Synopses & Reviews
Is keeping a secret from a spouse always an act of infidelity? And what cost does such a secret exact on a family?
The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. Struggling to regain a semblance of normalcy for themselves and for their two older children, they find themselves pretending not only that little has changed, but that their marriage, their family, have always been intact. Yet in the aftermath of the baby's death, long-suppressed uncertainties about their relationship come roiling to the surface. A dreadful secret emerges with reverberations that reach far into their past and threaten their future.
The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely- perhaps courageously-idiosyncratic ways. But as the four family members scatter into private, isolating grief, an unexpected visitor arrives, and they all find themselves growing more alert to the sadness and burdens of others-to the grief that is part of every human life but that also carries within it the power to draw us together.
Moving, psychologically acute, and gorgeously written, The Grief of Others asks how we balance personal autonomy with the intimacy of relationships, how we balance private decisions with the obligations of belonging to a family, and how we take measure of our own sorrows in a world rife with suffering. This novel shows how one family, by finally allowing itself to experience the shared quality of grief, is able to rekindle tenderness and hope.
Review
“Leah Hager Cohen is one of our foremost chroniclers of the mundane complexities, nuanced tragedies and unexpected tendernesses of human connection. . . . For all its deep-seated sorrows, this is a hopeful book, a series of striking vignettes illuminating the humanity of these fully realized characters.”—
The New York Times Book Review
“Cohen creates gorgeous, uncommon descriptions that sound like grace notes on her pages. . . . There’s pain in reading this book, but there’s another thread running through it, too, gleaming with all the vibrancy of Cohen’s prose: hope.”—The Washington Post
“In this subtle portrait of family life she shows the maddening arithmetic of marriage, the useless attempts to balance the equation. As Ricky and John’s kids start to come unglued themselves, we see how the grief of others is contagious. . . . Ms. Cohen’s painstaking excavation pays off, especially as Ricky and John decide to rebuild.”—The New York Times
“The death of a newborn triggers the slow collapse of the Ryrie clan in Hager Cohen’s richly layered new novel. . . . Affecting.”—More
“Part of the novel's pathos lies in its ability to offer its characters a level of perceptive acuity and sympathetic attention they cannot offer one another … The book's brilliance lies in moments like this one, these shards of devastating insight. Cohen's empathy is sure-footed and seemingly boundless; her writing gifts its characters with glints of ordinary human radiance. It is the possibility of this glinting that ultimately becomes Cohen's most powerful gift to us, her readers, as well.”—San Francisco Chronicle
“With this incredibly moving commentary, Cohen has secured a place in the lineup of today’s great writers.”—Bookpage
“Cohen’s stunning writing and ruthless, beautiful magnification of soul-crushing sorrow that threatens the Ryries’ day-to-day family life mesmerizes, wounds, and possibly even heals her readers. Her courageous novel (she knows of what she writes) is to be savored.”—Library Journal
“With gorgeous prose, Cohen skillfully takes us from past to present and back again as she explores the ramifications of family loss, grief and longing.”—Kirkus
“This is an ambitious novel offering insight into the rift between the public and the private, and illuminating the many ways in which we deal with tragedy.”—Publishers Weekly
Review
“
The Grief of Others is an engrossing and revealing look at a family sinking beneath the weight of a terrible secret. Leah Hager Cohen writes about difficult subjects with unfailing compassion and insight.”—Tom Perrotta,
New York Times–bestselling author of
Little Children
“Leah Hager Cohen's new novel is a perceptive, absorbing drama about the complex bonds of the modern American family and the treacherous paradox of the way we live now. Somehow, the more open and flexible we try to become as spouses and parents, the more emotional risks we take—and the more secrets we keep. I love how deeply Cohen delves into the hearts of all her characters, bringing them fully alive, from their most heroic strivings to their darkest flaws.”—Julia Glass, author of The Widower’s Tale
“How does a family transcend its own pain? How do the secrets we keep shape our lives and the lives of those we love? In this gracefully written, elegantly structured novel, Leah Hager Cohen has created an indelible cast of characters whose story is at once wrenching and redemptive. This is a beautiful book.”—Dani Shapiro, author of Family History
“The Grief of Others is a gorgeous, absorbing, intricately told tale of one family on the brink of collapse, as well as an intimate exploration of art and its place in our lives. Leah Hager Cohen expertly juggles six characters and all their needs, yearning, wounds, and secrets with tremendous skill and—even more important—deep and tender compassion. She is a masterlyl writer on every level.”—Lily King, author of Father of the Rain
“The Grief of Others is delicate, haunting, and lovely, and very difficult to leave on the shelf.”—Susanna Daniel, author of Stiltsville
“A wise and compassionate novel that looks frankly at the ways members of a family can wound and betray each other, even when trying to do just the opposite. Readers will be tempted to vilify Ricky, but she’s much too complex for that. Despite the lies, subterfuges, and silences these characters inflict on one another, there are no villains here, just a family trying to carry on.”—Suzanne Berne, author of The Ghost at the Table
“At once compact and sweeping. Cohen never strikes a false note in relating the complicated emotions of her characters. She has created a world both universal and particular. She illuminates all the ways it is glorious to be burdened with full-fledged humanity in the vast universe.” —Robb Forman Dew, author of The Evidence Against Her
Review
Praise for The Grief of Others
“Graceful, satisfying, and closely observed.” —The Boston Globe
“Cohens empathy is sure-footed and seemingly boundless.” —San Francisco Chronicle
“Leah Hager Cohen writes about difficult subjects with unfailing compassion and insight.” —Tom Perrotta, author of Little Children
“Cohen is one of our foremost chroniclers of the mundane complexities, nuanced tragedies, and unexpected tendernesses of human connection.” —The New York Times Book Review
Review
"Cohen demonstrates a masterful talent, creating richly drawn characters and settings and supplying a satisfyingly shocking yet believable denouement."—People (4 stars)
Review
“[A] perceptive, empathetic, and often emotionally gripping new novel…[Cohen] is capable of writing prose that both convinces and sings.” —The New York Times Book Review
“Cohen demonstrates a masterful talent.” —People (4 stars)
"Piercing."—The New Yorker
“Cohen writes beautifully. Each word seems carefully chosen to paint this unsettling picture of a family with which many readers will identify.” —Minneapolis Star Tribune
“Gripping.”—San Francisco Chronicle
Synopsis
A gripping, morally complex novel that asks: How much do grown siblings owe one another?
