Synopses & Reviews
Poetry. Poetry. Essay. Cross-Genre. In a combination of discourse and lyric, paragraph and couplet, Bay Area poet and novelist Laura Moriarty explicates the poetics of a group of writers that resists categorization. This book-length essay uses the work of the California Tonalist painters to articulate new understanding and new possibilities for poetic practice.
About the Author
Laura Moriarty was born in St. Paul, Minnesota, and grew up in Cape Cod, Massachusetts, and in Northern California. She attended the University of California at Berkeley. She was the Director of the American Poetry Archives at the Poetry Center at San Francisco State University for many years. She has taught at Naropa University and Mills College and is now the Deputy Director of Small Press Distribution. Her books include A TONALIST (Nightboat Books, 2010), A SEMBLANCE: SELECTED AND NEW POEMS, 1975-2007 (Omnidawn, 2007), ULTRAVIOLETA (Atelos, 2006), SELF-DESTRUCTION (Post-Apollo Press, 2005), NUDE MEMOIR (Krupskaya, 2000), THE CASE (0 Books, 1998), SPICER'S CITY (Poetry New York, 1998), SYMMETRY (Avec Books, 1996), L'Archiviste (Zasterle 1991), LIKE ROADS (Kelsey St. Press, 1990), and RONDEAUX (Roof Books, 1990).