Synopses & Reviews
Why and how does the appeal of certain male Hollywood stars cross over from straight to gay audiences? Do stars lose their cachet with straight audiences when they cross over? In
Gay Fandom and Crossover Stardom Michael DeAngelis responds to these questions with a provocative analysis of three famous actorsandmdash;James Dean, Mel Gibson, and Keanu Reeves. In the process, he traces a fifty-year history of audience reception that moves gay male fandom far beyond the realm of andldquo;campandrdquo; to places where culturally unauthorized fantasies are nurtured, developed, and shared.
and#9;DeAngelis examines a variety of cultural documents, including studio publicity and promotional campaigns, star biographies, scandal magazines, and film reviews, as well as gay political and fan literature that ranges from the closeted pages of One and Mattachine Review in the 1950s to the very andldquo;outandrdquo; dish columns, listserv postings, and on-line star fantasy narratives of the past decade. At the heart of this close historical study are treatments of particular film narratives, including East of Eden, Rebel Without a Cause, The Road Warrior, Lethal Weapon, My Own Private Idaho, and Speed. Using theories of fantasy and melodrama, Gay Fandom and Crossover Stardom demonstrates how studios, agents, and even stars themselves often actively facilitate an audienceandrsquo;s strategic blurring of the already tenuous distinction between the heterosexual mainstream and the gay margins of American popular culture.
and#9;In addition to fans of James Dean, Mel Gibson, and Keanu Reeves, those interested in film history, cultural studies, popular culture, queer theory, gender studies, sociology, psychoanalytic theory, melodrama, fantasy, and fandom will enjoy this book.
Review
andldquo;What is James Deanandrsquo;s appeal for generations of queer men? How did Mel Gibson win, and then alienate, a gay audience? What is behind Keanu Reevesandrsquo;s sexual ambiguity? You will discover the answers to these, and many other, provocative questions about male stars and their male fans in Michael DeAngelisandrsquo;s sharply argued and wonderfully written Gay Fandom and Crossover Stardom.andrdquo;andmdash;Alex Doty, author of Flaming Classics: Queering the Film Canon
Review
andldquo;An important contribution to star studies, one distinguished by the way that it convincingly brings together queer theory, cultural studies, and close textual analysis.andrdquo;andmdash;Steven Cohan, author of Masked Men: Masculinity and the Movies in the Fifties
Synopsis
A case study of James Dean, mel Gibson, and Keanu Reeves and how they maintain their appeal to both gay and straight audiences.
About the Author
Michael DeAngelis is Assistant Professor at the School for New Learning at DePaul University.