Synopses & Reviews
andlt;Pandgt;In the past, more often than not, aggressive women have been rebuked, told to keep a lid on, turn the other cheek, get over it. Repression more than aggression was seen as woman's domain. But recently there's been a noticeable cultural shift. With growing frequency, women's aggression is now celebrated in contemporary culture--in movies and TV, online ventures, and art. In andlt;Iandgt;Push Comes to Shoveandlt;/Iandgt;, Maud Lavin examines these new images of aggressive women and how they affect women's lives. Aggression, says Lavin, need not entail causing harm to another; we can think of it as the use of force to create change--fruitful, destructive, or both. And over the past twenty years, contemporary culture has shown women seizing this power. Lavin chooses provocative examples to explore the complexity of aggression, including the surfer girls in andlt;Iandgt; Blue Crushandlt;/Iandgt;, Helen Mirren as Jane Tennison in andlt;Iandgt;Prime Suspectandlt;/Iandgt;, the homicidal women in andlt;Iandgt; Kill Billandlt;/Iandgt;, and artist Marlene McCarty's mural-sized andlt;Iandgt;Murder Girlsandlt;/Iandgt;. Women need aggression and need to use it consciously, Lavin writes. With andlt;Iandgt; Push Comes to Shoveandlt;/Iandgt;, she explores the crucial questions of how to manifest aggression, how to represent it, and how to keep open a cultural space for it.andlt;/Pandgt;
Review
"…Lavin is well-versed in this kind of interdisciplinary negotiation and…handles the task of juxtaposing seemingly disparate media eloquently and efficiently." -- Art Journal The MIT Press
Review
"A timely, insightful look at contemporary representations of women's aggression and their impact on women's real lives.... Accessible, engaging, and grounded in reality. It's a uniquely useful book, one that provides a dynamic framework that could encompass explorations of an even wider range of women's aggression, such as roller derby or Hillary Clinton's presidential campaign. Here's hoping that Lavin's work pushes more critics and writers to undertake those explorations." Tammy Oler Bitch magazine The MIT Press
Review
"Push Comes to Shove is eloquent and inspiring. Simultaneously realistic and hopeful about the place and reception of strong women in contemporary society, this is an important book for all researchers on women and girls, and will be of interest to general audiences as well." Leslie Heywood, author of Pretty Good for a Girl and Built to Win The MIT Press
Review
"In Push Comes to Shove, Maud Lavin puts to words a motivational truth for brave women everywhere if we sit around and wait to be given what is rightfully ours, then we will sit around and wait forever. Sometimes we just have to grab it and not look back." Keala Kennelly, big wave surfer and the first woman to tow-in surf at Teahupo'o in Tahiti The MIT Press
Review
"In investigating the nuances of feminine aggression and its various forms of expression both historically and in contemporary culture, Maud Lavin also documents how we can understand it as a deeply productive and often necessary drive. Better yet, with her characteristic energy and invention, she imagines it as a force at once creative, comedic, erotic--which is to say, one that is not restricting, but rather, both enriching and exhilarating." Akiko Busch, author of Nine Ways to Cross a River The MIT Press
Review
andlt;Pandgt;andquot;and#133;Lavin is well-versed in this kind of interdisciplinary negotiation andand#133;handles the task of juxtaposing seemingly disparate media eloquently and efficiently.andquot; -- andlt;Iandgt;Art Journalandlt;/Iandgt;andlt;/Pandgt; The MIT Press The MIT Press
Review
andlt;Pandgt;andquot;A timely, insightful look at contemporary representations of women's aggression and their impact on women's real lives.... Accessible, engaging, and grounded in reality. It's a uniquely useful book, one that provides a dynamic framework that could encompass explorations of an even wider range of women's aggression, such as roller derby or Hillary Clinton's presidential campaign. Here's hoping that Lavin's work pushes more critics and writers to undertake those explorations.andquot; Tammy Oler Bitch magazineandlt;/Pandgt; The MIT Press
Review
