Synopses & Reviews
One of this century's leading works on Zen, this book is a valuable source for those wishing to understand its concepts in the context of Japanese life and art. In simple, often poetic, language, Daisetz Suzuki describes what Zen is, how it evolved, and how its emphasis on primitive simplicity and self-effacement have helped to shape an aesthetics found throughout Japanese culture. He explores the surprising role of Zen in the philosophy of the samurai, and subtly portrays the relationship between Zen and swordsmanship, haiku, tea ceremonies, and the Japanese love of nature. Suzuki's contemplative discussion is enhanced by anecdotes, poetry, and illustrations showing silk screens, calligraphy, and examples of architecture.
Review
"As one turns the pages of this delightful book, one seems to catch intimations of how and why certain aspects of the "spirit of Zen' are making themselves felt in America today."
--The New York Times
Table of Contents
| Preface | |
| List of Plates | |
| Chronology | |
I | What Is Zen? | 1 |
II | General Remarks on Japanese Art Culture | 19 |
III | Zen and the Study of Confucianism | 39 |
IV | Zen and the Samurai | 59 |
V | Zen and Swordsmanship I | 87 |
VI | Zen and Swordsmanship II | 137 |
VII | Zen and Haiku | 215 |
VIII | Zen and the Art of Tea I | 269 |
IX | Zen and the Art of Tea II | 291 |
X | Rikyu and Other Teamen | 315 |
XI | Love of Nature | 329 |
| Appendices | 397 |
I | Two Mondo from the "Hekigan-shu" | 399 |
II | The Vimalakirti Sutra | 410 |
III | "Yama-uba," a No Play | 419 |
IV | The Swordsman and the Cat | 428 |
V | Chuang-tzu | 436 |
| Bibliography | 443 |
| Index | 449 |