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Original Essays | June 22, 2009

Bethany Moreton: IMG Culture War on Aisle 5? Wal-Mart, Evangelicals, and "Extreme Capitalism"



"In the 'culture wars' narrative of the Republican ascendancy, this slippage represents the greatest con in recent history: while you rush to defend marriage or protect the unborn, please pay no attention to the financier behind the curtain." Continue »
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Philip Pullman Reaches the Garden
Dave Weich, Powells.com

Philip PullmanI read Pullman's His Dark Materials trilogy back-to-back-to-back in the weeks preceding this conversation. By the time I'd reached the middle of the first book, The Golden Compass, I was content to exist half in my own world and half in Philip Pullman's. It seemed appropriate, if somewhat perplexing to casual acquaintances. Extending my arm in front of my body, holding an imaginary sharp instrument in my hand, I would show whomever would tolerate me how Will used the subtle knife to cut into other worlds.

"Will says it feels like stitches he's cutting," I explained again and again. "He says he can tell from the feel of each stitch against the blade which world he's about to enter."

Even as I started The Amber Spyglass, I knew I was living on borrowed time. Each sitting with the manuscript pushed my bookmark closer to its final pages and I began to recognize the bittersweet sadness of a wonder passing. Volume Three is the most ambitious installment of the series, shifting from one world to another as storylines converge. Oxford and Citagazze, the world of the dead... soon enough, these worlds would close to me – it felt that way, as if they were slipping away. I hoarded the last chapters of Pullman's magical creation like a sleeper stirring, grasping at the hems of a dream.


Dave: What are you doing in Sweden?

Philip Pullman: I'm visiting a fantasy festival in Stockholm, doing a lot of interviews and meeting people from my Swedish publishing house. They're showing me a wonderful time. Stockholm is a beautiful city.

Dave: That raises one question right away. In an interview after the publication of The Subtle Knife, you denied that the trilogy was pure fantasy. You called it stark realism.

Pullman: I've had to deal with that frequently in the last couple days at this festival. People say, "What were you talking about? Of course you're writing fantasy!"

Well, when I made that comment I was trying to distinguish between these books and the kind of books most general readers think of as fantasy, the sub-Tolkien thing involving witches and elves and wizards and dwarves. Really, those authors are rewriting The Lord of the Rings.

I'm trying to do something different: tell a story about what it means to grow up and become adult, the experience all of us have and all of us go through. I'm telling a story about a realistic subject, but I'm using the mechanism of fantasy. I think that's slightly unusual.

The Amber SpyglassDave: It was fun to read all three volumes, one right after the other. About a hundred pages into The Subtle Knife, it occurred to me how much more complex the story was becoming.

In The Golden Compass, we stay with Lyra almost exclusively as the story moves along. Having Will enter in Book Two, working back and forth between different worlds, the structure – and really, the story, itself – becomes a lot more complex. In The Subtle Knife, and even moreso in The Amber Spyglass, we leave Lyra for very long stretches.

Pullman: Just as Lyra is growing up, accumulating new experiences and seeing the world in a wider and more complex way, so the reader is doing that as well. The structure of the trilogy is mirroring the consciousness of a growing, learning, developing consciousness. The story widens out; we have the perspective of a lot of characters instead of one.

You have to give the reader some sense of this large scale and the many strands of narrative in the story. And those many strands also allowed me to vary the pace. From moments of high stress and danger, I could move to another part of the story and have a few pages of quiet and peace.

Dave: Which is organic to the story, itself. The characters will be in great danger one moment, then with the help of the subtle knife, they'll cut into another world and escape to a peaceful scene. Those abrupt transitions exist within the story, even on its surface.

Pullman: This is one of the great joys I've found in writing fantasy. You can do this: you're in danger in one world so – slash! – you cut out into another one. The real world doesn't work like that, but fantasy does. I'm discovering the freedom of writing in this way.

Dave: The Amber Spyglass starts with a very quiet scene, picking up immediately after the finish of The Subtle Knife. I found it interesting that in the first few pages Mrs. Coulter has a realization about telling the truth. That becomes a major motif of Book Three.

The Subtle KnifePullman: It's all about that really, most importantly with Lyra and Will in the world of the dead. Lyra learns to her great cost that fantasy isn't enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that's not enough. All she can do is tell the truth.

She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy – reality, not lies – is what saves us in the end.

Dave: Is Lyra's story what you'd imagined it would be when you started The Golden Compass?

Pullman: This is what I wanted to do, yes. I knew this was where I was going, that this would happen at the end. And I knew it would take me this long to get there.

Dave: How carefully was that outlined at the very beginning?

Pullman: I knew that the story would fall into three parts. The first part would deal with Lyra, taking her to Svalbard and the gateway between the worlds. The second part would introduce Will and take him up to the point where that book ended. And the third book would deal with Will and Lyra together and their perilous journey toward the garden.

I knew it would end in a garden. And I knew I would use a variation on the temptation motif, when Lyra falls in love. It's the story in the third chapter of the Book of Genesis, but here it's seen from another angle, through other eyes, this moment of revelation and sudden understanding, sudden self-consciousness, knowledge. I knew it would happen like that from the very beginning, seven years ago.

The Golden CompassDave: After reading all three books in succession, it really does seem to be one extended story, but working seven years on one story and releasing it as a 1200-page children's book might not have been the most practical approach.

Pullman: I wasn't sure if a 1200-page children's book would work in the marketplace, but also, I needed some money earlier on. And anyway, the story does fall naturally into three parts so it made commercial sense and also storytelling sense to put it out in three parts.

