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This Is Your Brain on Music: The Science of a Human Obsession
by Daniel J. Levitin

This Is Your Brain on Music: The Science of a Human Obsession Cover

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Powells.com Staff Pick

A revelation for music buffs and science geeks — and all the better if you happen to be both. How do memory and music work together? What makes timbre? How do writers like Lennon and McCartney, or John Coltrane and Miles Davis, manipulate our expectations to create truly original compositions? Why do some melodies elicit consistent emotional responses across cultures, race, gender, and age? Before he became a neuroscientist, Daniel J. Levitin was a music producer and professional musician. This Is Your Brain on Music connects those two worlds, of music production and reception, with ear-opening results.
Recommended by Dave, Powells.com

Synopses & Reviews

Publisher Comments:

Whether you load your iPod with Bach or Bono, music has a significant role in your life — even if you never realized it. Why does music evoke such powerful moods? The answers are at last becoming clear, thanks to revolutionary neuroscience and the emerging field of evolutionary psychology. Both a cutting-edge study and a tribute to the beauty of music itself, This Is Your Brain on Music unravels a host of mysteries that affect everything from pop culture to our understanding of human nature, including:
  • Are our musical preferences shaped in utero?
  • Is there a cutoff point for acquiring new tastes in music?
  • What do PET scans and MRIs reveal about the brain�s response to music?
  • Is musical pleasure different from other kinds of pleasure?
This Is Your Brain on Music explores cultures in which singing is considered an essential human function, patients who have a rare disorder that prevents them from making sense of music, and scientists studying why two people may not have the same definition of pitch. At every turn, this provocative work unlocks deep secrets about how nature and nurture forge a uniquely human obsession.

Review:

"Think of a song that resonates deep down in your being. Now imagine sitting down with someone who was there when the song was recorded and can tell you how that series of sounds was committed to tape, and who can also explain why that particular combination of rhythms, timbres and pitches has lodged in your memory, making your pulse race and your heart swell every time you hear it. Remarkably, Levitin does all this and more, interrogating the basic nature of hearing and of music making (this is likely the only book whose jacket sports blurbs from both Oliver Sacks and Stevie Wonder), without losing an affectionate appreciation for the songs he's reducing to neural impulses. Levitin is the ideal guide to this material: he enjoyed a successful career as a rock musician and studio producer before turning to cognitive neuroscience, earning a Ph.D. and becoming a top researcher into how our brains interpret music. Though the book starts off a little dryly (the first chapter is a crash course in music theory), Levitin's snappy prose and relaxed style quickly win one over and will leave readers thinking about the contents of their iPods in an entirely new way." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

Review:

"Endlessly stimulating, a marvelous overview, and one which only a deeply musical neuroscientist could give. Daniel Levitin has a huge knowledge of music developed since the 1950s (and of blues, jazz, and etc. before this), and not merely a formal but a deep personal knowledge as an expert performer no less than as a listener. I liked the discussion of 'safe' and 'dangerous' music, and I very much liked the final chapter on the evolutionary origins of music. An important book." Oliver Sacks, M.D.

Review:

"[Levitin] argues...that music plays a role in evolution....[T]his book extends the appreciation of music as neural training." Library Journal

Review:

"Levitin makes the science of music readily understandable to the non-scientist and non-musician alike." Kirkus Reviews

Review:

"[Levitin's] book introduces the inner workings of the brain insofar as scientists understand it and affords a good first look at the subject for armchair psychologists and neuroscientists." Booklist

Review:

"Although Levitin's narrative grasp may be shaky, the arc of his transformation from musician to scientist grounds his thinking and guides his treatise to a satisfying conclusion." Los Angeles Times

Review:

"Setting jargon aside in favor of everyday terminology, [Levitin] gives readers enough background to understand what to listen for in music and to connect what they hear to his science." Seattle Times

Review:

"Levitin makes a strong case....He also has a warm, modest and compassionate voice, and his little asides of music trivia and nerdy jokes are more like sprinkles of sugar than spoonfuls, but they help just the same." San Diego Union-Tribune

Synopsis:

Neuroscientist and professional musician Daniel Levitin presents a fascinating exploration of the relationship between music and the mind — and the role of melodies in shaping our lives. Photos throughout.

About the Author

Daniel J. Levitin runs the Levitin Laboratory for Musical Perception, Cognition, and Expertise at McGill University, where he holds the Bell Chair in the Psychology of Electronic Communications. Before becoming a neuroscientist, he was a record producer with gold records to his credit and professional musician. He has published extensively in scientific journals and music trade magazines such as Grammy and Billboard.

Product Details

ISBN:
9780452288522
Subtitle:
The Science of a Human Obsession
Author:
Levitin, Daniel J.
Author:
Levitin, Daniel J.
Publisher:
Plume Books
Subject:
Neuropsychology
Subject:
Philosophy & Social Aspects
Subject:
Acoustics & Sound
Subject:
Instruction & Study - Theory
Subject:
Music
Subject:
Psychological aspects
Copyright:
Publication Date:
September 2007
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
322
Dimensions:
7.96x5.56x.89 in. .64 lbs.