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The Women Who Raised Me: A Memoir
by Victoria Rowell
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Synopses & Reviews The story of a remarkable woman's rise out of the foster-care system to attain the American dream—and of the unlikely series of women who lifted her up in marvelous and distinctive ways
Born as a ward of the state of Maine—the child of an unmarried Yankee blueblood mother and an unknown black father—Victoria Rowell beat the odds. Unlike so many other children who fall through the cracks of our overburdened foster-care system, her experience was nothing short of miraculous, thanks to several extraordinary women who stepped forward to love, nurture, guide, teach, and challenge her to become the accomplished actress, philanthropist, and mother that she is today. Rowell spent her first weeks of life as a boarder infant before being placed with a Caucasian foster family. Although her stay lasted for only two years, at this critical stage Rowell was given a foundation of love by the first of what would be an amazing array of women, each of whom presented herself for different purposes at every dramatic turn of Rowell's life. In this deeply touching memoir, Rowell pays tribute to her personal champions: the mothers, grandmothers, aunts, mentors, teachers, and sisters who each have fascinating stories to tell. Among them are Agatha Armstead, Rowell's longest-term foster mother, a black Bostonian on whose rural Maine farm Rowell's fire to reach for greatness was lit; Esther Brooks, a Paris-trained prima ballerina, Rowell's first mentor at the Cambridge School of Ballet; Rosa Turner, a Boston inner-city fosterer who taught Rowell lessons of independence; Sylvia Silverman, a mother and teacher whose home in a well-kept middle-class suburban neighborhood prepared Rowell for her transition out of foster care and into New York City's wild worlds of ballet and acting and adulthood. In spite of support from individuals and agencies, Rowell nonetheless carried the burden of loneliness and anxiety, common to most foster children, particularly those "orphans of the living" who are never adopted. Heroically overcoming those obstacles, Rowell also reaches a moment when she can embrace her biological mother, Dorothy, and, most important, accept herself. Ultimately, The Women Who Raised Me is a story that belongs to each of us as it shines a glowing light on the transformational power of mentoring, love, art, and womanhood. Review: "A kaleidoscope of women comes to life in Victoria Rowell's thoughtful memoir: Pragmatic New Englanders. Aristocratic ballet teachers. Heavily medicated divorcees. They are among the dozen or so women who raised her after mental illness waylaid her birth mother. But the author herself is the most compelling figure in the book. It helps that Rowell — a dancer turned actress best known ... Washington Post Book Review (read the entire Washington Post review) for her role on the long-running CBS soap opera 'The Young and the Restless' — writes with skill. Her story contains enough twists and turns to bring it squarely within the familiar framework of the Celebrity Autobiography. But economic language and Rowell's sharp eye for detail and a firm grasp of reporting — including key, well-sourced background on the racial history of Maine — combine to lift this work well above the usual celebrity memoir train wreck. If you felt manipulated after reading Suzanne Somers' turgid 1988 weeper, 'Keeping Secrets,' or just plain ticked off after suffering through Anne Heche's 2001 freak-out, 'Call Me Crazy,' Rowell manages to restore your faith in the genre. Her book contains no lurid tales of incest, bloody thrashings by alcoholic fathers or late-breaking disclosures of long-lost parents. Rowell's story of multiple 'mothers' begins in Maine, where she was born, and describes, via her unique circumstances, a big picture of foster care in America. This picture is not pretty, crisscrossed as it is with bureaucratic bungling, archaic racial restrictions, and wrenching separations from loving caretakers. The first rupture happened when Rowell was around 2. Her birth mother, Dorothy Mabel Bevan Sawyer Collins Rowell, was the schizophrenic daughter of a rock-ribbed white Yankee family in Maine. She had married a white man, but after nine years of marriage to Norman Rowell, Dorothy began to stray. By the time Dorothy and Norman divorced, she had dallied with a succession of black and Hispanic men, including a 'dashing young sailor' who became Victoria's biological father. 