Dave: The books work for a lot of reasons: they're very suspenseful, so you want to keep reading, and the characters are great, but one thing that really drew me in initially was the imagery. One of the images in this book that had that effect on me appears when Lyra is talking about the Gallivespians, new characters in Book Three. They're only a few inches tall. Lyra wonders how water must appear to them…

Pullman: She wonders how they manage to drink, and she imagines the water droplets, the surface tension…

Dave: You used the word rind to describe the outside of a droplet.

Pullman: That's how she'd think about it. If you watch a pond, and watch the insects walking on the surface, it does have that tough elastic quality. And it would be like that, hard to get through the surface, if you were so small. That's how it strikes Lyra.

This kind of playing with language was one of the great pleasures I had in the book.

Dave: The "marzipan" scene is where everything comes together. Also, Mary becomes a full character for me at that point.

Pullman: I'm glad that happened, and I'm grateful to you for saying that because it was very important that that should happen. Mary, of course, comes with her own history, which we don't know much about until that point, but the whole reason she's been brought through the book is to tell that story.

That's what wakes Lyra up to the possibility of another way of relating to Will. That's the moment in which she is tempted, so to speak.

It's a curious thing: we have to be told how to fall in love. We don't do it automatically. Somebody made the point that if there were no stories about love, nobody would ever fall in love. We wouldn't know how to do it. I realized that somebody would have to explain how it had happened to them so Lyra would see it was possible that it could happen to her and Will.

Dave: The epiphany about good and evil, and about the distinction between a good and evil person and a good and evil act… Mary is the one who brings that out, finally, too.

Pullman: She's a very important character. I like Mary Malone very much. She had an important task in this book, and she brought great qualities to it: experience, wisdom, and modesty. She was the right person at the right time.

Dave: The Amber Spyglass doesn't present any new characters on the scope of Lyra or Will, but we meet a lot of new secondary characters.

Pullman: There isn't a major new character in the book because at this point it's too late. It would upset the balance of the book to introduce a new major character in the last third of the story. The narrative would be lopsided.

The new characters are important, but not on the same scale. I like the Gallivespians very much. I also like the two angels, Baruch and Balthamos. These two have been with me as an image for a long time. I liked the idea of two male angels who love each other and who are, themselves, very different characters. They play an important part in the moral education, so to speak, of Will, but also in the outcome of the story.

And I loved it when I thought of how to bring Balthamos back at the end. We've almost forgotten about him. Two hundred pages before, he ran away.

Do you remember the movie The Magnificent Seven?

Dave: I do.

Pullman: Do you remember the Robert Vaughn character? He was the one with the fancy waistcoat, the one who's lost his nerve.

There was a scene in the saloon where there are three flies on a table. He sweeps his hand across them, and when he opens his hand, there's only one fly there. He says, "There was a time when I would have got all three." Then the fight comes and he runs away, but he comes back right at the end and plays an important part.

The Magnificent Seven has been with me for a very long time, since my boyhood, and when I think about it, Balthamos is playing the Robert Vaughn part.

Dave: That, for example: two male angels in love. Whether it's done with a softer brush or right in the foreground, there's a lot for readers to think about in these books, kids especially. You're making them confront questions. That frightens a lot of people. Goblet of Fire

Pullman: Some people will find things to object to, but I've met objections already from people who've accused me of promoting Satanism or something. There was a little boy in America who wrote to me recently who said he was going to sue me because I was criticizing his religion. I haven't heard anything from his lawyer.

Dave: There's bound to be more attention on this book after the whole Harry Potter craze.

Pullman: I'm kind of relying on Harry Potter to deflect all that, actually. I was quite happy for Harry Potter to get all the attention so I could creep in underneath all of it.

Dave: Either way, you're hardly the first author of children's books to present ideas that aren't universally accepted. For instance, you made some comments in previous interviews about C.S. Lewis and the perspective his narrator brings to those stories. You singled out a scene inPrince Caspian when the narrator is picking on a little girl with fat legs.

Pullman: He does. But I think it makes a big difference if you read those books as a kid. I read them when I'd already grown up, and I thought they were loathsome, full of bullying and sneering, propaganda, basically, on behalf of a religion whose main creed seemed to be to despise and hate people unlike yourself. Whatever Christianity says, I don't think it's that.

Dave: What children's books would you recommend?

Bud, Not BuddyPullman: There's a lot of good writing in Britain at the moment: Jan Mark, Anne Fine, Jacqueline Wilson, Peter Dickinson. I also read a couple of very good American children's books recently, the last two winners of the Newbery Medal, in fact: Bud, Not Buddy [by Christopher Paul Curtis] and Holes [by Louis Sachar]. I admired them very much.

Dave: Do readers ever tell you that you remind them of another writer?

Pullman: The names that come up most often are C.S. Lewis and J.R.R. Tolkien, but mostly from hasty critics. Readers, most often, have read with enough attention to know that these books aren't like Lewis or Tolkien.

Because Tolkien is such a huge presence in the landscape of fantasy fiction, people feel they have to refer to him. It's like Mount Everest. When you're talking about a mountain, you say, "It's not quite as high as Mount Everest" or "It's less than half as high as Everest." Tolkien is the reference point.Lord of the Rings

Dave: From what I've read, you don't seem entirely convinced that the proliferation of writing programs is necessarily producing better writers.

Pullman: This is the contradiction I've never resolved in my own mind about teaching writing: there are some things you can talk about; other things you can't. But when you teach writing, you only deal with the things you can talk about, so half of it gets left out. And that half is just as important as the half that gets taught.

