Synopses & Reviews
The poems in Writing the Silences represent more than 60 years of Richard O. Mooreand#8217;s work as a poet. Selected from seven full-length manuscripts written between 1946 and 2008, these poems reflect not only Mooreand#8217;s place in literary historyand#151;he is the last of his generation of the legendary group of San Francisco Renaissance poetsand#151;but also his reemergence into todayand#8217;s literary world after an important career as a filmmaker and producer in public radio and television. Writing the Silences reflects Mooreand#8217;s commitment to freedom of form, his interest in language itself, and his dedication to issues of social justice and ecology.
Review
and#8220;Almost 60 years of thoughtful, terse, decidedly modernist verse and prose poetry come together in this first collection. . . . much of it tersely humble, both philosophical and political, with cadence reminiscent of George Oppen.and#8221;
Review
and#8220;Richard O. Mooreand#8217;s no sapling by a long shot, but his poetry is lithe. It expands itself in the off-handed dialect of this countryand#8217;s newest voices, but remains rooted to the old codes of keen sincerity. It is real poetry, sure enough to break from silence and, when need be, return.and#8221;
Review
and#8220;[These poems] are at once sensual and intellectual, erotic and philosophic, and they appeal to all the senses.and#8221;
Synopsis
"Here is poetry that reminds its readers that a poem is as much a crucible of thinking as it is a crucible of belief, that philosophical doubt and mythic vision do not oppose each other, but are contradictions in which world turns around to become word."and#151;Dan Beachy-Quick, author of This Nest
About the Author
Richard O. Moore, now 90, is a poet, filmmaker, and seminal figure in public radio and television. Moore belonged to the San Francisco Renaissance literary circle of Kenneth Rexroth in the 1940s and 1950s, which was a precursor to the Beat poetry movement.
Writing the Silences is his second book. Moore is the 2010 recipient of the Milley Award for Achievement in the Literary Arts.
Brenda Hillman is an award-winning poet who has published eight books of poems, most recently
Practical Water. Her collection
Loose Sugar was a finalist for the National Book Critics Circle Award in 1997. She is Olivia C. Filippi Professor of Poetry at Saint Mary's College.
Paul Ebenkamp holds an M.F.A. from Saint Mary's College and works as a research assistant and editor.
Table of Contents
Contents
Photographs follow page
Preface Brenda Hillman
Acknowledgments
[Therefore, set forth over the black river]
Shadow and Light
Itinerary
By the Lake
Utensils
Driving to Fort Bragg
Dog in the Forest
History
Columbia 1960
Ten Philosophical Asides
Marginalia: Whitehead
Quotations
Analects
from d{ens}e{ens}l{ens}e{ens}t{ens}e
and#147;Come Live with Meand#8221;
:{ems}It{ems}:
from Writing the Silences
and#147;Come Sundayand#8221;
Birthright
Notebook
This Morning
Aftershock
Visiting Hours
The Parachutistand#8217;s Annunciation
Holding On
. . . a divertimento . . .
Footnotes
A Funeral of Memory
The Winter Garden
A Treasury of Darkness
Introit
Over the Shoulder
Meanwhile
Early Poems
from A History Primer
Seascape
from September Elegy
from At Caesarand#8217;s Gate
A Reminiscence
Birthday View Opening on a Garden
Notes