The Daughter of Time." Atlantic
"Whether we accept Ms. Mantel's reading of history or not, her characters have a lifeblood of their own.... Her prose is muscular, avoiding cod Tudor dialogue and going for direct modern English. The result is Ms Mantel's best novel yet." Economist
"A novel both fresh and finely wrought: a brilliant portrait of a society in the throes of disorienting change, anchored by a penetrating character study of Henry's formidable advisor, Thomas Cromwell. It's no wonder that her masterful book just won this year's Booker Prize...[Mantel's prose is] extraordinarily flexible, subtle, and shrewd." Washington Post
"[Mantel's] interest is in the question of good and evil as it applies to people who wield great power....She has read Shakespeare closely. One also hears the accents of the young James Joyce." New Yorker
"Wolf Hall has epic scale but lyric texture. Its 500-plus pages turn quickly, winged and falconlike....both spellbinding and believable." New York Times Book Review
"Mantel's abilities to channel the life and lexicon of the past are nothing short of astonishing. She burrows down through the historical record to uncover the tiniest, most telling details, evoking the minutiae of history as vividly as its grand sweep. The dialogue is so convincing that she seems to have been, in another life, a stenographer taking notes in the taverns and palaces of England." Ross King, Los Angeles Times
"Darkly magnificent...Instead of bringing the past to us, her writing, brilliant and black, launches us disconcertingly into the past. We are space-time travelers landed in an alien world." Boston Globe
"Arch, elegant, richly detailed...[Wolf Hall's] main characters are scorchingly well rendered. And their sharp-clawed machinations are presented with nonstop verve in a book that can compress a wealth of incisiveness into a very few well-chosen words." New York Times
"[Mantel's] style implies enormous respect for her readers, as if she believes that we are as intelligent and empathetic as she is, and one of the acute pleasures of reading her books is that we sometimes find ourselves living up to those expectations." Bookforum
WINNER OF THE 2009 MAN BOOKER PRIZE
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTION
A NEW YORK TIMES BESTSELLER
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?
In inimitable style, Hilary Mantel's Wolf Hall is "a darkly brilliant reimagining of life under Henry VIII. . . . Magnificent." (The Boston Globe).
In the ruthless arena of King Henry VIII's court, only one man, Thomas Cromwell, dares to gamble his life to win the king's favor and ascend to the heights of political power. In inimitable style, Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage.
About the Author
Hilary Mantel is the bestselling author of many novels including Wolf Hall, which won the Man Booker Prize and the National Book Critics Circle Award for fiction. Bring Up the Bodies, Book Two of the Thomas Cromwell Trilogy, was also awarded the Man Booker Prize and the Costa Book Award. She is also the author of A Change of Climate, A Place of Greater Safety, Eight Months on Ghazzah Street, An Experiment in Love, The Giant, O'Brien, Fludd, Beyond Black, Every Day Is Mother's Day, and Vacant Possession. She has also written a memoir, Giving Up the Ghost. Mantel was the winner of the Hawthornden Prize, and her reviews and essays have appeared in The New York Times, The New York Review of Books, and the London Review of Books. She lives in England with her husband.
Reading Group Guide
1. What is the significance of Mantels “occult” history of Britain? How might these legendary traditions have influenced Henry in choosing to marry Anne Boleyn? What role does legend play in the perpetuation of a monarchy?
2. Why was Cromwell so attached to Cardinal Wolsey? Was Wolsey more of a mentor or a father-figure for Cromwell? What do love and loyalty mean for Cromwell?
3. Why is it meant as an insult when Norfolk calls Cromwell a “person?” What is it about Cromwell that frustrates members of the nobility so much? Why were Wolsey and Henry able to appreciate Cromwells talents when everyone else merely saw him as an impudent schemer?
4. What is it that makes Cromwell resolve to be gentle and mild with his children? What gave him the will and the confidence to become a different man than his father?
5. What kind of a character is Thomas More in this novel? Does he come off as sympathetic in any way? Why does More choose to die rather than accept breaking away from the Catholic Church? Would Cromwell be willing to die for his beliefs?
6. What is the significance to Cromwell of seeing the woman burned at the stake as a child? How could an event such as this have influenced Cromwell in his later attitudes towards Reformation? Does Cromwell have any specific religious convictions? Or is he more driven by convictions of common decency and personal loyalty?
7. What kind of a king is Henry VIII in this novel? What motivates him? Are his preoccupations solely self-interested, or does he have the good of the country in mind as well? What is it that makes him so susceptible to Anne Boleyns seductions?
8. In conjuring Cromwell on the page, what does Mantel create, and what does she re-create from this historical record? Along those lines, how does historical fiction influence the way we look at history?
9. What is it that makes Cromwell so driven? Does his ambition stem from a desire to do good, or is it just a survival instinct based on his past? How is Cromwell both personally ambitious and yet generous and unselfish?
10. Is Cromwell attempting to realize any particular political vision for the country, or is he just reacting to the situation at hand? Does he strive to bring about a more egalitarian society, or is it more a matter of being unconsciously influenced by his experiences as a commoner?
11. What is the significance of Guido Camillos “memory machine?” Why is Cromwell interested in it? Does he see it as some sort of potential weapon, or is he driven by a desire for knowledge?
12. Is there something tragic about the fate of Elizabeth Barton the prophetess? Was she merely deceived by the monks, or was there something cynical about her? Did it seem that she ever believed in her visions? If she had not been exploited for political gain, might she have made a genuine contribution to spiritual life at the time? Or was she simply a fraud?
13. What is the source of Cromwells antipathy for More? What is it about More that outrages him? Is there something personal in it for Cromwell, or does More simply represent a particular type of villainy to him?
14. Later in the novel we see Cromwell come to the realization that his home now is either where theres business to be done, or with the king. How is this a personal transformation for him, considering what life was like when his wife and daughters were alive? In the lively Austin Friars, full of extended family and wards and guests, Cromwell seemed the consummate family man. Why did he change? Is there something sad about this change in him?
15. Did Cromwell truly want to spare More from being executed? Did he do everything he could to save him? What made More so inflexible? Was it related to his desire to always live life in the public eye?
16. As the novel ends and Cromwell is at the height of his power, is there anything in his actions that foreshadow his later downfall? Has he become too much like Wolsey? Would the mercurial Henry VIII have been likely sooner or later to turn on Cromwell anyway?
17. Is there any indication in the portrayal of Jane Seymour in Wolf Hall of the role she would later play? What might motivate Seymour to foster high ambitions? How might Seymour be similar to Cromwell?