I wonder what these students of writing take away. Do they imagine writing as a collaborative activity where you write a bit, then share it and talk about it, and people take it to pieces? Then you go back and write a bit more and show it again, and they take it to pieces again…

For me, anyway, it's not like that. Writing is spending a long time in silence, by myself, and covering up the work when anyone comes in the room so they can't see it.

Dave: At what point did you show The Amber Spyglass to someone? Had you completed a draft by that point?

Pullman: Oh, yes. I show it to my editors when I think it's ready for them, but still nobody else. I value their comments and questions very highly. My editors, Joan Slattery at Knopf in New York and David Fickling in Britain, are wonderful guides to how stories ought to work. I depend on them a great deal. I'd finished pretty well to the point where it was publishable before I showed it.

Dave: Will you be reading for the audio version of The Amber Spyglass?

Pullman: I will, but there wasn't time to do it before the book was published. It's a long, complicated process, not only to record it, but to edit it, with all the actors.

Dave: Do you enjoy doing it?

Pullman: Very much, indeed. It's great to work with actors of the quality and the caliber and the experience of the people I've worked with. They really put me on my mettle. I'm a newcomer, a novice to this business of using a microphone. But these characters can turn up or down the emotion at the drop of a hat. They're so practiced and so professional. It's a joy to work with them.

Dave: I've been looking for my daemon…

Pullman: Well, it's no good, you looking for it. You find out what your daemon is by asking other people what they think it is.

Dave: They'll know?

Pullman: Ask a bunch of your friends, once you've explained what a daemon is in the first place.

Dave: Do people tell you what yours is?

Pullman: I'm reluctant to ask in case it's a slug or something.

Dave: When I started reading some interviews you'd given to promote the first two books, I saw certain questions coming up again and again that you really couldn't answer. You kept saying, "Wait until the third book. Read the whole story before you make any judgments." Was that frustrating for you?

Pullman: Extremely frustrating. This came up in the interview I did last night. There were a lot of questions after my talk, and I had to keep saying, "I'm sorry, I can't tell you the answer to that, but when you read the third book…" I must have said that a thousand times.

Now I'll just be able to refer them to the book. Then if they want to argue with it, I'll have to find another answer.

In the last twelve months, more Powells.com employees have written Staff Picks blurbs for The Golden Compass than for any other title. Still, I was surprised how completely the book consumed me. Lyra followed me everywhere. I couldn't wait to find the time to stop and read more. The Subtle Knife and The Amber Spyglass followed. I didn't do much those three weeks but work and read.

As the days ticked down toward The Amber Spyglass's publication, a half-dozen coworkers emailed, called, or visited our dark corner upstairs in the Annex to see if we had an Advance copy to lend them.

I called Philip Pullman on August 31, 2000 – me, alone in the Internet Annex at seven o'clock in the morning, he at a hotel in Stockholm in the middle of his afternoon. I am not ordinarily a morning person. On the other hand, I hadn't been so gloriously consumed by children's fantasy since the Saturday morning cartoons of my youth, so the hour seemed appropriate.

Powell's Books - Philip Pullman

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Interviews



Indiespensable

Powell's Q&A, Q&A | June 24, 2009

Colum McCann: IMG Powell's Q&A: Colum McCann



"'Why do writers write? Because it isn't there.'" Continue »
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Original Essays | June 27, 2009

Fran Cannon Slayton: IMG On Wakes and Rum (and Coke)



"Unfortunately, I've been to my fair share of wakes." Continue »
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    When the Whistle Blows

    Fran Cannon Slayton

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Anne FadimanAnne Fadiman, author of The Spirit Catches You and You Fall Down and Ex Libris, turns her hand in her newest collection to the familiar essay, a form at which she excels. In a starred review, Publishers Weekly calls At Large and at Small "a perfectly faceted little gem," and Booklist raves, "A master of the tangential, a close observer, and a lover of language, Fadiman is blithely brilliant in her pursuit of beauty and meaning as she wrestles with questions of life, death, and rebirth." Before her reading at Powell's City of Books, Anne Fadiman stopped by our offices to discuss familiar essays, poetry, the collecting spirit, and balancing narcissism and curiosity.

Khaled Hosseini
Khaled HosseiniKhaled Hosseini's debut, The Kite Runner, spent more than two years on the New York Times bestseller list. Now, here comes his follow-up, A Thousand Splendid Suns, the tale of two Afghani women who come to share a husband and a home — and it's arguably a better book. At Powell's earlier this month, Hosseini discussed Kabul, the Taliban, seemingly small decisions, kid games, working with the U.N., and more.

Sherman Alexie
Sherman AlexieDarkly funny, sharply observant, Flight lays bare the experience of a teenaged outsider circa 2007. Alternately heartbreaking and wondrous, Sherman Alexie's first novel in ten years tells the story of an orphan careening through foster homes until finally, not long after we meet him, he walks into a bank and comes unstuck in time. Gritty, intense, and especially timely, it's a lightning-fast read besides. Alexie discussed his new novel, slobbering on Stephen King, potlatch culture, pile of crap novels, and more.

Barbara Kingsolver
Barbara KingsolverThe typical food in an American supermarket has traveled considerably farther than some people do in a year of vacations. Consider the impact of those miles on fuel consumption, or the effect that chemical preservatives and industrial processing have on our health, not to mention what this long haul paradigm does to local economies and to our grasp of what food really costs, what food is. For one year, Barbara Kingsolver's family pledged to eat only what it could procure from within an hour of its home. Meats, vegetables, grains, you name it. "Her tale is both classy and disarming, substantive and entertaining, earnest and funny," Publishers Weekly raved in a starred review. Animal, Vegetable, Miracle is "a well-paced narrative and the apparent ease of the beautiful prose makes the pages fly."

