Synopses & Reviews
Paris, 1938. The Peruvian poet César Vallejo is in the hospital, afflicted with an undiagnosed illness, and unable to stop hiccuping. His wife calls on an acquaintance of her friend Madame Reynaud: the Mesmerist Pierre Pain. Pain, a timid bachelor, is in love with the widow Reynaud, and agrees to help. But two mysterious Spanish men follow Pain and bribe him not to treat Vallejo, and Pain takes the money. Ravaged by guilt and anxiety, however, he does not intend to abandon his new patient, but then Pain's access to the hospital is barred and Madame Reynaud leaves Paris.... Another practioner of the occult sciences enters the story (working for Franco, using his Mesmeric expertise to interrogate prisoners)--as do Mme. Curie, tarot cards, an assassination, and nightmares. Meanwhile, Monsieur Pain, haunted and guilty, wanders the crepuscular, rainy streets of Paris...
Review
"Employing a reserved and stately voice reminiscent of pre-Modernist fiction, Pain's tale is itself mesmerizing, debonair and entertaining." Cooper Renner
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John Coltrane jamming with the Sex Pistols. --John M. Richardson
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Delightfully noirish. --Brad Hooper
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", an early novella, beautifully translated by Chris Andrews, joins his other works in all their aching splendour." Brad Hooper Booklist
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Bolaño's gleeful but deadpan bouillabaisse of French surrealism, expressionism, and Kafkaesque unease. --Dan Vitale
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"A very good read and essential for Bolaño completists." Craig Morgan Teicher
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This beautifully translated early novella, set in Paris... joins the late author's other works in all its aching splendor.A heightened sense of analogy aligns careless deserters, serious moviegoers and sold-out psychics to a world of labyrinthine visions…. --Roberto Ontiveros
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It is more accessible than anything else of his I've read. We're sailing smoothly on Bolaño's flowing prose. --Trevor Berrett
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A real discovery and a substantial addition to the growing Bolaño library in English. --Stephen Henighan
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"Bolaño wrote with the high-voltage first-person braininess of a Saul Bellow and an extreme subversive vision of his own." Sarah Kerr The New York Review of Books
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"Roberto Bolaño was an examplary literary rebel. To drag fiction toward the unknown, he had to go there himself, and there invent a method with which to represent it. Since the unknown place was reality, the results are multi-dimensional." John M. Richardson Esquire
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A surrealist's attic of unlikely juxtapositions…. Unease rules. --Will Blythe
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"John Coltrane jamming with the Sex Pistols." Elimae
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Delightfully noirish. --John M. RichardsonEsquire
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"Delightfully noirish." John M. Richardson Esquire
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"John Coltrane jamming with the Sex Pistols." The Plain Dealer
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"Delightfully noirish." Francisco Goldman The New York Times Magazine
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"A heightened sense of analogy aligns careless deserters, serious moviegoers and sold-out psychics to a world of labyrinthine visions...." Carolina de Robertis National Post
Synopsis
Occult sciences, César Vallejo, WWII, hopeless love, and a final "Epilogue for Voices": is a hallucinatory masterwork by the great Roberto Bolano.
About the Author
Author of 2666 and many other acclaimed works, Roberto Bolaño (1953-2003) was born in Santiago, Chile, and later lived in Mexico, Paris, and Spain. He has been acclaimed "by far the most exciting writer to come from south of the Rio Grande in a long time" (Ilan Stavans, The Los Angeles Times)," and as "the real thing and the rarest" (Susan Sontag). Among his many prizes are the extremely prestigious Herralde de Novela Award and the Premio Rómulo Gallegos. He was widely considered to be the greatest Latin American writer of his generation. He wrote nine novels, two story collections, and five books of poetry, before dying in July 2003 at the age of 50.The poet Chris Andrews has translated many books by Roberto Bolaño and César Aira for New Directions.