From an acclaimed, original observer of media and culture: how we can draw upon popular fantasies to create an alternative politics through imagination and spectacle--a twenty-first-century manifesto for the left. <BR>""The problem comes down to reality. Progressives believe in it, Bush's people believe in creating it. The ideological inheritors of the May '68 protest slogan "Take your desires for reality" are now counseling its reversal: take reality for your desires. Conservatives are the ones proclaiming "I have a dream."""--from the introduction <BR>What practical political lessons can we learn from corporate theme parks, ad campaigns, video games like "Grand Theft Auto," celebrity culture, and Las Vegas? Stephen Duncombe proposes that such examples of popular fantasy can help us define and make possible a new political future. <BR>"Dream" makes the case for a progressive political strategy that embraces a new set of tools. Although fantasy and spectacle have become the "lingua franca" of our time, Duncombe points out that liberals continue to depend upon sober reason to guide them. Instead, they need to learn how to communicate in today's spectacular vernacular--not merely as a tactic but as a new way of thinking about and acting out politics. Learning from Las Vegas, however, does not mean adopting its values, as Duncombe demonstrates in laying out plans for what he calls "ethical spectacle." <BR>An electrifying new vision of progressive politics by a lifelong political activist and thinker, "Dream" is a twenty-first-century manifesto for the left, reclaiming the tools of hidden persuaders in the name of spectacular change.

"Arguing that 'fantasy and spectacle have become the property of fascism,' theorist, performer and activist Duncombe asserts that progressives should 'build a politic that embraces the dreams of people and fashion spectacles that give those dreams form.' His persuasive and pyrotechnic display of radical political thinking draws on a quirky mix of models — celebrity culture, the video game Grand Theft Auto and Umberto Eco's idea of opera aperta or free interpretation of art — to delineate how progressives can convey their message to a larger audience. What makes this polemic both inventive and exciting is its author's love of high and popular culture, which allows for deft juxtapositions of cultural icons like Bette Davis, Charles Baudelaire, Dungeons and Dragons and Tony Soprano. While many of his arguments have a flashy aura, Duncombe (The Bobbed-Haired Bandit) also makes incisive observations, such as that Cindy Sheehan and Rosa Parks had significant political experience before they entered the public eye or that politics rests as much on the imagination as reality. Noting that much current progressive writing retools old modes of thought, he persuasively and entertainingly argues that 'if we really want to change reality, then we have to try and do something different.'" Publishers Weekly (Copyright Reed Business Information, Inc.)

Stephen Duncombe teaches the history and politics of media and culture at the Gallatin School of New York University. He is the author of Notes from Underground: Zines and the Politics of Alternative Culture, the editor of the Cultural Resistance Reader, and the co-author of The Bobbed-Haired Bandit. He lives in New York City.