Synopses & Reviews
Ian Buruma is currently the Paul R. Williams Professor of Human Rights and Journalism at Bard College. His previous books include Year Zero: A History of 1945, Murder in Amsterdam: The Death of Theo Van Gogh and the Limits of Tolerance, Taming the Gods: Religion and Democracy on Three Continents, and Occidentalism: The West in the Eyes of its Enemies. He writes frequently for The New York Review of Books, The New York Times Magazine, The New Yorker, and the Financial Times. In Spring 2015, NYRB will reissue his book The Wages of Guilt: Memories of War in Japan and Germany.
Synopsis
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay.
Ian Buruma is fascinated, he writes, "by what makes the human species behave atrociously." In Theater of Cruelty the acclaimed author of The Wages of Guilt and Year Zero: A History of 1945 once again turns to World War II to explore that question--to the Nazi occupation of Paris, the Allied bombing of German cities, the international controversies over Anne Frank's diaries, Japan's militarist intellectuals and its kamikaze pilots.
One way that people respond to power and cruelty, Buruma argues, is through art, and the art that most interests him reveals the dark impulses beneath the veneer of civilized behavior. This is what draws him to German and Japanese artists such as Max Beckmann, George Grosz, Ernst Ludwig Kirchner, Mishima Yukio, and Yokoo Tadanori, as well as to filmmakers such as Werner Herzog, Rainer Werner Fassbinder, Kurosawa Kiyoshi, and Hans-J rgen Syberberg. All were affected by fascism and its terrible consequences; all "looked into the abyss and made art of what they saw."
Whether he is writing in this wide-ranging collection about war, artists, or film--or about David Bowie's music, R. Crumb's drawings, the Palestinians of the West Bank, or Asian theme parks--Ian Buruma brings sympathetic historical insight and shrewd aesthetic judgment to understanding the diverse ways that people deal with violence and cruelty in life and in art.
Theater of Cruelty includes eight pages of color and black & white images.
Synopsis
Ian Buruma is the Paul W. Williams Professor of Human Rights and Journalism at Bard College. His books include Murder in Amsterdam: The Death of Theo van Gogh and the Limits of Tolerance, Taming the Gods: Religion and Democracy on Three Continents, and the novel The China Lover. His latest book, Year Zero: A History of 1945, was published in September 2013. He lives in New York City.
Synopsis
Ian Buruma is the author of many books, including The Wages of Guilt: Memories of War in Germany and Japan (1995), The Missionary and the Libertine: Love and War in East and West (1996), Murder in Amsterdam: The Death of Theo Van Gogh and the Limits of Tolerance (2006), and Year Zero: A History of 1945 (2013). He is the Paul W. Williams Professor of Human Rights and Journalism at Bard and a regular contributor to The New York Review of Books, The New Yorker, and The New York Times, among other publications.
About the Author
Ian Buruma is fascinated, he writes, “by what makes the human species behave atrociously.” In
Theater of Cruelty the acclaimed author of
The Wages of Guilt and
Year Zero: A History of 1945 once again turns to World War II to explore that question—to the Nazi occupation of Paris, the Allied bombing of German cities, the international controversies over Anne Frank’s diaries, Japan’s militarist intellectuals and its kamikaze pilots.
One way that people respond to power and cruelty, Buruma argues, is through art, and the art that most interests him reveals the dark impulses beneath the veneer of civilized behavior. This is what draws him to German and Japanese artists such as Max Beckmann, George Grosz, Ernst Ludwig Kirchner, Mishima Yukio, and Yokoo Tadanori, as well as to filmmakers such as Werner Herzog, Rainer Werner Fassbinder, Kurosawa Kiyoshi, and Hans-Jürgen Syberberg. All were affected by fascism and its terrible consequences; all “looked into the abyss and made art of what they saw.”
Whether he is writing in this wide-ranging collection about war, artists, or film—or about David Bowie’s music, R. Crumb’s drawings, the Palestinians of the West Bank, or Asian theme parks—Ian Buruma brings sympathetic historical insight and shrewd aesthetic judgment to understanding the diverse ways that people deal with violence and cruelty in life and in art.
Theater of Cruelty includes eight pages of color and black & white images.