The string quartets of Ludwig van Beethoven, the signal achievement of andldquo;that noble genre,andrdquo; have rewarded the engagement of scholars, performers, and audiences for almost two hundred years. This book and its accompanying recording invite you to experience three of these profound and beautiful works of music from the inside, with a leading Beethoven scholar and a premier performing ensemble as your guides. Lewis Lockwood provides historical and biographical background along with musical analysis, drawing on the most important insights of recent scholarship on Beethovenandrsquo;s life and works. The members of the Juilliard Quartet share the fruits of decades of performing and teaching these compositions through annotated scores and recordings of the first movements of three representative quartets, including the rarely heard original version of opus 18 no. 1. And all parties join in lively and illuminating conversations that range from details of bowing and articulation to Beethovenandrsquo;s development as a composer to the social history of the nineteenth century. Inside Beethovenandrsquo;s Quartetsillustrates how scholarly knowledge can inform a performance, as well as how performersandrsquo; interpretive choices can illuminate this sublime music.

Not every quartet has access to masterclasses, but this book may be the next best thing...The included scores are marked with valuable annotations by the Juilliard members--not merely bowings but also flexibilities of tempo, kinds of bow-stroke, extra expression marks such as brillanteand tempo pesante. Many problems inherent to Beethoven's style are discussed, none more debatable than his use of subito piano...On the included CD the Juilliard perform the three movements plus a preliminary version of the Opus 18. This superbly produced book is enthusiastically recommended to all musically literate readers, and is absolutely essential for quartets studying these particular works.

Lewis Lockwood is Fanny Peabody Research Professor of Music, Harvard University.

PrefaceNote on the ScoresOpus 18 no. 1The Opus 18 QuartetsThe First MovementConversationAnnotated ScoreOpus 59 no. 1The "Razumovsky" QuartetsThe First MovementConversationAnnotated ScoreOpus 130The Late QuartetsThe First MovementConversationAnnotated ScoreAppendix: Opus 18 no. 1 (Amenda Version)NotesAcknowledgmentsIndex