Synopses & Reviews
In 1741, New York City was thrown into an uproar when a sixteen-year-old white woman, an indentured servant named Mary Burton, testified that she was privy to a monstrous conspiracy against the white people of Manhattan. Promised her freedom by authorities if she would only uncover the plot, Mary reported that the black men of the city were planning to burn New York City to the ground. As the courts ensnared more and more suspects and violence swept the city, 154 black New Yorkers were jailed, 14 were burned alive, 18 were hanged, and more than 100 simply "disappeared"; four whites wound up being executed and 24 imprisoned. Even as the madness escalated, however, officials started to realize that Mary Burton might not be telling the truth.
Expertly written by the acclaimed author of Drop and Hunting in Harlem, The Great Negro Plot is a brilliant reconstruction of a little-known moment in American history whose echoes still reverberate today.
Review
"Johnson (Hunting in Harlem, 2003) brings a critical eye and a lively narrative to retelling a fascinating chapter in American history." - Vanessa Bush, Library Journal "In 1712 and again in 1741, black New Yorkers rose up, killed white owners and neighbors, and threatened the city with fire. Many paid with their lives--and then were all but forgotten. African-Americans had not forgotten, though, writes novelist Johnson (Hunting in Harlem, 2003, etc.), and when the African Burial Ground above Wall Street was discovered in the early 1990s, it became "a chance to grieve for the atrocities of the past and mourn for the nameless who came before them." Thanks to colonial recorder Daniel Horsmanden, the alleged perpetrators of the 1741conspiracy to burn New York had names, most of them Spanish, with smatterings of Dutch. These black men and women--about 160 in all--were implicated through chains of denunciation at whose center stood a 16-year-old white servant named Mary Burton, who personally witnessed and overheard plans to make a great murderous conflagration--or so she said. Burton may or may not have done so, but no matter; as Johnson writes, "People believed that the Great Negro Plot, regardless of the evidence, was a real threat, and this in itself brought real consequences. White people believed it. Black people believed it." In the end, after the noose had been stretched, Burton began to change her story. Now it was not only blacks and a few evil white instigators who were alone rebellious; instead, Burton said, "There were some people with ruffles that were concerned," that is, members of the elite. With that, the witch-hunt ended, even as many of the 160 blacks were sent to plantations away from New York, even as others were burned alive. Most of this lies on ground Jill Lepore covers in the superior New York Burning (2005), which offers broader historical context. Still, Johnson brings a storyteller's sensibility into play, and he makes excellent use of sources and testimonials." - Kirkus "Mat Johnson wrests gripping drama from the historical sources. The only proper response to injustice on such a grotesque scale is anger, and his is savage indeed, as he indicts the plagues of slavery and racism, the fool's panacea of scapegoating."--Amanda Heller, Boston Globe "[An] outstanding historical recreation...Johnson does a marvelous job explaining the grounds for this growing white paranoia. Slavery made New York, and the nation, rich, but it also presented obvious problems of morality and security. Slave uprisings, Johnson tells us, had long been a part of life in colonial America. Indeed, he opens his narrative with a searing account of the 1712 slave revolt in New York City, when slaves had purposely set a fire and then shot whites who came to put it out...Johnson has written an accessible, richly detailed, and well-crafted account of a shameful incident in American history. For slaves in New York City during the year 1741, as well as paranoid whites, times had never before been quite so crazy, and Johnson has succeeded in making sense of this deadly madness."--Chuck Leddy, Chicago Sun-Times "A vivid reconstruction of mass hysteria aimed at blacks in Colonial New York in 1741, when it was an economically depressed backwater and one in six residents were slaves."--Bob Minzesheimer, USA Today "The Great Negro Plot: A Tale of Conspiracy and Murder in Eighteenth-Century New York by novelist Mat Johnson is a fascinating look at the madness that gripped the city - and the jailings and executions that ensued - before some began to suspect that Burton might be lying in an attempt to gain her own freedom."--Marjorie Kehe, Christian Science Monitor
Review
"Johnson (Hunting in Harlem, 2003) brings a critical eye and a lively narrative to retelling a fascinating chapter in American history." - Vanessa Bush, Library Journal "In 1712 and again in 1741, black New Yorkers rose up, killed white owners and neighbors, and threatened the city with fire. Many paid with their livesand then were all but forgotten. African-Americans had not forgotten, though, writes novelist Johnson (Hunting in Harlem, 2003, etc.), and when the African Burial Ground above Wall Street was discovered in the early 1990s, it became "a chance to grieve for the atrocities of the past and mourn for the nameless who came before them." Thanks to colonial recorder Daniel Horsmanden, the alleged perpetrators of the 1741conspiracy to burn New York had names, most of them Spanish, with smatterings of Dutch. These black men and womenabout 160 in allwere implicated through chains of denunciation at whose center stood a 16-year-old white servant named Mary Burton, who personally witnessed and overheard plans to make a great murderous conflagrationor so she said. Burton may or may not have done so, but no matter; as Johnson writes, "People believed that the Great Negro Plot, regardless of the evidence, was a real threat, and this in itself brought real consequences. White people believed it. Black people believed it." In the end, after the noose had been stretched, Burton began to change her story. Now it was not only blacks and a few evil white instigators who were alone rebellious; instead, Burton said, "There were some people with ruffles that were concerned," that is, members of the elite. With that, the witch-hunt ended, even as many of the 160 blacks were sent to plantations away from New York, even as others were burned alive. Most of this lies on ground Jill Lepore covers in the superior New York Burning (2005), which offers broader historical context. Still, Johnson brings a storytellers sensibility into play, and he makes excellent use of sources and testimonials." - Kirkus "Mat Johnson wrests gripping drama from the historical sources. The only proper response to injustice on such a grotesque scale is anger, and his is savage indeed, as he indicts the plagues of slavery and racism, the fool's panacea of scapegoating."--Amanda Heller, Boston Globe "[An] outstanding historical recreation
Johnson does a marvelous job explaining the grounds for this growing white paranoia. Slavery made New York, and the nation, rich, but it also presented obvious problems of morality and security. Slave uprisings, Johnson tells us, had long been a part of life in colonial America. Indeed, he opens his narrative with a searing account of the 1712 slave revolt in New York City, when slaves had purposely set a fire and then shot whites who came to put it out
Johnson has written an accessible, richly detailed, and well-crafted account of a shameful incident in American history. For slaves in New York City during the year 1741, as well as paranoid whites, times had never before been quite so crazy, and Johnson has succeeded in making sense of this deadly madness."Chuck Leddy, Chicago Sun-Times "A vivid reconstruction of mass hysteria aimed at blacks in Colonial New York in 1741, when it was an economically depressed backwater and one in six residents were slaves."--Bob Minzesheimer, USA Today "The Great Negro Plot: A Tale of Conspiracy and Murder in Eighteenth-Century New York by novelist Mat Johnson is a fascinating look at the madness that gripped the city - and the jailings and executions that ensued - before some began to suspect that Burton might be lying in an attempt to gain her own freedom."--Marjorie Kehe, Christian Science Monitor
Synopsis
Describes how the suspect testimony of Mary Burton, a young white indentured servant, spawned rumors of a conspiracy and a slave revolt and led to a deadly summer of persecution, violence, and murder that terrorized mid-eighteenth-century New York City. 15,000 first printing.
About the Author
Mat Johnson is the author of the novels Hunting in Harlem and Drop. He received his M.F.A. from Columbia and now teaches at Bard College. He lives in New York's Hudson Valley with his family.