Christopher Hitchens
Christopher Hitchens After calling Henry Kissinger a "war criminal," Bill Clinton a "rapist," Ghandi a "half-naked fakir," and Mother Theresa "a fanatic, a fundamentalist, and a fraud," what target could Christopher Hitchens possibly aim for next? Why, nothing less than God. In his new bestselling book, God Is Not Great: How Religion Poisons Everything, Hitchens wastes no time getting to the point (just go back and reread that subtitle). But he's not just a provocateur. Hitchens is also a first-rate writer whose command of the language is legendary; his wit ferocious. In this interview, Powells.com's C. P. Farley spoke with Hitchens about his new book, God, and other controversial matters.

Kevin Young
Kevin YoungThe New York Times Book Review has called Kevin Young's work "highly entertaining, often dazzling, and, as book reviewers like to say — but rarely about contemporary poetry — compulsively readable." His fifth book of poems, For the Confederate Dead, is an elegant, deeply felt, and masterful collection, ranging from elegies both public and private to poems about mythical Southern towns to a series of ballads about an imaginary personification of Jim Crow. The San Francisco Chronicle praises, "Besides mourning loss, For the Confederate Dead celebrates the regenerative and enduring power of the imagination."

Ishmael Beah
Ishmael BeahIshmael Beah became a soldier at age thirteen, one year after rebels attacked his village, flushing him into the forest to live on the run with other boys his age. In A Long Way Gone, Beah describes Sierra Leone's civil war as he knew it, entirely absent of political context. Kill or be killed, these were a homeless orphan's options. "This memoir seems destined to become a classic," Publishers Weekly predicts. On the eve of publication, Beah discussed rehabilitation, forgiveness, hip-hop, moving walkways, and more.

Melissa Fay Greene
Melissa Fay GreeneWhen Melissa Fay Greene's son packed for college, the author and her husband considered adoption. In the process, Greene confronted the devastating impact of AIDS in Africa. Eleven percent of the children in Ethiopia are orphans. Greene wanted to know, "Who is going to raise all those kids?" And in the mountain city of Addis Ababa, she found one incredible woman who has saved more than three hundred lives. "Like the very best literature, There Is No Me Without You charts the human condition in all its extremes," applauded the San Diego Union-Tribune. "It harnesses the most potent of all human forces: the bond between parent and child."

Colum McCann
Colum McCannOpen Zoli to just about any page and you'll find a passage worth reading two or three times. The prose is gorgeous, the story remarkable — the characters practically leap out from the bindings. A week after the novel's publication, Colum McCann talked about Michael Ondaatje, memory, rickety bikes, singing out, and bonfires on the Oregon coast.

Philip Gourevitch
Philip GourevitchIn March 2005, the award-winning author of We Wish to Inform You that Tomorrow We Will Be Killed with Our Families was named editor of the venerable Paris Review. This holiday season, in that role, Philip Gourevitch has delivered a gift for the ages. The Paris Review Interviews, Volume I includes sixteen conversations with the likes of Truman Capote and Kurt Vonnegut, Elizabeth Bishop and Joan Didion.

Stephen King
Stephen King Though Stephen King is best known for frightening his readers, over the years he's also written several works that are less terrifying and more obviously concerned with the universal themes of love and family. Lisey's Story is a hybrid of the most effective traits of both: while the novel has supernatural elements and truly horrific moments, it is also a playful, intimate, and deeply moving tribute to marriage and the art of writing. Kirkus Reviews calls it "one of King's finest works," and Washington Post Book World applauds, "With Lisey's Story, King has crashed the exclusive party of literary fiction, and he'll be no easier to ignore than Carrie at the prom."

Michael Lewis
Michael LewisMichael Lewis doesn't so much write about business as the people who change it. In The New New Thing, we met Jim Clark, founder of Silicon Graphics, Netscape, and Healtheon. In Moneyball, Lewis introduced Billy Beane, an ex-ballplayer who turned a franchise with one of Major League Baseball's lowest payrolls into an annual contender. Now, in The Blind Side, he offers another engaging portrait of market forces at work, from NFL locker rooms to the projects of Memphis.

Richard Powers
Sally SchneiderRichard Powers has been called "the smartest and most warm-hearted novelist in America today" (Chicago Tribune), "a writer of blistering intellect" (LA Times Book Review), and "one of our few indispensable literary talents" (Review of Contemporary Fiction). The Echo Maker, his latest novel, concerns a 27-year old man who has developed Capgras syndrome — the belief that those you love are imposters, played by actors or robots — as the result of a mysterious accident. If you've never read Richard Powers, this mesmerizing, moving novel is one of his masterpieces, and the perfect place to start.

Robert Kurson
Robert KursonIn Shadow Divers, Robert Kurson presents the story of two men consumed by the quest to identify a mystery submarine. The Wall Street Journal points out that "Shadow Divers is not only a gripping adventure story, but a tale of dogged persistence and growing friendship." They might have added: a tale of sacrifice, espionage, courage, and, according to the New York Daily News, "one of the most engaging tales you'll read this year."

