Synopses & Reviews
Asali Solomons characters are vivid misfitsa heathen at Jesus camp, a scheming prep-school student, a middle-aged mom pining for her salsa-dancing salad days, a scheming twentysomething virgin, a college stud in love with his weight-lifting partner, a lonely girl in love with a yellow dress. The kids in
Get Down are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in
Get Down are just trying to hold it together.
Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the crack and Reagan years, the stories in Get Down are antic, poignant, and utterly universaltheyll bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a sparkling new talent, a recent graduate of the Iowa Writers Workshop whose work has been featured in Vibe, Essence, and the anthology Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts.
Asali Solomon was born and raised in West Philadelphia. She received the Rona Jaffe Award for the stories in Get Down. She lives in Lexington, Virginia. Asali Solomon's characters are vivid misfitsa heathen at Jesus camp, a scheming prep-school student, a middle-aged mom pining for her salsa-dancing salad days, a scheming twenty-something virgin, a college stud in love with his weight-lifting partner, a lonely girl in love with a yellow dress. The kids in Get Down are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in Get Down are just trying to hold it together. Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the Reagan years, the stories in Get Down will bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a new talent, a recent graduate of the Iowa Writers' Workshop whose work has been featured in Vibe, Essence, and the anthology Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts. "Asali Solomon's stories are luminous and touching and are an important contribution to the serious literature about the urban lives of black Americans. Solomon's work is sensitively observed and should be applauded from the first words to the last."Edward P. Jones, author of All Aunt Hagar's Children "[A] funny mélange of characters in [this] sparkling debut collection."Patrik Henry Bass, Essence "Asali Solomon's stories are luminous and touching and are an important contribution to the serious literature about the urban lives of black Americans. Solomon's work is sensitively observed and should be applauded from the first words to the last."Edward P. Jones, author of All Aunt Hagar's Children "With a merciless eye and compassionate heart, Asali Solomon draws a nuanced world where pain and class and sex shimmer deceptively under perfectly pitched prose. There's danger hereand, occasionally, the quiet surprise of redemption. Brava!"Lorene Cary, author of Pride
Review
"Asali Solomon's stories are luminous and touching and are an important contribution to the serious literature about the urban lives of black Americans. Solomon's work is sensitively observed and should be applauded from the first words to the last." --Edward P. Jones, author of ALL AUNT HAGAR'S CHILDREN
"With a merciless eye and compassionate heart, Asali Solomon draws a nuanced world where pain and class and sex shimmer deceptively under perfectly pitched prose. Theres danger here--and, occasionally, the quiet surprise of redemption. Brava!" --Lorene Cary, author of Pride
Review
“American literature tends to offer its black characters only two moods to play: angry or mad . . . which is why Asali Solomons debut collection,
Get Down, comes as such a blessed relief. Angry and mad make appearances, but so do confused, awkward, hopeful and sincere.” —Victor Lavalle,
Paste “Fresh, intimate portraits of people trying to straddle contradictory worlds. While Asali Solomon writes with uncanny acumen about men, Get Down will resonate with anyone—male or female, black or white, young or old—who has ever felt like an outsider.” —Jennifer Egan
Synopsis
Asali Solomon’s characters are vivid misfits—a heathen at Jesus camp, a scheming prep-school student, a middle-aged mom pining for her salsa-dancing salad days, a scheming twentysomething virgin, a college stud in love with his weight-lifting partner, a lonely girl in love with a yellow dress. The kids in
Get Down are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in
Get Down are just trying to hold it together.
Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the crack and Reagan years, the stories in Get Down are antic, poignant, and utterly universal—they’ll bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a sparkling new talent, a recent graduate of the Iowa Writers’ Workshop whose work has been featured in Vibe, Essence, and the anthology Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts.
Synopsis
A collection of short stories features such characters as a heathen at Jesus camp, a middle-aged mother yearning for her salsa-dancing days, and a lonely girl in love with a yellow dress.
Synopsis
Asali Solomon's characters are vivid misfits--a heathen at Jesus camp, a scheming prep-school student, a middle-aged mom pining for her salsa-dancing salad days, a scheming twentysomething virgin, a college stud in love with his weight-lifting partner, a lonely girl in love with a yellow dress. The kids in Get Down are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in Get Down are just trying to hold it together.
Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the crack and Reagan years, the stories in Get Down are antic, poignant, and utterly universal--they'll bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a sparkling new talent, a recent graduate of the Iowa Writers' Workshop whose work has been featured in Vibe, Essence, and the anthology Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts.
Asali Solomon was born and raised in West Philadelphia. She received the Rona Jaffe Award for the stories in Get Down. She lives in Lexington, Virginia. Asali Solomon's characters are vivid misfits--a heathen at Jesus camp, a scheming prep-school student, a middle-aged mom pining for her salsa-dancing salad days, a scheming twenty-something virgin, a college stud in love with his weight-lifting partner, a lonely girl in love with a yellow dress. The kids in Get Down are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in Get Down are just trying to hold it together. Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the Reagan years, the stories in Get Down will bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a new talent, a recent graduate of the Iowa Writers' Workshop whose work has been featured in Vibe, Essence, and the anthology Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts. Asali Solomon's stories are luminous and touching and are an important contribution to the serious literature about the urban lives of black Americans. Solomon's work is sensitively observed and should be applauded from the first words to the last.--Edward P. Jones, author of All Aunt Hagar's Children A] funny melange of characters in this] sparkling debut collection.--Patrik Henry Bass, Essence Asali Solomon's stories are luminous and touching and are an important contribution to the serious literature about the urban lives of black Americans. Solomon's work is sensitively observed and should be applauded from the first words to the last.--Edward P. Jones, author of All Aunt Hagar's Children With a merciless eye and compassionate heart, Asali Solomon draws a nuanced world where pain and class and sex shimmer deceptively under perfectly pitched prose. There's danger here--and, occasionally, the quiet surprise of redemption. Brava --Lorene Cary, author of Pride
Synopsis
Asali Solomons characters are vivid misfits—a heathen at Jesus camp, a scheming prep-school student, a middle-aged mom pining for her salsa-dancing salad days, a scheming twentysomething virgin, a college stud in love with his weight-lifting partner, a lonely girl in love with a yellow dress. The kids in
Get Down are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other, more dangerous street.
Get Down is, in the words of Edward P. Jones, “touching and sensitively observed . . . from the first word to the last.”
About the Author
Asali Solomon was born and raised in Philadelphia. Get Down, her first book, earned her a Rona Jaffe Foundation Writers Award, was chosen as one of the National Book Foundations “5 Under 35” for 2007, and was a finalist for the Hurston-Wright Legacy Award.