Synopses & Reviews
2006 American Book Award, presented by the Before Columbus FoundationSouthern Italian emigration to the United States peaked a full century ago—;descendents are now fourth and fifth generation, dispersed from their old industrial neighborhoods, professionalized, and fully integrated into the “melting pot.” Surely the social historians are right: Italian Americans are fading into the twilight of their ethnicity. So, why is the American imagination enthralled by The Sopranos, and other portraits of Italian-ness?
Italian American identity, now a mix of history and fantasy, flesh-and-bone people and all-too-familiar caricature, still has something to teach us, including why each of us, as citizens of the U.S. twentieth century and its persisting cultures, are to some extent already Italian. Contending that the media has become the primary vehicle of Italian sensibilities, Ferraro explores a series of books, movies, paintings, and records in ten dramatic vignettes. Featured cultural artifacts run the gamut, from the paintings of Joseph Stella and the music of Frank Sinatra to The Godfathers enduring popularity and Madonnas Italian background. In a prose style as vivid as his subjects, Ferraro fashions a sardonic love song to the art and iconography of Italian America.
Review
"Ruth Colker's Hybrid is an ambitious study of the U.S. legal system and the binary lens through which it determines justice. U.S. Courts, according to Colker, not only neglect to address the reality of bisexuals, multiracials, transgenderists, and many people with disabilities, but also fail to acknowldedge the varied ways that race, sex and ability are constructed in U.S. society. She offers a critique of the U.S. legal system and suggests strategies for working with these issues in the future."-Committee on Lesbian and Gay History Newsletter,
Review
“Ferraro maintains a breezy, journalistic style that has produced an easy and entertaining read. His work may give hope to people of other ethnicities who presently suffer from isolation and alienation on the part of the general American public.”
-Multicultural Review,
Review
“Ferraro traces the 'evolution and persistence' of an identifiable Italian American identity, from the time of widespread Italian immigration in the late 1800s through popular mediated portrayals of Italian Americans such as those found in The Sopranos television series. The book is an important contribution not only to Italian American studies, but to the understanding of ethnicity in the 21st-century US.”
-Choice,
Review
“Feeling Italian is a smart book, one that makes the reader think beyond the usual ways of looking at whats Italian about the US.”
-American Book Review,
Review
“This inspired, sophisticated, provoking book should command the attention of anybody interested in American Italianness in particular or the cultural consequences of ethnicity in general. Joseph Stella and Frank Sinatra, Maria Barbella and Giancarlo Esposito, Madonna and the good people who brought you the Corleones and Sopranos—;they and others appear here, often seen in startlingly fresh ways, as creators and exemplars of the aesthetic Tom Ferraro calls ‘feeling Italian. Wise, funny, contagiously enthusiastic, Ferraro takes us far beyond the narrow pieties of the identity police or anti-defamation types as he traces the development of a widely accessible American cultural style that still bears the marks of distinctively Italian ways of making do and making sense.”
-Carlo Rotella,author of Good With Their Hands: Boxers, Bluesmen, and Other Characters from the Rust Belt
Review
“Original and deeply right. There is no other book that digs so deeply into the matter at hand, and does so with such eloquence and ferocity of intellect.”
-Jay Parini,author of Passage to Liberty: The Story of Italian Immigration and the Rebirth of America
Synopsis
The United States, and the West in general, has always organized society along bipolar lines. We are either gay or straight, male or female, white or not, disabled or not.
In recent years, however, America seems increasingly aware of those who defy such easy categorization. Yet, rather than being welcomed for the challenges that they offer, people living the gap are often ostracized by all the communities to which they might belong. Bisexuals, for instance, are often blamed for spreading AIDS to the heterosexual community and are regarded with suspicion by gays and lesbians. Interracial couples are rendered invisible through monoracial recordkeeping that confronts them at school, at work, and on official documents. In Hybrid, Ruth Colker argues that our bipolar classification system obscures a genuine understanding of the very nature of subordination. Acknowledging that categorization is crucial and unavoidable in a world of practical problems and day-to-day conflicts, Ruth Colker shows how categories can and must be improved for the good of all.
Synopsis
The United States, and the West in general, has always organized society along bipolar lines. We are either gay or straight, male or female, white or not, disabled or not.
In recent years, however, America seems increasingly aware of those who defy such easy categorization. Yet, rather than being welcomed for the challenges that they offer, people living the gap are often ostracized by all the communities to which they might belong. Bisexuals, for instance, are often blamed for spreading AIDS to the heterosexual community and are regarded with suspicion by gays and lesbians. Interracial couples are rendered invisible through monoracial recordkeeping that confronts them at school, at work, and on official documents. In Hybrid, Ruth Colker argues that our bipolar classification system obscures a genuine understanding of the very nature of subordination. Acknowledging that categorization is crucial and unavoidable in a world of practical problems and day-to-day conflicts, Ruth Colker shows how categories can and must be improved for the good of all.
About the Author
Ruth Colker is a Distinguished University Professor and the Heck-Faust Memorial Chair in Constitutional Law at the Michael E. Moritz College of Law, Ohio State University. She is the author of Hybrid, The Disability Pendulum, and American Law in the Age of Hypercapitalism, all available from NYU Press.
Table of Contents
Introduction : living the gap -- A bi jurisprudence -- Sexual orientation -- Gender -- Race -- Disability -- Bipolar injustice : the moral code -- Invisible hybrids under the U.S. census.