Scott Smith
Scott Smith Stephen King calls The Ruins "the book of the summer" and swears, "It does for Mexican vacations what Jaws did for New England beaches in 1975." Thirteen years after his staggering debut, A Simple Plan, we caught up with Scott Smith to talk about his new novel, his Oscar nomination, and what he was doing between books. "With A Simple Plan, it felt like I knew what I was doing," Smith tells us. "With The Ruins, I didn't. I felt like I was skiing but not knowing how to ski, hoping to maintain my footing all the way down the hillside."

Helen Thomas
Helen ThomasIn Watchdogs of Democracy?, the longtime White House bureau chief recalls the stories that helped define nine administrations and the journalists that brought the news home. But journalism has changed since Thomas covered JFK, and in Watchdogs Thomas questions her peers, arguing that since 9-11 reporters have failed to protect the public's right to information. "I want the press to start questioning the administration. Every administration," she explains. "I want us to do our jobs better. I think we owe it to the people."

Anthony Bourdain
Anthony BourdainSince his first full-length interview at Powells.com, Anthony Bourdain has published "a field manual to classic French bistro cooking," a crime novel, and now The Nasty Bits, a book of previously uncollected essays. All the while he's been globetrotting from the Kalahari to Quebec, documenting culinary culture for the Travel Channel. During a recent Oregon stopover, Bourdain returned to discuss culture shock, maple bacon donuts, how to read restaurant menus, and more.

Amy Hempel
Amy HempelAmy Hempel has been called a miniaturist—fair enough—but if her stories tend to be small in scale, they drill as deep as fiction goes. Emotionally charged, fantastically precise, an Amy Hempel story is a miracle of efficiency. Upon the publication of her Collected Stories, she talked about creating those immaculate sentences, being not quite so famous as Judy Blume, teaching, fear, and, of course, dogs.

Charles D'Ambrosio
Charles D'AmbrosioWhen the acclaimed author of Orphans stopped by our office to say hello and sign books, we sat him down for a short conversation about working with George Plimpton, hopping freight trains, living in Portland, and crafting the pieces in his "gemlike" (Publishers Weekly) new collection, The Dead Fish Museum.

      

Jim Lynch
Jim LynchIf Carl Hiaasen set one of his novels on a residential stretch of boundary line between British Columbia and Washington, or if Richard Russo's characters had relatives in the Pacific Northwest, the result might be something like Border Songs. Jim Lynch earned a legion of fans with his bestselling debut, The Highest Tide. Border Songs is the rare sophomore effort that lives up to — arguably even exceeds — its lofty expectations. "I'd always been interested in the Canadian border," Lynch explained. "I knew where Border Songs was going to be set before I knew what it was going to be."

Elmore Leonard
Elmore Leonard At the age of 83, Elmore Leonard has just published his 43rd novel. Road Dogs reunites two of Leonard's most distinctive characters — Jack Foley, the bank robber from Out of Sight, and Cundo Rey from LaBrava — as prison inmates who develop an unlikely friendship. When Foley gets out of prison and meets Rey's wife, the psychic Dawn Navarro (last seen in Riding the Rap), it's an understatement to suggest that complications ensue. In the New York Times, Janet Maslin called Road Dogs "one of Mr. Leonard's most enjoyably sneaky stories," but perhaps Booklist put it best: "Reading isn't supposed to be this much fun."

Laila Lalami
Laila LalamiWhen Laila Lalami published Hope and Other Dangerous Pursuits in 2005, the debut earned praise far and wide, from acclaimed literary authors such as Junot Díaz and even popular weeklies including People magazine. Four years later, the former Portland resident, a native of Morocco, has returned with a remarkable novel of contemporary Casablanca. Secret Son is an utterly timeless story — of identity, kin, and class — that's, paradoxically, very much of our time.

Robert Goolrick
Robert GoolrickCatherine Land arrives in Wisconsin on a snowy day in 1907. Receiving her on the train platform, Ralph Truitt knows that Catherine isn't the woman that she claimed to be when she answered his newspaper ad for "a reliable wife." But what else does he know? And how far will Catherine go to fulfill her dreams? Seduction, marriage, money, sex, and drugs... A Reliable Wife has it all. Booklist raves, "Few have permeated their narratives with gothic elements and suspense to such great effect."

David Grann
David GrannThe Lost City of Z is 2009's first can't-miss nonfiction. New Yorker staff writer David Grann travels through the Amazon in the footsteps of explorer Percy Fawcett, who captured the world's imagination (and redefined the borders of South America) before disappearing in the jungle without a trace. Nathaniel Philbrick calls The Lost City "a riveting, totally absorbing real-life adventure story" — and early readers at Powell's couldn't agree more.

Temple Grandin
Temple Grandin Temple Grandin may be more single-handedly responsible for humane treatment of animals, especially livestock, than any other individual in the last few decades. She's also given the world much greater insight into the way autistic minds work. In a starred review, Publishers Weekly describes her new book, Animals Make Us Human, as "packed with fascinating insights, unexpected observations and a wealth of how-to tips." In this interview, Grandin discusses Animals Make Us Human, core emotional systems in animals, the differences between cats and dogs, the new HBO project based on her life, and more.

Natasha Wimmer
Natasha Wimmer The most critically acclaimed novel published in America this year, 2666 is Roberto Bolaño's masterpiece. "Bolaño has proven [literature] can do anything," Jonathan Lethem marveled in the New York Times Book Review. In an extensive conversation with Powell's, Natasha Wimmer discusses the late Chilean author, specifically his latest publication and its bestselling predecessor, The Savage Detectives. Wimmer knows from whence she speaks. She translated both novels into English.

