Synopses & Reviews
Bold and deeply affecting,
Awake in the Dark is a provocative and haunting work of fiction about who we are and how we are formed by history. These luminous stories portray the contemporary lives of the children of Holocaust victims and perpetrators as they struggle with the legacy of their parents -- their questions of identity, family, and faith.
Awake in the Dark is peopled by characters embarking on journeys of self-discovery; they unearth the past and the secrets that shaped them. In "The House on Kronenstrasse," a woman returns to Germany to find her childhood home; in "The Porcelain Monkey," the shocking origins of an Orthodox Jewish woman's faith are revealed; in "The Lamp," the harrowing experiences of a young woman leave her with the perfect daughter and a strange light; and in "Dark Urgings of the Blood," a patient is convinced that she shares a disturbing history with her psychiatrist.
Rendered in clear, unaffected prose, Shira Nayman's powerful and heartbreaking collection explores the burden of history. Awake in the Dark is an illuminating and startling book about the disguises we don, the secrets we keep, and the consequences of our silences.
Review
Word for word, sentence for sentence, paragraph for paragraph, Nayman creates a gripping narrative with style and depth. Set in a post-World War II asylum, the cast of characters interact within their defined roles of clinicians, nurses, and patients. However, when Dr. Harrison encounters a mysterious patient with a dark secret in his counseling sessions, the well-defined boundaries that separate the characters slowly erode as their lives intertwine. In the process, the arbitrary lines between sanity and insanity are exposed. Nayman paces the narrative well, with thick, sensuous writing throughout, developing each character with a compelling reality. Much like her collection of short stories, Awake in the Dark, this novel continues to explore the ways in which individuals negotiate and construct their sense of identity. Featuring a plot as rich as the characters, this is a thought-provoking and psychological exploration of love, war, and human identity. VERDICT Readers who enjoyed Ian McEwan's Atonement will enjoy the introspective tone of Nayman's work. Library Journal, Joshua Finnell, Denison Univ. Lib., Granville, OH
Review
A doctor and a patient confront each other at an upscale Westchester mental asylum in the late 1940s. The unreliable narrator of this first novel is Henry Harrison, director of Shadowbrook hospital, who reveals his spectacular unfitness to be in charge of a psychiatric institution as he exposes layers of weakness and paranoia. Off-duty, Henry drinks and smokes opium. His professional past includes a murky involvement with a female patient who still haunts his dreams. His marriage is disintegrating, and he has developed a fixation on Matilda, one of the nurses. Morally compromised on several levels, Henry now finds himself tested by a new patient who fought in World War II. Bertram Reiner's experiences in part mirror Henry's; his intelligence challenges his doctor's authority; and his affair with Matilda turns Henry into a jealous voyeur. Further alter-ego issues revolve around Bertram's brother, a German soldier who committed atrocities against Jews. Although Nayman (Stories: Awake in the Dark, 2006) emulates Pat Barker in viewing war through the eyes of a doctor dealing with the psychological havoc it wreaks, her dark, obsessive novel eschews the Regeneration trilogy's detached tone in favor of trance-like scenes and moody visual intensity akin to a black-and-white movie melodrama, complete with lurching perspectives and looming shadows. The narrative becomes even more feverish in its final third, as it spins towards a long-signposted conclusion. Vividly imagined and evoked. Kirkus Reviews
Table of Contents
Contents
I
The House on Kronenstrasse
The Porcelain Monkey
The Lamp
II
Dark Urgings of the Blood
Notes
Acknowledgments