Synopses & Reviews
In
Scripting Jesus, famed scholar of early Christianity L. Michael White challenges us to read the gospels as they were originally intended—as performed stories of faith rather than factual histories. White demonstrates that each of the four gospel writers had a specific audience in mind and a specific theological agenda to push, and consequently wrote and
rewrote their lives of Jesus accordingly—in effect,
scripting Jesus to get a particular point across and to achieve the desired audience reaction.
The gospel stories have shaped the beliefs of almost two and a half billion Christians. But the gospel writers were not reporters—rather, they were dramatists, and the stories they told publicly about Jesus were edited and reedited for the greatest effect. Understanding how these first-century Christians wanted to present Jesus offers us a way to make sense of the sometimes conflicting stories in the gospels.
One gospel's version of events will be at odds with another. For instance, in Jesus's birth narrative, there is no mention of a stable in Matthew or Luke, but then there are no wise men in Luke and no shepherds in Matthew. Jesus has brothers in some gospel accounts, and sisters in others, and their naming is inconsistent. Depending on which gospel you are reading, the disciples shift from bumbling morons to heroes of faith. Miracles alter or disappear altogether, and whole scenes get moved around. Such changes from one gospel to the next reveal the shaping and reshaping of the basic story in the living world of the first followers of Jesus.
With his usual engaging style, White helps us read the gospels with fresh eyes, giving us a clearer idea of what the gospel stories meant to people in ancient times, and offering insight for how we can understand Jesus's story today.
Synopsis
The greatest story ever told was honed like any good performance, on the road in front of audiences. Acclaimed scholar L. Michael White challenges us to read the gospels as they were intended—as performed stories of faith, not factual accounts—and illuminates the agendas that motivated each of their authors. A fresh account of the gospels that have shaped centuries of Christian belief, Scripting Jesus offers important insight into how we can understand Jesuss story today.
Synopsis
In Scripting Jesus, Michael White, famed scholar of early Christian history, reveals how the gospel stories of Jesus were never meant to be straightforward historical accounts, but rather were scripted and honed as performance pieces for four different audiences with four different theological agendas. As he did as a featured presenter in two award-winning PBS Frontline documentaries (“From Jesus to Christ” and “Apocalypse!”), White engagingly explains the significance of some lesser-known aspects of The New Testament; in this case, the development of the stories of Jesus—including how the gospel writers differed from one another on facts, points of view, and goals. Readers of Elaine Pagels, Marcus Borg, John Dominic Crossan, and Bart Ehrman will find much to ponder in Scripting Jesus.
About the Author
L. Michael White is Ronald Nelson Smith Chair in Classics and Christian Origins and is the director of the Institute for the Study of Antiquity and Christian Origins at the University of Texas at Austin. He is the author of From Jesus to Christianity and was featured in two award-winning PBS Frontline documentaries, "From Jesus to Christ: The First Christians" and "Apocalypse!," for which he also served as principal historical consultant and co-writer. He also directs ongoing archaeological excavations of one of the oldest Greco-Roman synagogues at Ostia, Italy.