Synopses & Reviews
Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself.
In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times.
About the Author
Jean-Paul Martinon is Programme Leader of the MPhil/PhD in Visual Cultures and Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London, UK.
Table of Contents
Notes on Contributors
List of Illustrations
Preface
Irit Rogoff (Goldsmiths College, UK) and Jean-Paul Martinon(Goldsmiths College, UK)Introduction
Jean-Paul Martinon (Goldsmiths College, UK)Part I: Send-Offs1. On the Curatorial, From the Trapeze
Raqs Media Collective2. Theses in the Philosophy of Curating
Jean-Paul Martinon (Goldsmiths College, UK)3. Whence the Future?
Alfredo Cramerotti (University of Wales, UK)4. The Expanded Field
Irit Rogoff (Goldsmiths College, UK)5. Dear Art,Yours Sincerely
Natasa Ilic (WHW, Croatia and Germany)Part II: Praxeologies6. The Curator Crosses the River: A Fabulation
Stefan Nowotny (Goldsmiths College, UK)7. Becoming-Curator
Suzana Milevska (Institute of Gender Studies, Macedonia) 8. An Exhausted Curating
Leire Vergara (Goldsmiths College, UK and University of the Basque Country, Spain) 9. Eros, Plague, Olfaction: Three Allegories of the Curatorial
Jenny Doussan (Goldsmiths College, UK)Part III: Moves10. The Task at Hand: Transcending the Clamp of Sovereignty
Ariella Azoulay (Brown University, USA)11. The Simple Operator
Sarah Pierce (Sandberg Institute, The Netherlands)12. Three Short Takes on the Curatorial
Doreen Mende (Dutch Art Institute, The Netherlands)13. Aku menjadi saksi kepada / What I am Thinking
Roopesh Sitharan (University of Santa Cruz, USA)14. Betrayal and the Curatorial
Joshua Simon (Museum of Bat Yam, Israel and New School, NY, USA)Part IV: Heresies15. A Conspiracy Without a Plot
Stefano Harney (Singapore Management University, Singapore) and Valentina Desideri16. What does a Question Do? Micropolitics and Art Education
Susan Kelly (Goldsmiths College, UK)17. Being Able to Do Something
Nora Sternfeld (Aalto University, Finland)18. The Politics of Residual Fun
Valeria Graziano (Queen Mary University, UK)Part V: Refigurations19. Modern Art: Its Very Idea
Helmut Draxler (Merz Academy, Germany)20 Two Invoking Media: Radio and Exhibition
Jean-Louis Déotte (University of Paris, France)21. In Unfamiliar Terrain
Anshuman Dasgupta (Visva-Bharati University, India)22. Curating Ghostly Objects
Cihat Arinç23. Non-Museums
Adnan Madani (Goldsmiths College, UK)Part VI: Stages24. Curating, Dramatization, and the Diagram
Bridget Crone(Goldsmiths College, UK)25. Curating Context
Aneta Szylak(Copenhagen University, Denmark and Goldsmiths, UK)26. Backstage and Processuality
Ines Moreira(Goldsmiths College, UK)27. This is Not About Us
Je Yun Moon(Goldsmiths College, UK)CodaThe Curatorial
Charles Esche (University of the Arts, London, UK)Bibliography
Index