Synopses & Reviews
"Fascinating. . . . Lucidly written and clearly argued. . . . Illuminat[es] a culture of violence through the study of popular culture, media representations, and political spectacle."
-- Journal of Interdisciplinary History "Provides fascinating insights into a feminized gun culture perhaps little known to academic readers. . . . An impressive account of women and guns in America."
-- Journal of American History "Deftly analyzes the figure of the armed woman as both cultural hero and villain."
American Historical Review "A rich story."
-- Journal of Social History "Browder's book is far-ranging. It is filled with provocative observations on class dynamics and on the biological essentialism that is--and long has been--used to define women with guns."
-- The Journal of Southern History "Deftly explores one facet of the relationship between women and guns in American history: that most manifest in literary expression and advertising."
-- Pacific Northwest Quarterly "An enjoyable book. A well-written, thought-provoking history of images of women with guns. . . . A fascinating tour through American history."
Winterthur Portfolio "Filled with fascinating history that has largely been lost or ignored--until now."
-- Field and Stream [An] engaging and readable history.
--BUST "The work is appealingly written, satisfyingly illustrated, and well researched."
-- CHOICE There is a lot of fascinating historical information in Her Best Shot, but its most attractive feature is the well-written narrative.
--Women & Guns
Review
"Filled with fascinating history that has largely been lost or ignored--until now."
-- Field and Stream
Review
There is a lot of fascinating historical information in
Her Best Shot, but its most attractive feature is the well-written narrative.
--Women and Guns
Review
"An enjoyable book. A well-written, thought-provoking history of images of women with guns. . . . A fascinating tour through American history."
Winterthur Portfolio
Review
"Fascinating. . . . Lucidly written and clearly argued. . . . Illuminat[es] a culture of violence through the study of popular culture, media representations, and political spectacle."
-- Journal of Interdisciplinary History
Review
"Provides fascinating insights into a feminized gun culture perhaps little known to academic readers. . . . An impressive account of women and guns in America."
-- Journal of American History
Review
"A rich story."
-- Journal of Social History
Review
"Browder's book is far-ranging. It is filled with provocative observations on class dynamics and on the biological essentialism that is--and long has been--used to define women with guns."
-- The Journal of Southern History
Review
"Deftly explores one facet of the relationship between women and guns in American history: that most manifest in literary expression and advertising."
-- Pacific Northwest Quarterly
Review
[An] engaging and readable history.
--BUST
Review
"Deftly analyzes the figure of the armed woman as both cultural hero and villain."
American Historical Review
Review
"The work is appealingly written, satisfyingly illustrated, and well researched."
-- CHOICE
Synopsis
The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have interrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In
Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues from the American Revolution to the present.
Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across an ideological spectrum ranging from the Black Panthers to militant right-wing militias. Among the colorful characters presented here are Deborah Sampson, who disguised herself as a man to fight in the American Revolution; Pauline Cushman, who posed as a Confederate to spy for Union forces during the Civil War; Wild West sure-shot Annie Oakley; African explorer Osa Johnson; 1930s gangsters Ma Barker and Bonnie Parker; and Patty Hearst, the hostage-turned-revolutionary-turned-victim. With her entertaining and provocative analysis, Browder demonstrates that armed women both challenge and reinforce the easy equation that links guns, manhood, and American identity.
Synopsis
Browder examines the relationship between women and guns in America and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues. She traces appearances of the armed woman across a chronological spectrum from the American Revolution to the present and an ideological spectrum ranging from the Black Panthers to right-wing militias. In an entertaining and provocative analysis, she looks at women including Deborah Sampson, who disguised herself as a man to fight in the American Revolution; Pauline Cushman, who posed as a Confederate to spy for Union forces during the Civil War; Wild West sure-shot Annie Oakley; African explorer Osa Johnson; 1930s gangsters Ma Barker and Bonnie Parker; and Patty Hearst, the hostage-turned-revolutionary-turned-victim.
About the Author
Laura Browder is associate professor of English at Virginia Commonwealth University, where she teaches in the creative writing program. She is author of Rousing the Nation: Radical Culture in Depression America and Slippery Characters: Ethnic Impersonators and American Identities (from the University of North Carolina Press).