'I want to believe that this man and Dorothy Collins Rowell had more than a passing lust for each other,' Rowell writes. After Dorothy's collapse, Victoria was taken in as a foster child by a white, middle-aged 'can-do Mainer' named Bertha C. Taylor. She was welcomed into a nurturing environment that included Bertha's husband and a close circle of women who'd been Bertha's friends for years. Rowell traces her earliest memories to that tiny town of Gray, Maine, 'population 2,100 ... approximately 99.9 percent Caucasian in the early 1960s.' The town's racial mix (or lack thereof) ultimately convinced child welfare authorities to rethink their agreement to send Victoria to live with the Taylors: 'It would be easy for us to leave Vicki in a home where we know she is loved and well cared for and to close our eyes and minds to what life would hold for her in ten and fifteen years hence,' officials wrote to Bertha. ' ... We must face the fact that the same people who love her at age two might feel differently when she is in her teens. ... We also know that Vicki herself is going to be aware of the 'differences' as the years pass, and she will have problems to work out living in a totally white community.' She survived the separation but poignantly recounts the toll it took on Bertha and her husband, who 'could never bring themselves to foster another child.' Accordingly, Rowell counts herself lucky for having emerged with her identity intact, plus a reasonably sunny outlook. Rowell's next home was also in Maine, but with an African American family with deep roots in Boston. The matriarch, Agatha Wooten Armstead, was a formidable character who taught Victoria by her thrifty and industrious example: 'The pianist, the painter, the writer, the gardener, the entrepreneur — she was who she was, distinguished in who she was, living her own life regardless of the opinions, gossip or condescension of others,' Rowell writes. Agatha's confidence in Vicki helped persuade the girl to pursue her interest in ballet. And by age 10, with Agatha's tearful farewell, Rowell was on a Trailways bus to Middlesex County, Mass., where she began studying with Esther Brooks, the 'stunningly elegant' proprietress of the Cambridge School of Ballet. Over the next two decades, Rowell moved between Boston, New York and, finally, Los Angeles, from novice ballerina to her present standing as a respected film and television actress. Her long road through the nation's foster care system has led her to form her own foundation and become an advocate for improving the system. She emerges a passionate though clear-eyed realist, thankful for the opportunities she experienced but keenly aware that too many other foster children aren't so lucky. Along the path to adulthood, she was guided, encouraged, chided and warmed by several older women: Some were official foster moms, others caring teachers such as Brooks. (In the book's front matter, under the words 'In Memorial Regret,' Rowell lists a total of 14 women, beginning with her birth mother.) They were black, white, financially well off and not so well off. 'The Women Who Raised Me' is a 'quilt,' Rowell writes, 'and each woman gave me a piece of herself to sew together, to make me whole.' Likely due to the 'can-do Mainers' who gave Rowell her start, the author's thorough exploration of her life within and without the system is an honest, persuasive testament to her strength, and to that system's potential." Reviewed by Carolyn See, who can be reached at www.carolynsee.comPeniel E. Joseph, who teaches Africana Studies at Stony Brook University and is the author of 'Waiting 'Til the Midnight Hour: A Narrative History of Black Power in America'Patrick Anderson, whose e-mail address is mondaythrillers(at symbol)aol.comStephen Harrigan, whose novels include 'The Gates of the Alamo' and 'Challenger Park'Amy Alexander, whose reviews appear monthly in The Washington Post Style Section, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group)
(hide most of this review) Synopsis: In this deeply moving and heartfelt memoir, Rowell shares her astonishing story of growing up in the foster care system and pays tribute to her personal champions--the remarkable women who loved, nurtured, taught, and challenged the young girl to become the person she is today. About the Author At age eight, Victoria Rowell won a Ford Foundation grant to study ballet and later went on to train and dance professionally under the auspices of the American Ballet Theatre, Twyla Tharp Workshop, and the Juilliard School before becoming an actress. She is the founder of the Rowell Foster Children Positive Plan, which provides scholarships in the arts and education to foster youth, and serves as national spokesperson for the Annie E. Casey Foundation/Casey Family Services. Rowell is an award-winning actress and veteran of many acclaimed feature films and several television series, including eight seasons on Diagnosis Murder, and has starred for the past thirteen years as Drucilla Winters on CBS's #1 daytime drama The Young and the Restless.
Product Details
- ISBN:
- 9780061246593
- Subtitle:
- A Memoir
- Author:
- Rowell, Victoria
- Author:
- Rivas, MIM E.
- Author:
- by Victoria Rowell
- Publisher:
- William Morrow & Company
- Subject:
- People of Color
- Subject:
- Women
- Subject:
- Entertainment & Performing Arts - Actors & Actresses
- Subject:
- Actors
- Subject:
- Dancers
- Subject:
- Entertainment & Performing Arts - General
- Subject:
- cultural heritage
- Subject:
- Entertainment & Performing Arts
- Publication Date:
- May 2007
- Binding:
- Hardcover
- Grade Level:
- General/trade
- Language:
- English
- Illustrations:
- Y
- Pages:
- 339
- Dimensions:
- 922x618x125 131
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