Synopses & Reviews
"Anyone who cares about protecting the vitality of art and democratic culture in the digital age should read this important book."
Pete Seeger
The stories would seem silly, embarrassing, or flat-out hilarious, if they weren't so frightening: ASCAP trying to charge the Girl Scouts for the rights to sing songs around a campfire; J.R.R. Tolkien's estate threatening to sue a children's entertainer for calling himself "Gandalf the Wizard Clown"; the J.M. Smucker Company accusing a competitor of infringing its patent on a crustless peanut butter and jelly sandwich. And, if you want to poke fun at Mickey Mouse, Barbie, or Miller Lite, you'd better have a battery of lawyers to back you up.
In Brand Name Bullies, David Bollier reveals the countless ways in which creativity, innovation, and free expression in American culture are under relentless assault from a new and rapacious breed of corporate bullies. He offers scores of examples of how copyright and trademark owners are using political influence, high-powered attorneys, and out-and-out intimidation to expand their control over our culture.
Bollier argues that the free flow of knowledge and ideas is crucial to creativity and progress in every field. Yet this essential ability to share and build upon the work of others is being stifled, marginalized, and criminalized by the forces of privatization. He cites numerous outrageous claims of "ownership" to all sorts of images, words, musical notes, letters, and even smells. Did you know that it is illegal to name a sporting event the "Gay Olympics" or a portable toilet business "Here's Johnny!"?
The drive to copyright and trademark virtually everything has a powerful impact on public discourse as well. Bollier uncovers attempts to lock up sports scores, bestseller lists, historic facts, and even Martin Luther King Jr.'s "I Have a Dream" speech. Beware of using the phrase "Freedom of Expression"! A Massachusetts college student has already applied for and received a registered trademark for those words.
Brand Name Bullies makes a powerful case that the rapid and ongoing expansion of "intellectual property rights" is squelching creativity and limiting free expression. It prevents the creation of new music, art, and literature, and it inhibits new scientific research and business investment. This highly readable and chilling exposé sounds an urgent wake-up call for everyone who values our culture and wishes to keep the public domain out of the hands of the privatizers.
Synopsis
If you want to make fun of Mickey or Barbie on your website, you may behearing from some corporate lawyers. You may also want to think twice before using the words "fair and balanced" in a book title or publicly using Martin Luther King Jr.'s "I Have a Dream" speech. It may be illegal. Or in truth, it may be entirely legal -- but the distinction may not matter because who can afford a lawyer? The bully wins. Accoriding to David Bollier, creativity and free expression in American culture are under siege by a new breed of corporate bullies. They claim to own all sorts of images, ideas, words, musical notes, letters and even smells. They have made it illegal to name a sporting event the "Gay Olympics" or a portable toilet business "Here's Johnny!" A music licensing body once tried to charge the Girl Scouts for singing around the campfire (a "public performance"). Someone actually owns a trademark of the phrase "Freedom of Expression." A darker problem lies beyond the humorous absurdity of such madness. Turning all aspects of our culture into "intellectual property" squelches creativity and limits free expression. It prevents the creation of new music, art and literature. It inhibits new scientific research and business investment. In this highly readable account, BRAND NAME BULLIES explains how insidious extensions of intellectual property law are quietly privatizing American culture.
Synopsis
An impassioned, darkly amusing look at how corporations misuse copyright law to stifle creativity and free speech
If you want to make fun of Mickey or Barbie on your Web site, you may be hearing from some corporate lawyers. You should also think twice about calling something ""fair and balanced"" or publicly using Martin Luther King Jr.'s ""I Have a Dream"" speech. It may be illegal. Or it may be entirely legal, but the distinction doesn't matter if you can't afford a lawyer. More and more, corporations are grabbing and asserting rights over every idea and creation in our world, regardless of the law's intent or the public interest. But beyond the humorous absurdity of all this, there lies a darker problem, as David Bollier shows in this important new book. Lawsuits and legal bullying clearly prevent the creation of legitimate new software, new art and music, new literature, new businesses, and worst of all, new scientific and medical research.
David Bollier (Amherst, MA) is cofounder of Public Knowledge and Senior Fellow at the Norman Lear Center, USC Annenberg School for Communication. His books include Silent Theft.
Synopsis
Critical Acclaim for David Bollier's Silent Theft
"Provocative. . . . always on target."
Newsweek
"This beautifully written, carefully argued book shows how little we learned from the past. Free and open resources have always been central to creativity and growth; Bollier shows how in a range of important contexts, free and open resources are being enclosed, to the benefit of the corporate class, and burden of Americans generally."
Lawrence Lessig, author of Free Culture
"Get[s] at what I think is the fundamental, primary political issue that can be the underlying value for regenerating progressive politics in our country, and that value is the common good versus private greed."
Jim Hightower, The Texas Observer
"Silent Theft raises the kinds of questions that Washington typically represses. The book broaches issues that very likely are going to drive the next big turn of the political wheel. Silent Theft confirms the brooding sense, shared by many, of a system out of control."
The Washington Monthly
"Bollier sees a relentless commercial assault on what he calls 'the commons,' resources that should be free to all but, increasingly, are being co-opted for the corporate good."
Business 2.0
"Bollier's handling of this complex set of issues is both deft and straightforward. The more people who read Silent Theft, the better our world."
Norman Lear
Synopsis
David Bollier (Amherst, MA) is cofounder of Public Knowledge and Senior Fellow at the Norman Lear Center, USC Annenberg School for Communication. His books include Silent Theft.
Synopsis
An impassioned, darkly amusing look at how corporations misuse copyright law to stifle creativity and free speech
If you want to make fun of Mickey or Barbie on your Web site, you may be hearing from some corporate lawyers. You should also think twice about calling something "fair and balanced" or publicly using Martin Luther King Jr.'s "I Have a Dream" speech. It may be illegal. Or it may be entirely legal, but the distinction doesn't matter if you can't afford a lawyer. More and more, corporations are grabbing and asserting rights over every idea and creation in our world, regardless of the law's intent or the public interest. But beyond the humorous absurdity of all this, there lies a darker problem, as David Bollier shows in this important new book. Lawsuits and legal bullying clearly prevent the creation of legitimate new software, new art and music, new literature, new businesses, and worst of all, new scientific and medical research.
David Bollier (Amherst, MA) is cofounder of Public Knowledge and Senior Fellow at the Norman Lear Center, USC Annenberg School for Communication. His books include Silent Theft.
About the Author
DAVID BOLLIER has worked for twenty years as a journalist, activist, and public policy analyst. He is cofounder of Public Knowledge, a public interest advocacy organization dedicated to defending the information commons, as well as Senior Fellow at the Norman Lear Center, USC Annenberg School for Communication. His previous book was Silent Theft: The Private Plunder of Our Common Wealth.
Table of Contents
Acknowledgments.
Introduction.
PART ONE: Art and Culture: Use Only as Directed.
1. The Crusade to Lock Up Music.
2. Creativity and Captive Images.
3. Appropriating the People’s Culture.
PART TWO: Trademarking Public Life.
4. Trademark Owners Whine, “No Making Fun of Me!”.
5. The Corporate Privatization of Words.
6. Property Rights in Public Image.
PART THREE: The Copyright Wars against an Open Society.
7. The Theft of the Public Domain.
8. Stifling Public Dialogue through Copyright.
9. The DMCA’s Attacks on Free Speech.
PART FOUR: Absurd New Frontiers of Control.
10. The Quest for Perfect Control.
11. Intellectual Property Goes Over the Top.
12. Just Kidding or Dead Serious?
Conclusion: Reclaiming the Cultural Commons.
Notes.
Bibliography.
Index.