John Hodgman
John HodgmanThe PC in those Mac ads, the Daily Show's "resident expert" — yes, him. After a star turn in our recent State by State film, John Hodgman returns to Powell's with More Information Than You Require, his second volume of complete(ly made-up) world knowledge. At the Burnside Street store, during a break from Wordstock, he talked about mole-men and hobos, of course, but also Battlestar Galactica, Mall of America food stands, and life as a famous minor television personality.

Chip Kidd
Chip KiddGraphic designer extraordinaire Chip Kidd presents Bat-Manga!, the first collection of Japanese Batman comics anywhere in the world! Originally published in 1966, at the height of the first worldwide Batman craze, and written and illustrated by manga legend Jiro Kuwata, these adventures were never collected in Japan, and had never been translated into English. We spoke with Kidd about his lifelong Batman obsession, the process of hunting down and collecting these incredibly rare issues, and why these 40-year-old comics are some of the most entertaining Batman stories ever made!

Iain Banks
Iain Banks Iain Banks first published The Crow Road in the UK in 1992, and it is one of his best-loved books. Time Out called it "Riveting...exhilarating...its pace, development, intensity and, above all, its hip and sexy humour never allow it to flag." The Crow Road is a philosophical saga and a romantic coming-of-age story, a mystery and a comedy, and a raucous, moving, and deeply human look at relationships and family. As Publishers Weekly says, "Readers unfamiliar with Banks's prodigious output have a great starting point here."

Matt Weiland and Sean Wilsey
Matt Weiland and Sean WilseyInspired by a WPA state guide series from the 1930s and 40s, State by State will surely rank among 2008's most notable literary achievements. Fifty writers on fifty states: Anthony Bourdain on New Jersey, Susan Orlean on Ohio, Sarah Vowell on Montana, S.E. Hinton on Oklahoma, Dave Eggers on Illinois... the list goes on and on. Weeks before publication, editors Matt Weiland and Sean Wilsey discuss working with the authors, noteworthy contributions, pleasing surprises, and the new Out of the Book film, which stars 19 of the collection's contributors.

David Carr
David CarrAs David Carr tells it, "The dude was addicted to coke, got off the coke, obtained custody of his kids, a single parent, got off welfare, survived cancer, married well. But that's not what is resonating with people. It's much more the pathology." The dude being Carr, himself. Kurt Andersen attests, The Night of the Gun is "a breathtakingly candid, laugh-out-loud funny, heroically rigorous, consistently riveting, and deeply moving account of a nightmarish descent and amazing redemption." Carr discusses coke and cancer, fact and fiction, parenthood, new media, hope, and his new remarkable book.

David Benioff
David Benioff City of Thieves, the newest novel by David Benioff, author of The 25th Hour and When the Nines Roll Over, has been hailed by critics as "a smart crowd-pleaser" (Publishers Weekly, starred review), a "gut-churning thriller [that] will sweep you along" (Kirkus, starred review), and "a funny, sad, and thrilling novel" (Entertainment Weekly). Set during the Germans' brutal siege of Leningrad in World War II, the novel follows the captivating odyssey of two young men trying to survive against desperate odds on an impossible mission through unimaginable depravity. Surprisingly, it's also thrilling, absorbing, and very funny. In this interview, Benioff discusses why it took so long to finish the first chapter, the difficulty of trying to capture the voice of a 17-year-old Russian boy during World War II, and more.

Gil Adamson and David Wroblewski
Adamson and WroblewskiTwo predictions: The Outlander will win at least one major award. And The Story of Edgar Sawtelle will find a home on bestseller lists. When we discovered these two remarkable debut novels and decided to feature them together in Indiespensable, Powell's subscription club, someone on staff proposed a joint interview with the authors. Their books share more than you might imagine: runaways, ghostly visions, improvised outdoor survival, scenes rendered so powerfully you may forget you're reading fiction (you may forget you're reading, altogether), and characters that linger long after you close the book.

Barbara Walters
Barbara WaltersThe first woman to co-anchor a network news program. Arguably the most influential interviewer of the 20th century. An American icon. Barbara Walters addresses it all in her incredible new memoir, but in fact it's her family story — the human story, pocked with inevitable failures and regrets — that forms the backbone of Audition. In conversation with Powell's, Walters talked about Baba Wawa, the art of not interrupting, life choices as evidenced by two Hepburns, W's muddy barn, NBC in the 1800s, and a remarkable life, both on- and off-camera.

Willy Vlautin
Willy Vlautin Willy Vlautin likes racetracks, motels, and diners. He's had a song written about him by stealth performer Herman Jolly, "Woodshack Willy," in which he's referred to as "the countriest western singer I ever saw." Northline, his second novel, comes with a soundtrack Vlautin recorded with his Richmond Fontaine bandmate Paul Brainard; it was published this winter in the UK to rave reviews. We're thrilled to be able to share this conversation between Kate Bernheimer, author of The Complete Tales of Merry Gold, and Willy Vlautin in which they talk about horses, music, and hard work.

Richard Price
Richard PriceYou might think it would be hard for a writer to top an achievement like the novel Clockers — but then, you wouldn't be thinking about Richard Price. With his latest novel, Lush Life, Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. It's a powerful, riveting book that is as much character study as crime story, with dialogue so rich you can't help speaking it out loud. When Kirkus raves, "There oughta be a law requiring Richard Price to publish more frequently. Because nobody does it better," we're inclined to agree. In this Powells.com interview, we spoke with Price about the real-life inspirations for his novel, writing for the HBO series The Wire, and more!