At the edge of a woods, on the grounds of a defunct free school,” Ava and her brother, Fred, shared a dreamy and seemingly idyllic childhooda world defined largely by their imaginations and the presence of each other.
Decades later, then, when Ava learns that her brother is being held in a county jail for a shocking crime, she is frantic to piece together what actually happened. Fred has always been different, certainly impaired, never evaluated. Their parents frowned upon labels and diagnoses as much as they did formal instruction and societal constraints. Now, however, the parents are gone, the siblings grown apart, a boy is dead and Fred in jail, and Ava is forced to wonder: is it her job to save her brother? What is our obligation to those we loveand to those we find difficult to love? Convinced that she alone will be able to reach him and explain his innocence to the world, Ava endeavors to tell their enthralling story.
Leah Hager Cohen brings her trademark intelligence and grace to a rich, morally ambiguous story that suggests we may ultimately fathom one another best not with facts alone, but through our imaginations.
Synopsis
Lush, dark and unsettling, No Book but the World haunted me for days. With great skill, Leah Hager Cohen takes us through a twisty and resonant tale about the price of secrets, the burden of family, the remnants of childhood we never leave behind.” Megan Abbott, author of The End of Everything and Dare Me
At the edge of a woods, on the grounds of a defunct free school,” Ava and her brother, Fred, shared a dreamy and seemingly idyllic childhooda world defined largely by their imaginations and each others presence. Everyone is aware of Freds oddness or vague impairment, but his parents fierce disapproval of labels keeps him free of evaluation or intervention, and constantly at Avas side.
Decades later, then, when Ava learns that her brother is being held in a county jail for a shocking crime, she is frantic to piece together what actually happened. A boy is dead. But could Fred really have done what he is accused of? As she is drawn deeper into the details of the crime, Ava becomes obsessed with learning the truth, convinced that she and she alone will be able to reach her brother and explain himand his innocenceto the world.
Leah Hager Cohen brings her trademark intelligence to a psychologically gripping, richly ambiguous story that suggests we may ultimately understand one another best not with facts alone, but through our imaginations.
Synopsis
A lush, gripping, psychologically complex novel that asks: How much do siblings owe one another?
At the edge of a woods, on the grounds of a defunct free school,” Ava and her brother, Fred, share a dreamy and seemingly idyllic childhooda world defined largely by their imaginations, a celebration of curiosity and the natural environment, and each others presence. Their parents, progressive educators, believe passionately that children develop best without formal instruction or societal constraint. Everyone is aware of Freds oddnessthe word autism” is whisperedbut his parents fierce disapproval of labels keeps him free of clinical evaluation, diagnosis, or intervention, and constantly at Avas side.
Decades later, Fred is arrested for a shocking crime, and Ava is frantic to piece together the story of what actually happened. A boy is dead. Fred is held in a county jail. But could he really have done what hes accused of? By now their parents are long gone, and the siblings have fallen out of touch, which causes Ava considerable guilt. Who is left to reach Fred? To explain him and his innocence to the world? Convinced that she alone can ensure he is regarded with sympathy, Ava tells their enthralling story.
A writer of enormous craft, Leah Hager Cohen brings her trademark intelligence and storytelling to a psychologically gripping, richly ambiguous novel that suggests we may ultimately understand one another best not with facts alone, but through our imaginations.
About the Author
Leah Hager Cohen is the author of five novels, most recently No Book but the World and The Grief of Others, which was long-listed for the Orange Prize, selected as a New York Times Notable Book, and named one of the best books of the year by the San Francisco Chronicle, Kirkus Reviews, and The Globe and Mail. She is also the author of five nonfiction titles, including Train Go Sorry and I Don't Know. She is a frequent contributor to The New York Times Book Review.