Synopses & Reviews
Born in Cairo in 1976, Rahka earned a BA in English and philosophy from Hull University, England. From 1998 to the present, he has worked as reporter, copy editor and cultural editor-cum-literary critic at Al-Ahram Weekly, the Cairo-based English-language newspaper. He was a founding member and features writer at the Abu Dhabi-based daily The National. His work in English is featured in The Daily Telegraph, The New York Times, Aeon Magazine, McSweeney's, and The Kenyon Review, among many other publications. His reportage, travel writing, fiction and poetry–written originally in either Arabic or English–has appeared in numerous publications in Cairo, Beirut, London, Berlin, Italy and the US. He has exhibited photos at the Goethe Institute, Cairo. He has published seven books in Arabic which have been translated into German, Polish, Slovak, Italian, and English. He was chosen among 39 writers representing the new voices of modern Arabic literature in the Hay Festival/Beirut World Book Capital competition, Beirut39.
Synopsis
Novelist, reporter, poet and photographer Youssef Rakha was a reporter, copy editor, and cultural editor-cum-literary critic at Al-Ahram Weekly, the Cairo-based English-language newspaper, and the founding features writer at the Abu Dhabi-based daily, the National. His work has appeared in English in the Daily Telegraph, the New York Times, Parnassus Aeon Magazine, McSweeney’s, and the Kenyon Review, among others. His photographs have been exhibited at the Goethe Institute in Cairo. Seven books by Rakha have appeared in Arabic. He was chosen among the 39 writers representing the new voices of modern Arabic literature at the Hay Festival/Beirut World Book Capital competition, Beirut39 in 2009. His essay, “In Extremis: Literature and Revolution in Contemporary Cairo (An Oriental Essay in Seven Parts)” appeared in the Summer 2012 issue of The Kenyon Review.
Synopsis
Set in Cairo between 1997 and 2011, The Crocodiles is narrated in numbered, prose poem-like paragraphs, set against the backdrop of a burning Tahrir Square, by a man looking back on the magical and explosive period of his life when he and two friends started a secret poetry club amid a time of drugs, messy love affairs, violent sex, clumsy but determined intellectual bravado, and retranslations of the Beat poets. Youssef Rakha’s provocative, brutally intelligent novel of growth and change begins with a suicide and ends with a doomed revolution, forcefully capturing thirty years in the life of a living, breathing, daring, burning, and culturally incestuous Cairo.