Synopses & Reviews
From the 1930s to the 1960s, the United States knowingly used and discarded an entire tribe of people. The Navajo worked unprotected in the uranium mines that fueled the Manhattan Project and the Cold War. Long after these mines were abandoned, Navajos in all four corners of the Reservation (which borders Utah, New Mexico, and Arizona) continued grazing their animals on sagebrush flats riddled with uranium that had been blasted from the ground. They drank contaminated water from old pits, which had filled with rain. They built their houses out of chunks of yellowcake, they inhaled radioactive dust borne aloft from the waste piles the mining companies had left behind, and their children played in the unsealed mines themselves. Ten years after the mines closed, the cancer rate on the reservation shot up and the babies began to be born with crooked fingers that fused together into claws as they grew. Scientists filed complaints about the situation with the government but were told it was a mess "too expensive" to clean up.
Few had heard this story until Judy Pasternak exposed it in a prizewinning Los Angeles Times series. Her work not only inspired this book, which is already a winner of the J. Anthony Lukas Work-In-Progress Award, it also galvanized both a congressman and a famous prosecutor to clean the sites and get reparations for the tribe. Yellow Dirt powerfully chronicles both the scandal of neglect and the Navajo's fight for justice.
Award-winning reporter Judy Pasternak tells the haunting story of uranium mining on the Navajo desert and its terrible, long-ignored legacy.
About the Author
Judy Pasternak is a writer who lives near Washington, D.C. An award-winning reporter, she worked for the Los Angeles Times for twenty-four years, in Los Angeles, Chicago, and Washington, tackling subjects as varied as al Qaeda's private airline, a band of right-wing bank robbers, backstage maneuvering at Dick Cheney's energy task force, and the giant black hole at the center of the Milky Way. She has won numerous awards for environmental and investigative journalism. Previously, she worked at the Detroit Free Press and Baltimore News American. She is married, with one son. Laural Merlington has recorded well over one hundred audiobooks, including works by Margaret Atwood and Alice Hoffman, and is the recipient of several AudioFile Earphones Awards. An Audie Award nominee, she has also directed over one hundred audiobooks. She has performed and directed for thirty years in theaters throughout the country. In addition to her extensive theater and voice-over work, Laural teaches college in her home state of Michigan.