Synopses & Reviews
Synopsis
This wide-ranging collection explores the relations between photojournalism and history, investigating how photographs shape both what we remember and how we remember. Contributors discuss dramatic changes in the press's coverage of presidential death from McKinley through Kennedy and examine the selective use of picture postcards in World War I to support the particular image of the war effort that the government wished to cultivate. Other essays examine divergent public reactions to Edward Steichen's Family of Man exhibition and the curious distillation of enormous collections of war photographs--from the Civil War, the Holocaust, and other cataclysmic events--into a handful of images that have become cultural icons.
Ranging from the rise of photojournalism in the 1930s and its idealization of American life to the issue of authenticity in documentary photography, Picturing the Past provides valuable insight into how photographs influence collective memory, generate a sense of national community, and reinforce prevailing social, cultural, and political values.
Table of Contents
Newswork, history, and photographic evidence / Hanno Hardt and Bonnie Brennen -- Fact, public opinion, and persuasion / Robert L. Craig -- The president is dead / Kevin G. Barnhurst and John C. Nerone -- Reflections on an editor / John Erickson -- From the image of record to the image of memory : Holocaust photography, then and now / Barbie Zelizer -- The Great War photographs / Michael Griffin -- Objective representation : photographs as facts / Dona Schwartz -- Fact, fiction, or fantasy : Canada and the war to end all wars / David R. Spencer -- The family of man : readings of an exhibition / Monique Berlier -- Photographing newswork / Hanno Hardt.