Synopses & Reviews
Could it be that the familiar and beloved figure of Confucius was invented by Jesuit priests? In
Manufacturing Confucianism, Lionel M. Jensen reveals this very fact, demonstrating how sixteenth- and seventeenth-century Western missionaries used translations of the ancient
ru tradition to invent the presumably historical figure who has since been globally celebrated as philosopher, prophet, statesman, wise man, and saint.
Tracing the history of the Jesuitsandrsquo; invention of Confucius and of themselves as native defenders of Confuciusandrsquo;s teaching, Jensen reconstructs the cultural consequences of the encounter between the West and China. For the West, a principal outcome of this encounter was the reconciliation of empirical investigation and theology on the eve of the scientific revolution. Jensen also explains how Chinese intellectuals in the early twentieth century fashioned a new cosmopolitan Chinese culture through reliance on the Jesuitsandrsquo; Confucius and Confucianism. Challenging both previous scholarship and widespread belief, Jensen uses European letters and memoirs, Christian histories and catechisms written in Chinese, translations and commentaries on the Sishu, and a Latin summary of Chinese culture known as the Confucius Sinarum Philosophus to argue that the national self-consciousness of Europe and China was bred from a cultural ecumenism wherein both were equal contributors.
Review
andldquo;A thesis that will scandalize cultural purists: the andlsquo;Confuciusandrsquo; we love, honor and emulate springs from the intercultural trafficking of seventeenth-century Jesuit missionaries. Jensen argues his case on many planes, with nuance and bedrock affection for both China and sinology.andrdquo;andmdash;Haun Saussy, Stanford University, and author of The Problem of a Chinese Aesthetic
Review
andldquo;Jensen makes his case with a forceful combination of detailed sinological research and rigorous reasoning. It is certain to be a focus of discussion for many decades to come. Indeed, it will be a significant milestone in the field.andrdquo;andmdash;Hoyt Cleveland Tillman, Arizona State University, and author of Confucian Discourse and Chu Hsiandrsquo;s Ascendancy
Synopsis
Describes how the figure of Confucius was actually invented by sixteenth and seventeenth century Jesuits and how it was later adopted by Chinese intellectuals.
About the Author
“A thesis that will scandalize cultural purists: the ‘Confucius’ we love, honor and emulate springs from the intercultural trafficking of seventeenth-century Jesuit missionaries. Jensen argues his case on many planes, with nuance and bedrock affection for both China and sinology.”—Haun Saussy, Stanford University, and author of The Problem of a Chinese Aesthetic“Jensen makes his case with a forceful combination of detailed sinological research and rigorous reasoning. It is certain to be a focus of discussion for many decades to come. Indeed, it will be a significant milestone in the field.”—Hoyt Cleveland Tillman, Arizona State University, and author of Confucian Discourse and Chu Hsi’s Ascendancy