Synopses & Reviews
"God is our home but many of us have strayed from our native land. The venerable authors of these Spiritual Classics are expert guides -- may we follow their directions home". -- Archbishop Desmond Tutu
At a time when more and more readers are rediscovering their spirituality and seeking to integrate the divine into their daily lives, Vintage is proud to inaugurate its own series of spiritual classics. As the series title suggests, these books include the mainstays of the Western spiritual canon along with some of its less familiar masterpieces. They have been selected both for their historical importance and for their continued relevance to successive generations of readers. Printed in handsome uniform editions, with specially commissioned introductions by distinguished contemporary commentators, Vintage Spiritual Classics present the cumulative wisdom of the centuries to contemporary readers.
Of all the texts in the Christian tradition only the Bible has been more influential than this fifteenth-century meditation on the spiritual life, which has inspired readers from Thomas More and St. Ignatius Loyola to Thomas Merton and Pope John Paul I. With its instructions for renouncing worldly vanities in favor of eternal truths, The Imitation of Christ is the clearest and most universally accessible expression of Western religious ideals.
Synopsis
Only the Bible has been more influential as a source of Christian devotional reading than
The Imitation of Christ. This meditation on the spiritual life has inspired readers from Thomas More and St. Ignatius Loyola to Thomas Merton and Pope John Paul I. Written by the Augustinian monk Thomas à Kempis between 1420 and 1427, it contains clear instructions for renouncing wordly vanities and locating eternal truths. No book has more explicitly and movingly described the Christian ideal: "My son, to the degree that you can leave yourself behind, to that degree will you be able to enter into Me." With a new Preface by Sally Cunneen, author of
In Search of Mary: The Woman and the Symbol.
"God is our home but many of us have strayed from our native land. The venerable authors of these Spiritual Classics are expert guides--may we follow their directions home."
--Archbishop Desmond Tutu
About the Author
Thomas à Kempis (ca. 1380-1471) was an Augustinian monk in the Netherlands during the pre-Reformation period.
Carl Anderson is the Supreme Knight and chief executive officer of the Knights of Columbus, the world's largest Catholic fraternal service organization with more than 1.7 million members. He is the author of Called to Love, Our Lady of Guadalupe, and the New York Times bestseller A Civilization of Love: What Every Catholic Can Do to Transform the World.
Reading Group Guide
1. Like the three previous classics of monastic literature,
The Imitation of Christ is a guide to changing our lives and learning to grow closer to Christ in spirit and in deeds. The book opens with a quote and an exhortation: "'Whoever follows Me will not walk in darkness'--.These are Christ's own words by which He exhorts us to imitate His life and His ways" [p. 3]. What does it mean to "follow" Christ in your life? How does Thomas à Kempis approach this task differently from the Desert Fathers, Benedict, and Saint Francis?
2. The injunction that one should "have a humble opinion of one's self" and "love to be unknown and be esteemed as nothing" [pp. 4-5] is quite at odds with the culture of ambition, striving, and success in which we live. What mental and practical conflicts arise when we attempt to live according to this rule? What does Thomas mean when he writes, "He is truly great who is unimportant in his own eyes and considers the greatest of honors a mere nothing"? Is it at all possible to reconcile such teachings with worldly success?
3. Thomas wrote his Imitation for his fellow monks and it is based on the monastic life. How can we who are not living in monasteries, but rather very much in the world, use his precepts to grow closer to God and to attain inner peace? Which of the principles here are easiest to adapt to the busy lives we lead at the end of the 20th century, which most difficult?
4. Like Benedict, Thomas encourages the practice of silence and the setting aside of time for prayer and deep personal reflection [pp. 26-29]. What are the parallels in our contemporary lives to "listening to idle news and gossip" [p. 27]? What time-wasting activities can we learn to do without, in order to make time for solitude and meditation? How does the Christian monastic practice of silence and meditation compare with that of Eastern religions like Buddhism? If you are familiar with "mindfulness meditation" or meditation as practiced by Buddhists, what is similar and what is different between these Asian-based approaches and the Christian monastic approach?
5. Thomas addresses the most difficult question of all, perhaps: that of having the resolve and making the commitment to change our lives: "Come now, and begin this very moment and say to yourself: 'Now is the time to do it--.Now is the right time to amend my life'" [p. 32]. How do you respond to such a radical challenge? Do you feel, like Augustine, the desire to be changed, but "not yet" [Confessions, Book VIII]?
6. How can Thomas's advice on living in community and "Bearing with One Another's Failings" [pp. 20-21] be used to better our relationships with those with whom we live and work? What particular insights into human intimacy did you find most useful?
1. Like the three previous classics of monastic literature,
The Imitation of Christ is a guide to changing our lives and learning to grow closer to Christ in spirit and in deeds. The book opens with a quote and an exhortation: "'Whoever follows Me will not walk in darkness'--.These are Christ's own words by which He exhorts us to imitate His life and His ways" [p. 3]. What does it mean to "follow" Christ in your life? How does Thomas à Kempis approach this task differently from the Desert Fathers, Benedict, and Saint Francis?
2. The injunction that one should "have a humble opinion of one's self" and "love to be unknown and be esteemed as nothing" [pp. 4-5] is quite at odds with the culture of ambition, striving, and success in which we live. What mental and practical conflicts arise when we attempt to live according to this rule? What does Thomas mean when he writes, "He is truly great who is unimportant in his own eyes and considers the greatest of honors a mere nothing"? Is it at all possible to reconcile such teachings with worldly success?
3. Thomas wrote his Imitation for his fellow monks and it is based on the monastic life. How can we who are not living in monasteries, but rather very much in the world, use his precepts to grow closer to God and to attain inner peace? Which of the principles here are easiest to adapt to the busy lives we lead at the end of the 20th century, which most difficult?
4. Like Benedict, Thomas encourages the practice of silence and the setting aside of time for prayer and deep personal reflection [pp. 26-29]. What are the parallels in our contemporary lives to "listening to idle news and gossip" [p. 27]? What time-wasting activities can we learn to do without, in order to make time for solitude and meditation? How does the Christian monastic practice of silence and meditation compare with that of Eastern religions like Buddhism? If you are familiar with "mindfulness meditation" or meditation as practiced by Buddhists, what is similar and what is different between these Asian-based approaches and the Christian monastic approach?
5. Thomas addresses the most difficult question of all, perhaps: that of having the resolve and making the commitment to change our lives: "Come now, and begin this very moment and say to yourself: 'Now is the time to do it--.Now is the right time to amend my life'" [p. 32]. How do you respond to such a radical challenge? Do you feel, like Augustine, the desire to be changed, but "not yet" [Confessions, Book VIII]?
6. How can Thomas's advice on living in community and "Bearing with One Another's Failings" [pp. 20-21] be used to better our relationships with those with whom we live and work? What particular insights into human intimacy did you find most useful?