Lydia Millet
Lydia MilletLydia Millet once brought three nuclear physicists back from the dead. "It's hard," Toronto's Globe and Mail admits, "to convey how invigorating Millet's fiction is." On one page she leads you to the brink of despair, and on the next she'll tickle the funny bone in your brain. She is tender and deep; and she writes assholes with flair. Also, her dialogue simply kills. We spoke about longing, Japanese cities, bears in the woods, connective tissue, and her new novel, How the Dead Dream.

Sue Grafton
Sue GraftonWith starred reviews from Publishers Weekly and Kirkus, Sue Grafton's 20th mystery featuring Kinsey Millhone is poised to do the near-impossible: It will bring even more readers to Grafton's bestselling books. USA Today calls T Is for Trespass "the best and strongest book in the series." Trespass is "vintage Grafton," Library Journal agrees, "scarily current, carefully plotted, and fast paced." Prior to a signing at Powell's in December, Grafton dished on Kinsey, impossible tasks, identity theft, collaborative writing, kick-ass Mickey Spillane novels, and more.

Judith Jones
Judith JonesIf Judith Jones accomplished nothing more than ushering into print the revolutionary debut of a young chef named Julia Child, her story would be worthy of attention. In fact, Jones had already brought to America an overlooked French title called Anne Frank: The Diary of a Young Girl. She would subsequently introduce readers to Madhur Jaffrey, Marion Cunningham, Lidia Bastianich, and many, many others. (She has edited John Updike for forty years.) In The Tenth Muse: My Life in Food, Jones renders a truly remarkable life with modesty and grace. "By the time you get to the 60 or so recipes Jones includes at the end," reflected the New York Times Book Review, "they seem like familiar characters we've met in the well-told tales that precede them."

Oliver Sacks
Oliver SacksA man struck by lightning develops a sudden obsession for piano music. A woman suffers seizures upon hearing Neapolitan songs (and only Neapolitan songs). Clive Wearing is amnesic; he entirely forgets experiences mere seconds after they occur — and yet he remains a brilliant singer and conductor. In Musicophilia: Tales of Music and the Brain, Oliver Sacks explores the mysterious relationships between sound and movement; music and medical treatment; and memory and imagination. Sacks took time out from his book tour for a conversation about tandem bicycles, auditory cheesecake, soggy manuscripts, lost specimens, and more.

Jonathan Kozol
Jonathan Kozol For over 40 years, Jonathan Kozol has written about the dramatic inequalities in America's public schools. His first nonfiction book, Death at an Early Age, described his year teaching in the Boston Public School system and won the National Book Award. Letters to a Young Teacher, Kozol's latest book, may be his most hopeful; written as a series of letters to "Francesca," a young, idealistic, and irreverent teacher, Kozol's advice and deeply felt admiration for teachers who are making a huge difference in the lives of their students is uplifting. The Christian Science Monitor says, simply, "[I]t is a privilege to glimpse the joy and struggles within [Francesca's] classroom." It was our privilege to speak with Jonathan Kozol; in this Powells.com interview, he discusses his partial fast, No Child Left Behind, the joys of teaching, and the state of education today.

Junot Diaz
Junot DiazLeaping back and forth between the Dominican Republic and New Jersey, pouring across pages in a "combustible mix of slang and lyricism" (quoth Booklist), The Brief Wondrous Life of Oscar Wao bridges several generations and distinct cultures with exhilarating doses of Caribbean history and old-fashioned pulse-pounding drama. Politics, corruption, romance, fantasy, faith, despair — the novel, as Diaz explains, contains multitudes. Kirkus, in a starred review, called it "a compelling, sex-fueled, 21st-century tragi-comedy with a magical twist."

Alan Weisman
Alan WeismanIf humans disappeared from earth, what would happen? To your home, for example — how long before water damage, sun exposure, or hungry critters start breaking it down? And what would happen to our cities, farms, and oceans? In The World without Us, Alan Weisman leads readers from the alpine moors of Kenya to an underground city in central Turkey, looking back past ice ages and previous extinctions, and then plotting ahead through the unending half-lives of our nuclear waste. A week after the book's publication, Weisman discussed the view from our moon, Al Gore's environmental training, Manhattan's once and future rivers, and more.

Miranda July
Miranda JulyNo One Belongs Here More than You delivers sixteen tight, breathtaking doses of Me and You and Everyone We Know, the same deep compassion, anxious humor, and aching vulnerability. July visited our secret, underground, author interview bunker to discuss short stories, film, stage — as well as toaster tribes, the swimming pool she doesn't have, t.v. detectives pulling their faces off, and more.

Frank Deford
Frank DefordGQ has called Frank Deford "the world's greatest sportswriter," which just about says it all. Six times, he's been voted Sportswriter of the Year by his peers. Deford has won an Emmy, a Peabody, a National Magazine Award... Every week, his voice can be heard on National Public Radio. Still, you can't think of him without conjuring that image of dapper clothes and a suave mustache. At Powell's to introduce The Entitled, he reflected upon Red Auerbach's earth tones, Red Barber's writing, Red Sox slugger Tony Conigliaro's truncated career, and plenty of not-Red-related subjects, besides.

Lionel Shriver
Lionel ShriverLionel Shriver's new novel, The Post-Birthday World, is a psychologically astute exploration of an age-old question: What if? Two parallel stories, running side by side, detail one woman's decision: what happens if she gives in to temptation, and what if she doesn't? Which life is better? Shriver pulls off an impressive balancing act which documents the often surprising consequences of desire. Entertainment Weekly gives The Post-Birthday World an A and high praise: "Shriver, a brilliant and versatile writer, allows these competing stories to unfold organically, each a fully rounded drama, rich with irony, ambiguity, and unforeseeable human complications."