andlt;Pandgt;"Push Comes to Shove is eloquent and inspiring. Simultaneously realistic and hopeful about the place and reception of strong women in contemporary society, this is an important book for all researchers on women and girls, and will be of interest to general audiences as well." Leslie Heywood, author of Pretty Good for a Girl and Built to Winandlt;/Pandgt; The MIT Press
Review
andlt;Pandgt;"In Push Comes to Shove, Maud Lavin puts to words a motivational truth for brave women everywhere if we sit around and wait to be given what is rightfully ours, then we will sit around and wait forever. Sometimes we just have to grab it and not look back." Keala Kennelly, big wave surfer and the first woman to tow-in surf at Teahupo'o in Tahitiandlt;/Pandgt; The MIT Press
Review
andlt;Pandgt;andquot;In investigating the nuances of feminine aggression and its various forms of expression both historically and in contemporary culture, Maud Lavin also documents how we can understand it as a deeply productive and often necessary drive. Better yet, with her characteristic energy and invention, she imagines it as a force at once creative, comedic, erotic--which is to say, one that is not restricting, but rather, both enriching and exhilarating." Akiko Busch, author of Nine Ways to Cross a Riverandlt;/Pandgt; The MIT Press
Synopsis
The new celebration of women's aggression in contemporary culture, from Kill Bill and Prime Suspect to the artists group Toxic Titties.
In the past, more often than not, aggressive women have been rebuked, told to keep a lid on, turn the other cheek, get over it. Repression more than aggression was seen as woman's domain. But recently there's been a noticeable cultural shift. With growing frequency, women's aggression is now celebrated in contemporary culture -- in movies and TV, online ventures, and art. In Push Comes to Shove, Maud Lavin examines these new images of aggressive women and how they affect women's lives.
Aggression, says Lavin, need not entail causing harm to another; we can think of it as the use of force to create change -- fruitful, destructive, or both. And over the past twenty years, contemporary culture has shown women seizing this power. Lavin chooses provocative examples to explore the complexity of aggression, including the surfer girls in Blue Crush, Helen Mirren as Jane Tennison in Prime Suspect, the homicidal women in Kill Bill, and artist Marlene McCarty's mural-sized Murder Girls.
Women need aggression and need to use it consciously, Lavin writes. With Push Comes to Shove, she explores the crucial questions of how to manifest aggression, how to represent it, and how to keep open a cultural space for it.
Synopsis
In the past, more often than not, aggressive women have been rebuked, told to keep a lid on, turn the other cheek, get over it. Repression more than aggression was seen as woman's domain. But recently there's been a noticeable cultural shift. With growing frequency, women's aggression is now celebrated in contemporary culture--in movies and TV, online ventures, and art. In Push Comes to Shove, Maud Lavin examines these new images of aggressive women and how they affect women's lives. Aggression, says Lavin, need not entail causing harm to another; we can think of it as the use of force to create change--fruitful, destructive, or both. And over the past twenty years, contemporary culture has shown women seizing this power. Lavin chooses provocative examples to explore the complexity of aggression, including the surfer girls in Blue Crush, Helen Mirren as Jane Tennison in Prime Suspect, the homicidal women in Kill Bill, and artist Marlene McCarty's mural-sized Murder Girls. Women need aggression and need to use it consciously, Lavin writes. With Push Comes to Shove, she explores the crucial questions of how to manifest aggression, how to represent it, and how to keep open a cultural space for it.
Synopsis
The new celebration of women's aggression in contemporary culture, from Kill Bill and Prime Suspect to the artists group Toxic Titties.
Synopsis
andlt;Pandgt;The new celebration of women's aggression in contemporary culture, from Kill Bill and Prime Suspect to the artists group Toxic Titties.andlt;/Pandgt;
About the Author
Maud Lavin is Professor of Visual and Critical Studies and Art History, Theory, and Criticism at the School of the Art Institute of Chicago. She is the author of Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch and Clean New World: Culture, Politics, and Graphic Design (MIT Press, 2001).