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In the professional judgement of Dr James Curlew, his unfortunate
daughter had, at the very most, five years left before it
was all over. Not her life, you understand; her prospects
for marriage. The same physical features that made him such
a distinguished-looking man — tall, rangy build, aquiline
nose, long face, strong jaw — were a calamitous inheritance
for a girl. If she acted quickly, now while she was in her
teens, there was still hope.
'Oh, but I don't wish to marry, father,' she told him. 'The
world has enough married folk in it. What it hasn't got enough
of is missionaries.'
'In that case,' he joked, 'it's damn naughty of the savages
in Africa to keep eating them, isn't it?'
'You mustn't call them savages, father,' Emmeline chided
him solemnly. 'Such disparagements are precisely why slavery
is still with us.'
Dr Curlew clenched his jaw — the same jaw he'd passed on
to his blameless daughter — and did his best not to argue.
Rancour between him and Emmeline would have grieved his wife,
had she lived to see it.
'I don't know why you say "still with us",' he
couldn't help remarking. 'We don't have slavery in England.'
And he rang the bell for the housemaid, as the room was too
cold.
'We must regard the whole world as our home, father,' said
Emmeline, wiping her fingers on the breakfast napkin. Pale
sunlight was shining through the parlour window onto her face
and upper body, a cool glow aided by the white tablecloth
and the snowy landscape outside. The jingling of horses' harnesses
as the nearby shops received their deliveries mingled with
the tinkling of Emmeline's spoon in her teacup. 'This is the
1850s,' she reminded her father, as if the modern age had
arrived while he'd been occupied elsewhere. 'Every place on
Earth is connected by the web of our Empire. I have correspondents
as far-flung as Kabool and New York.'
'Oh?' This was promising. 'Might some of these correspondents
be of the male sex?'
'Oh, most of them, father,' grinned Emmeline. 'Males are
in far more desperate need of salvation than females, I've
found.'
She was quite winsome when she smiled. Her lips still had
something of the childish rosebud about them, and there were
dimples in her cheeks. Her eyes were bright, her face unlined,
her hair glossy. Five years, at most, she would retain these
qualities, then the sap would begin to drain out of her, and
she would be left only with the aquiline nose and the Curlew
jaw. Moreover, arithmetic would be against her; she would
strike suitors as unfeasibly old. Emmeline could prattle all
she liked about modern Society and how unrecognizably changed
it was, but some attitudes were eternal.
The maidservant padded into the room and, without needing
to be told, perceived at once what the trouble was. She got
on her knees in front of the hearth and started coaxing the
flames. Worth her weight in gold, that girl. Or, if not quite
that, then at least worth the £8 a year he paid her.
Emmeline was indeed writing to many mysterious gentlemen
all over the world. Her father, curious about this, had a
word with Gertie who, in addition to her other duties, also
had the task of walking to the pillarbox to post Miss Curlew's
letters.
'Yes, sir,' said the servant. 'Never less than one a day.
Sometimes five or six.'
'Always to the same person?'
'No, sir.'
'Replies?'
'Sometimes, sir.'
'From… from what part of the world, usually?'
'America, sir.'
'How tantalising,'
'Yes, sir.'
In point of fact, most of the letters that Emmeline sent
went unanswered. She tried to write at least half a dozen
each afternoon, but sometimes her wrist grew weak or she got
the urge to go out walking. It really would be a great boon
to mankind (and womankind!) if someone could invent a mechanism
for making automatic copies of a page of text. All this fuss
in the newspapers recently about Mr Sobrero inventing nitro-glycerine!
What did the world need another method of destruction for,
when there were all sorts of useful things yet to be invented?
However, she would scribble on regardless. There was a war
to be fought — her own just and gentle war — the war against
slavery.
The gentlemen to whom she wrote were mainly located in Louisiana,
Missouri, Alabama, Mississippi, Tennessee, Kentucky, Arkansas,
Georgia, Florida, the Virginias and the Carolinas. Modifying
a generic text with a sprinkling of local details gleaned
from imported newspapers and journals, she would address each
man as well-informedly as she could, imploring him to renounce
slave-owning and allow his hard heart to be penetrated by
the love of Christ. She quoted passages of Scripture. She
quoted Charles Dickens' American Notes. She hinted
that if the recipient should be inspired to recant and set
his slaves free, there would, in this world, exist at least
one person — Miss Emmeline Curlew — who would venerate him
as a hero. Moral courage, she argued, is the manliest of virtues,
and few men possess it.
