Synopses & Reviews
2007 Lambda Literary Award Finalist, LGBT StudiesRichard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals announced the very themes of race, gender, and sexuality with which so many contemporary critics are now engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and not simply products, of history. Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today.
Turning first to the late and relatively obscure novels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as innocent. Instead they insisted upon the responsibility of all citizens—even the most oppressed—within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetbacks Baadasssss Song.
Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.
Review
“Once You Go Black sustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history.”
-Lambda Book Report,
Review
“In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word.”
-Siobhan B. Somerville,University of Illinois, Urbana-Champaign
Review
“A deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers.”
-GC Advocate,
Review
“Provocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions—sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory—but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity.”
-Marlon Ross,author of Manning the Race
Review
“Once You Go Black sustains head-on, constant, and enormously crucial, intellectual challenges to readers. These challenges do not simply require us to rethink a wealth of commonly accepted assumptions but demand that we re-conceptualize how we think about some basic constructs of American intellectual history.”
“In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word.”
“Provocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions—sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory—but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity.”
“A deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers.”
Review
"The Rabbinic oft-name for Torah (Learning) is (Reading) which carries the root (call), thus seeding the scriputural charge, (interpret me). Sixty briskly written, argumentative, apologetic, slightly political commentaries successfully do so in the spirit of religious freedom and equalitarian (sic)tolerance."-CHOICE,
Review
"The tone of the commentaries varies greatly: some are scholarly treatises drawing heavily on rabbinic sources, some are sociological or biological studies, while others are deeply moving personal essays. The book includes bibliographical references and an index. Highly recommended for all libraries."-Association of Jewish Libraries Newsletters,
Review
“This unique and lively work blends the traditional Jewish format of dividing Torah into weekly portions with specifically queer perspectives on them. Torah Queeries unveils a new queer Jewish way to understand this most sacred and central text that will surely stimulate and challenge the reader.”
-Rabbi Rebecca T. Alpert,author of Whose Torah? A Concise Guide to Progressive Judaism
Review
“Provides a challenge to readers and preachers who are single-mindedly devoted to the straight and narrow.”
-Daniel Boyarin,author of Carnal Israel: Reading Sex in Talmudic Culture
Review
“Gives engaged, pertinent, GLBT-focused meaning to the Tanach. The analyses offered here work to break boundaries, queer-ing, celebrating, and re-creating our Jewish texts and traditions in meaningful ways. These acts of reading become the radical movement of making a space for GLBT Jews that is clever, humorous, loving, and thought-provoking.”
-Rabbi Sharon Kleinbaum,Congregation Beth Simchat Torah, New York
Synopsis
2007 Lambda Literary Award Finalist, LGBT Studies Richard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals announced the very themes of race, gender, and sexuality with which so many contemporary critics are now engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and not simply products, of history. Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today.
Turning first to the late and relatively obscure novels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as innocent. Instead they insisted upon the responsibility of all citizens-even the most oppressed-within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback's Baadasssss Song.
Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.
Synopsis
In the Jewish tradition, reading of the Torah follows a calendar cycle, with a specific portion assigned each week. These weekly portions, read aloud in synagogues around the world, have been subject to interpretation and commentary for centuries. Following on this ancient tradition,
Torah Queeries brings together some of the worlds leading rabbis, scholars, and writers to interpret the Torah through a "bent lens". With commentaries on the fifty-four weekly Torah portions and six major Jewish holidays, the concise yet substantive writings collected here open up stimulating new insights and highlight previously neglected perspectives.
This incredibly rich collection unites the voices of lesbian, gay, bisexual, transgender, and straight-allied writers, including some of the most central figures in contemporary American Judaism. All bring to the table unique methods of reading and interpreting that allow the Torah to speak to modern concerns of sexuality, identity, gender, and LGBT life. Torah Queeries offers cultural critique, social commentary, and a vision of community transformation, all done through biblical interpretation. Written to engage readers, draw them in, and, at times, provoke them, Torah Queeries examines topics as divergent as the Levitical sexual prohibitions, the experience of the Exodus, the rape of Dinah, the life of Joseph, and the ritual practices of the ancient Israelites. Most powerfully, the commentaries here chart a future of inclusion and social justice deeply rooted in the Jewish textual tradition.
A labor of intellectual rigor, social justice, and personal passions, Torah Queeries is an exciting and important contribution to the project of democratizing Jewish communities, and an essential guide to understanding the intersection of queerness and Jewishness.
About the Author
Gregg Drinkwater is the executive director of Jewish Mosaic: The National Center for Sexual and Gender Diversity.
Joshua Lesser is the rabbi of Bet Haverim in Atlanta, Georgia, and the founder of the Rainbow Center: A Jewish Response to LGBT people and their families.
David Shneer is director of the Program in Jewish Studies and associate professor of history at the University of Colorado at Boulder.
Judith Plaskow is professor of religious studies at Manhattan College.