Synopses & Reviews
As a young boy, Pao comes to Jamaica in the wake of the Chinese Civil War and rises to become the Godfather of Kingston's bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novel's great charm.
A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change.
Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingston's shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.
Synopsis
SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD
I was just a boy when I come to Jamaica.
Kingston, 1938. Fourteen-year-old Yang Pao steps off the ship from China with his mother and brother, after his father has died fighting for the revolution. They are to live with Zhang, the 'godfather' of Chinatown, who mesmerises Pao with stories of glorious Chinese socialism on one hand, and the reality of his protection business on the other.
When Pao takes over the family's affairs he becomes a powerful man. He sets his sights on marrying well, but when Gloria Campbell, a black prostitute, comes to him for help he is drawn to her beauty and strength. They begin a relationship that continues even after Pao marries Fay Wong, the 'acceptable' but headstrong daughter of a wealthy Chinese merchant.
As the political violence escalates in the 1960s the lines between Pao's socialist ideals and private ambitions become blurred. Jamaica is transforming, the tides of change are rising, and the one-time boss of Chinatown finds himself cast adrift. Richly imagined and utterly captivating, Pao is a dazzling tale of race, class and colour, love and ambition, and a country at a historical crossroads.