Most of these letters vanished into a void. A small proportion
provoked replies, slim envelopes arriving weeks and months
afterwards, single sheets suffused with varying strengths
of nasty temper.
I will thank you to keep your ignorant and impudent babblings
to yourself, said one.
Has it occurred to you, Miss, said another, that
the very clothes you are wearing as you pen your imperious
missive may have their origins in my cotton fields?
Our postal system, averred another, is superior
to yours, but it may not long remain so if it is burdened
with unsolicited and mischievous piffle.
Some respondents went to greater effort, quoting passages
from the Bible apparently condoning slavery, and wishing Miss
Curlew a measure of wisdom and tolerance of other folks' customs
as she grew older. One man in Port Hudson said that if she
spent half an hour in the company of the niggers she spoke
of so glowingly, the brutes would make her wish she'd never
been born, and then most likely murder her. She even received
one letter from a plantation-owner's wife, threatening her
with hellfire, hired assassins and savage dogs if "you
damned English hussy" dared to write again.
May our Lord forgive you, Emmeline wrote back, for
your unkind and, if I may say so, blasphemous words…
One day, a most unusual item of mail was delivered. The bulk
of the Curlews' correspondence arrived at their house either
in the first post, early in the morning, or in the last post,
at evening. This item arrived at midday, while Emmeline and
her father were being served luncheon. It was a handsomely
wrapped box, on which the sender had affixed slightly insufficient
postage. Dr Curlew had to pay the postman ninepence, and
his brow was wrinkled as he carried the parcel into the parlour.
He wasn't acquainted with anyone in Chickamauga, Georgia.
'It's for you,' he said, handing it over to his daughter.
Emmeline laid the parcel in the lap of her skirts, and returned
her attention to the cold galantine on her plate. She carved
off another slice and conveyed it to her mouth, her big jaw
swinging down as she did so.
'Aren't you curious to see what it is?' said Dr Curlew.
The girl chewed, swallowed. 'Of course I'm curious.'
'So am I. Would it be very presumptuous if I asked you to
open it now?'
'Yes, it would, father,' smiled Emmeline, 'but I forgive
you.' And she fetched the package up onto the table and tore
its layers of brown paper off. Inside were a letter, a photograph
and a box of chocolates. The letter and photograph Emmeline
laid unexamined behind the teapot. The chocolates she opened
for her father's inspection.
'Very fancy,' he commented, extracting, from under the powdered
paper cups of dark, luxurious-smelling confectionery, a slip
of paper detailing the varieties. The slip of paper itself
was impregnated with a delicious aroma, and he sniffed it
briefly before studying what it had to say. Terms like 'delectable',
'exotic', 'rich' and 'luscious' recurred throughout.
'Who is this gentleman?' enquired Dr Curlew, laying the paper
over the glittering assortment of pralines and caramels.
Emmeline fetched up the letter and frowned at the signature.
'I'm not sure,' she said. 'I have so many. I must have read
about him in an article somewhere.'
'The photograph — is it of him?'
Emmeline picked up the thick rectangle of card.
'I presume so. I can't recall ever seeing this face before.'
After a moment's hesitation she handed the photograph to her
father. He studied it just as he had studied the fragrant
slip of paper.
'Presentable-looking chap,' he conceded. 'Upright carriage,
broad shoulders. Firm jaw. Healthy, I expect. His trousers
could use a press. But not a bad specimen.' Dr Curlew was
keeping his tone as calm and offhand as he could, but in truth
he was already imagining the offspring of this union. A grandson,
maybe even two. Fine, robust boys, calling him grandpa in
barbarous accents.
'A remarkably… amiable gesture on his part, sending you these
chocolates,' he observed.
Emmeline gestured across the table, with a somewhat ink-stained
hand. 'Do have one, father.'
'Thank you, I will.' And he popped a hazelnut-encrusted globe
into his mouth, allowing it to melt against his palate while
his daughter read the letter in silence.
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Dear Miss Curlew,
Thank you for your letter. May I say that you have
the most elegant handwriting? Quite a change from that
produced by any of the ladies here. Your signature especially
caused me to linger over it, admiring its combination
of simplicity, confidence & grace. Less refined
females imagine that a paroxism of calligraphic flourishes
consigns elegance upon them. It takes a signature such
as yours to make clear the gulf between the genuine
article & its imitations.
