"Day's debut collection spins graceful, elegant circles around the inhabitants of Lima, Ind. — especially the acrobats, clowns and circus folk of the Great Porter Circus who spent their winters there from 1884 to 1939. The poignant opening tale reveals how Wallace Porter, distraught by the death of his beloved wife, came to own his eponymous menagerie. The second, 'Jennie Dixianna,' introduces the dazzling, tricky Jennie, who wears her wound from her Spin of Death act 'like a talisman bracelet, a secret treasure' and plots her way into Wallace's heart. Other stories tell of the young black man who plays at being an African pinhead; the son of a trainer killed by his circus elephant; the flood that devastated the circus. Thanks to finely observed details and lovely prose, each of these stories is a convincing world in miniature, filled with longing and fueled by doubt. Day, who grew up in a town like Lima and descends from circus folk herself, uses family stories, historical research and archival photographs to weave these enchantments. Though her stories often contain tragedy and violence — death in childbirth or from floodwater, cancer, circus mishap — they're also full of beauty. In 'The Bullhook,' Ollie, a retired clown, spends long decades with his frigid wife, waiting, armed with his father's bullhook, for death to come for him. In 'Circus People,' Ollie's granddaughter reflects on her fellow itinerant academics, 'my latest circus family,' and muses about people all over America who leave the place they grew up: 'when the weather and the frequency are just right, we can all hear our hometowns talking softly to us in the back of our dreams.' B&w illus.. Agent, Peter Steinberg. (July)" Publishers Weekly (Copyright 2004 Reed Business Information, Inc.)