Synopses & Reviews
This Norton Critical Edition is the only edition available that includes both the 1890 Lippincott's and the 1891 book versions of
The Picture of Dorian Gray, allowing students to compare the two published versions with the editorial guidance of Michael Patrick Gillespie.
"Backgrounds" and "Reviews and Reactions" allow readers to gauge the novel's sensational reception and to consider the heated public debate over art and morality that the novel engendered.
"Criticism" includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of interpretive perspectives on Wilde and The Picture of Dorian Gray. Michael Patrick Gillespie, Simon Joyce, Donald L. Lawler, Sheldon W. Liebman, Maureen O'Connor, Elli Ragland-Sullivan, and John Paul Riquelme provide their varied assessments.
A Chronology and Selected Bibliography are also included.
About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
Synopsis
This Norton Critical Edition is the only edition available that includes both the 1890 Lippincott's and the 1891 book versions of , allowing students to compare the two published versions with the editorial guidance of Michael Patrick Gillespie.
Synopsis
-Criticism- includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of interpretive perspectives on Wilde andThe Picture of Dorian Gray. Michael Patrick Gillespie, Simon Joyce, Donald L. Lawler, Sheldon W. Liebman, Maureen O'Connor, Elli Ragland-Sullivan, and John Paul Riquelme provide their varied assessments. A Chronology and Selected Bibliography are also included.
Synopsis
As featured on PBS's The Great American Read
This Norton Critical Edition is the only edition available that includes both the 1890 Lippincott's and the 1891 book versions of The Picture of Dorian Gray, allowing students to compare the two published versions with the editorial guidance of Michael Patrick Gillespie.
Synopsis
"Backgrounds" and "Reviews and Reactions" allow readers to gauge the novel's sensational reception and to consider the heated public debate over art and morality that the novel engendered. "Criticism" includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of interpretive perspectives on Wilde and .
Synopsis
This Norton Critical Edition is the only edition available that includes both the 1890 Lippincott"s and the 1891 book versions of The Picture of Dorian Gray, allowing students to compare the two published versions with the editorial guidance of Michael Patrick Gillespie.
About the Author
Oscar Wilde (1854–1900) was born and raised in Dublin, Ireland. Wilde studied at Trinity College in Dublin and at Magdalen College in Oxford, England, before settling down in London and having a long, successful career as a poet, playwright, and author. Wilde is best known for his novel The Picture of Dorian Gray and for his satirical play The Importance of Being Earnest.Michael Patrick Gillespie is Louise Edna Goeden Professor of English at Marquette University. He is the author of Oscar Wilde and the Poetics of Ambiguity, The Aesthetics of Chaos: Nonlinear Thinking and Contemporary Literary Criticism, and Inverted Volumes Improperly Arranged: James Joyce and His Trieste Library, among others. His edited works include the Norton Critical Edition of The Importance of Being Earnest and James Joyce and the Fabrication of an Irish Identity.