Synopses & Reviews
The work of Spanish architect Julio Salcedo is shown in this book as a series of built and speculative projects. Salcedo's houses - early achievements that stunned both academic and professional circles with their freshness and precocious sophistication - are presented along with unpublished competition proposals for large-scale buildings. The projects in their varying locations, scales and ambitions all demonstrate a commitment to architecture as a conceptual medium with a capacity to tackle complex ideas as well as working projects with a transformative practicality. Each is a built essay that works through architectural problems of form, construction and material to achieve a thought-provoking resolution of satisfying beauty.
Synopsis
This book presents the work of the New York based, Spanish architect Julio Salcedo in a series of built and speculative projects. Salcedo's houses, early achievements that stunned both academic and professional circles with their fresh originality and precocious sophistication, are presented along with unpublished competition proposals for large-scale buildings. The projects' varying locales, scales, and ambitions all demonstrate a commitment to architecture as a conceptual medium with the capacity to tackle complex ideas as well as a material practice of transformative, worldly practicality. Each is a built essay that works through architectural problems of form, construction, and material to achive thought-provoking resolutions of a difficult yet satisfying beauty. The book complements a thorough graphic documentation of selected projects with Salcedo's own writings and critical essays by Luis Rojo de Castro and Ivan Rupnik. They situate the projects in Salcedo's multi-faceted conceptual and professional world and place them in the context of the constellation of ideas that currently shape and propel the field. "Julio Salcedo's ongoing interest in landscape and urban design has informed his architectural work, producing a rich, invested and responsible practice." Rafael Moneo.