Synopses & Reviews
Aaron Hill is one of those central figures of the early eighteenth-century literary scene who was friendly with Alexander Pope and who eagerly engaged in debates of aesthetics and theatre. His writings, especially his correspondence (contained in the first two volumes of the edition), testify to his reputation as a critic as well as arbiter of taste. In his letters to James Thomson, Pope and David Mallet (among others), he discusses recent publications, literary and philosophical trends and reflects the coterie culture at whose centre he lived. Christine Gerrard (Lady Margaret Hall, University of Oxford) has recently published her Aaron Hill: The Muses' Projector (Oxford, 2003), thereby demonstrating modern scholarly interest in Hill. The works of Hill are not available in any modern edition, nor has it been attempted before to reprint this important and definitive 1753 edition. Sandro Jung's new introduction to his Hill's collected works and correspondence sheds light on the literary contacts that he entertained from the early eighteenth century, tracing the successes of his tragedies as well as his involvement in the theorisation of such aesthetic modes as the sublime.
Synopsis
Aaron Hill is one of those central figures of the early eighteenth-century literary scene who was friendly with Alexander Pope and who eagerly engaged in debates of aesthetics and theatre. His writings, especially his correspondence (contained in the first two volumes of the edition), testify to his reputation as a critic as well as arbiter of taste. In his letters to James Thomson, Pope and David Mallet (among others), he discusses recent publications, literary and philosophical trends and reflects the coterie culture at whose centre he lived. Christine Gerrard (Lady Margaret Hall, University of Oxford) has recently published her Aaron Hill: The Muses' Projector (Oxford, 2003), thereby demonstrating modern scholarly interest in Hill.
The works of Hill are not available in any modern edition, nor has it been attempted before to reprint this important and definitive 1753 edition. Sandro Jung's new introduction to his Hill's collected works and correspondence sheds light on the literary contacts that he entertained from the early eighteenth century, tracing the successes of his tragedies as well as his involvement in the theorisation of such aesthetic modes as the sublime.
Table of Contents
he works of the late Aaron Hill, esq; ... consisting of letters on various subjects, and of original poems, moral and facetious. With an essay on the art of acting. London: Printed for the benefit of the family, 1753.Volume IDedication pp. iii-viTo the Reader pp. vii-viiiThe Names of the Subscribers pp. ix-xxxiiOriginal Letters pp. 1-351Volume IIOriginal Letters pp. 1-418Volume IIIOriginal Poems pp. 1-416Volume IVOriginal Poems pp. 1-351An Essay on the Art of Acting pp. 353-414