However, you will be growing impatient with these
flatteries (however sincerely meant). You wish to know
what I thought of your advice to me. You hope, perhaps,
for news that I have freed my slaves & dedicated
myself to Christ. On the latter matter I can reassure
you; I love our Lord as much as any decent, imperfect
man can. The passages you quoted from the Good Book
are of course well known to me, as are other passages
which take a different position.
As far as my slaves are concerned, they are free
already. That is, I give them as much freedom as good
sense allows, & care for them as conscientously
as I would my own children (of whom, sadly, I have none).
My slaves are contented and healthy; their duties are
not onerous. The climate in Georgia is rather more salubrious
than you may be accustomed to in England, and the crops
grow with little fuss, ripening in the glorious sun
that God has seen fit to shine over my modest domain.
As I pen these words, Perry, one of my field hands,
is playing with Shakespeare, my dog. He does this not
because he is obliged to but because he likes Shakespeare
and, if you will forgive me boasting, is fond of his
master too. In fact, if slavery should ever be abolished
— as I fear it will be, if the strident voices in our
own Northern states exchange their shouting for bellicose
action — I am worried for my poor Perry. He is a trusting
& gentle creature, and if he is forced to make his
own way in this cruel world, without so much as a roof
over his head, I suspect he will suffer a dismal fate.
I do not expect that these few words will convince
you of the rightness of my way of life. I regret that
you cannot visit my home & make your own judgements.
I can only hope that if you were, by some miracle, to
arrive as my esteemed guest, you would find this place
to be a happy & pleasant one, lacking only the charm
that a mistress might have provided, had not my fiancée
been taken from me in tragic circumstances.
I can assure you that, far from being the hotbed
of savagery and squalor that you may imagine, Georgia
is really quite a civilised place. It even has a chocolate
shop, as you have no doubt already divined. I offer
you these sweet trifles as a token of my gratitude for
your interest in my soul. A poor gift, I know; some
might say an impertinent one. But since you already
possess a Bible, the most precious gift any of us can
own, it is difficult to imagine what else you might
possibly need. Chocolates can, at least, give pleasure,
& if you don't eat them, you can always give them
to your parents.
With my most cordial best wishes…
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Emmeline looked up from her reading.
'Well?' said her father. 'What's your opinion of this fellow?'
Emmeline folded the letter in her strong fingers and wedged
it under the saucer of her teacup. Then she gazed past her
father's shoulder at the snow-frosted window, her eyes half-closed.
The grey terraced houses of Bayswater, the iron lamp-posts
and the hearse-like delivery carts, had lost some of their
solidity for her; they were semi-transparent, shifting ephemera
in a monochrome kaleidoscope.
'He can't spell "paroxysm" or "conscientiously",'
she remarked, in a faraway tone. Her eyes grew more and more
unfocussed. She was picturing the lush fields of Georgia,
endless acres of fertility. Her man's property was a vast
bed of soft green enlivened with ripe cotton, a wholly mysterious
substance she imagined resembling snow-white poppies. And,
standing erect in the middle of those fields, his hands on
his hips, there he was, silhouetted against the cloudless
sky, his outline shimmering in the heat. An ecstatic dog ran
up to him, leaping against his chest, licking his neck, and
he embraced it, laughing. To the far left, in the corner of
her mind's eye, stood a dark figure, a Negro bearing an uncanny
resemblance to an illustration in Dred: A Tale of the Great
Dismal Swamp, one of several novels by Harriet Beecher
Stowe in Emmeline's bookcase. 'Anyway,' she added, 'he keeps
slaves.'
Dr Curlew harrumphed. 'Is that the only reason you wrote
to him?'
Emmeline blinked, looked away from the window, returned home
to England.
'Have another chocolate, father,' she said.
'Might you perhaps write to him again?' asked Dr Curlew.
'Or is he past saving?'
Emmeline lowered her head and smiled, blushing a little.
'No one is past saving, father,' she replied, and fetched
up the letter and photograph. The mute form of Gertie was
hovering in the doorway, waiting for permission to clear the
table. Luncheon had run overtime; Dr Curlew must call upon
his patients, and Miss Curlew must retire to her bedroom,
her favoured place, always, for correspondence.

Copyright
© 2003 by Michel Faber

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