February House is the uncovered story of an extraordinary experiment in communal living, one involving young but already iconic writers — and the country's best-known burlesque performer — in a house at 7 Middagh Street in Brooklyn during 1940 and 1941. It was a fevered yearlong party fueled by the appetites of youth and by the shared sense of urgency to take action as artists in the months before America entered the war.

In spite of the sheer intensity of life at 7 Middagh, the house was for its residents a creative crucible. Carson McCullers's two masterpieces, The Member of the Wedding and The Ballad of the Sad Cafe, were born, bibulously, in Brooklyn. Gypsy Rose Lee, workmanlike by day, party girl by night, wrote her book The G-String Murders in her Middagh Street bedroom. Auden — who along with Britten was being excoriated at home in England for absenting himself from the war — presided over the house like a peevish auntie, collecting rent money and dispensing romantic advice. And yet all the while he was composing some of the most important work of his career.

Sherill Tippins's February House, enlivened by primary sources and an unforgettable story, masterfully recreates daily life at the most fertile and improbable live-in salon of the twentieth century.

"For a brief period just before the United States entered WWII, 7 Middagh Street, a shabby Brooklyn brownstone, was the unlikely setting for a unique arrangement in bohemian living and a circle that became the talk of fashionable Manhattan. At its center was the flamboyant literary editor George Davis, who, at loose ends after being sacked by Harper's Bazaar, invited several of his talented New York friends to form an art commune. Sharing a chaotic yet convivial life were poet Auden and his compatriot composer friend Britten, who busied themselves with an opera drawing on their developing experience of American life. Also present was the fragile, sherry-sipping Southerner Carson McCullers, who began her novel The Member of the Wedding at 7 Middagh Street, developed a lesbian crush and split with her failed novelist husband, Reeve; Paul Bowles, then a composer, who crafted a ballet score while his wife, Jane, wrote a novel and worshiped Auden (much to Bowles's consternation); the warm-hearted burlesque performer Gypsy Rose Lee, whom Davis helped to write a novel; the émigré political activist siblings Erika, Klaus and Golo Mann (children of Thomas Mann); and the distinguished theatrical designer Oliver Smith. Drawing on numerous archival and biographical sources, Tippins, formerly a public television producer, conveys with verve the pace and tenor of life in the house, reconstructing its wild parties, broken romances and supper talk. Her narrative interweaves biographical surveys and lively anecdotes gleaned from interviews with surviving contemporaries into a broader overview of wartime literary and artistic New York. This enjoyable and well-paced read should appeal to anyone interested in 1940s American intelligentsia and Brooklyn history alike." Publishers Weekly (Copyright Reed Business Information, Inc.)

"[A] lively literary history with some surprising depth....A brief, madcap moment in literary chronicles." Kirkus Reviews

"[A] fascinating literary history about a group of artists living together at a turbulent time." Library Journal

"Tippins masterfully blends fact, drama, and dish in this tale of young artists who pursued the truth 'before the events of history blew out the illuminating candle.'" Booklist (Starred Review)

Tippins reveals the story of an extraordinary experiment in communal living — involving the young but already iconic writer Carson McCullers and burlesque queen Gypsy Rose Lee — in a house at 7 Middagh Street in Brooklyn during 1940 and 1941.