John Kerry
Lionel ShriverJohn Kerry and Teresa Heinz Kerry really need no introduction. The 2004 Democratic Presidential nominee may not be best known for his environmental work, but both he and his wife have been active in the movement for decades. Even if you're well-informed on environmental issues, This Moment on Earth will teach you a thing or two, and give you both hope and positive suggestions for change. Al Gore praises it as "a book that is a profound challenge to all of us but contains...the clear hope that if we can embrace their resourcefulness, determination and essential patriotism we will prevail."

George Saunders
George SaundersThree volumes of stories (including his latest, In Persuasion Nation), a political fable, a gorgeous children's book, and now an essay collection on the way — quite an output for the one-time geologist whose literary debut landed just over ten years ago. "Mr. Saunders's satiric vision of America is dark and demented," Michiko Kakutani announced in 1996. "It is also ferocious and very funny." And still the prose goes deeper than that, beyond uproarious humor and biting social commentary. What sets Saunders's work apart is the wonderfully twisted path he blazes, yes, but also its destination, a compassionate and deeply vulnerable heart.

Joshua Ferris
Joshua FerrisRarely does debut fiction generate so much buzz before publication. Nick Hornby describes Then We Came to the End as "The Office meets Kafka. It's Seinfeld rewritten by Donald Barthelme." The novel tells the "savagely funny yet kind-hearted" (says the Observer) story of an ad agency in decline. Throughout, Joshua Ferris uses the first person plural to present the agency's collective voice in the midst of ongoing layoffs. We. It's an audacious narrative gimmick that could easily collapse, and yet it never does.

Ian McEwan
Ian McEwan"No one now writing fiction in the English language surpasses Ian McEwan," the Washington Post Book World noted upon the publication of Atonement, winner of the 2002 National Book Critics Circle Award for Fiction. From his early macabre portraits to more recent introspective dramas, each new effort finds its way onto the shortlist of one major prize or another. And yet his latest, for many readers, manages to surpass everything that came before.

Chris Hedges
Chris HedgesWhen Chris Hedges graduated from Harvard Divinity School in 1983, he decided not to get ordained. Instead, he took off to El Salvador to cover the war. The next twenty years brought him from Central America to Yugoslavia, Africa, Lebanon and Bosnia — more than fifty countries before he was through. He's been shot, he's been taken prisoner, he's witnessed the most brutal human behavior of our lifetime. At Powell's, he talked about War Is a Force That Gives Us Meaning, isolation, science, tolerance, and his latest, a clarion call to protect our democracy, American Fascists.

Paul Auster
Paul AusterPaul Auster has been writing beautiful, metaphysical, mysterious novels for a long time now, along with screenplays, poetry collections, essays, plays, and memoirs. His latest, Travels in the Scriptorium can be seen as a distillation of much of his life's work — a spare but multi-layered puzzle of existence and creation, conveyed in lovely, minimalist prose. Booklist admires Travels as "an archly playful and shrewdly philosophical tribute to the transcendence of stories." In this interview, Auster discusses his new book (and movie), Hawthorne, poetry, and accidents.

Kate Atkinson
Kate Atkinson Kate Atkinson won the Whitbread Award for her acclaimed debut, Behind the Scenes at the Museum — but it was her fifth novel, Case Histories, that launched her breakout success in America, introducing Atkinson to a whole new readership. Now she's followed up her bestselling sensation with One Good Turn, again featuring reluctant detective Jackson Brodie. Powells.com's Georgie Lewis sat down with the author to discuss genre, the voices of her characters, and whether there might be a third book in the series.

Steven Johnson
Steven JohnsonIn 1854, as a cholera epidemic ravaged London, prevailing wisdom blamed "miasma"; in other words, "bad air" was spreading the disease. One prominent physician disagreed. It was Dr. John Snow's work outside of the lab, however — his innovative mapmaking, of all things — that identified beyond a reasonable doubt the epidemic's true source. The Ghost Map thrives, similarly, on author Steven Johnson's interdisciplinary zeal. Local politics, medicine, urban planning, religious faith... The Washington Post raved, "By turns a medical thriller, detective story and paean to city life, Johnson's account of the outbreak and its modern implications is a true page-turner."

Sally Schneider
Sally SchneiderWhat if a cookbook didn't stop at great recipes? What if it made you a better, more confident cook? Yes, The Improvisational Cook will show you how to make decadent Chocolate Wonders and a delicious Tuscan Island Shellfish Stew, but Sally Schneider also wants you to understand how those recipes work. Her highly anticipated follow-up to 2001's A New Way to Cook is a toolbox that empowers home cooks every step of the way from market to table. In conversation with Powell's, she discusses tender Thanksgiving turkey, ham-smuggling, the saffron harvest, and more.

Denise Mina
Janet Maslin of the New York Times describes Paddy Meehan, heroine of Denise Mina's riveting crime novel The Dead Hour, as "smart, feisty, hot-blooded and guilt-stricken, a riveting creature of her time and place." In this exclusive interview with Powells.com, Mina allows that she shares certain traits with her heroine, admitting, "I'm a bit of a cheeky cow." She is cheeky all right — as well as highly articulate and blessed with a whole lot of talent.

Lee Montgomery
Lee MontgomeryAs The Things between Us begins, Lee Montgomery's father has been diagnosed with a tumor in his stomach. Her remarkable memoir tracks the next eight months, as Monty's fight against cancer brings a broken family together for the first time in decades. She "perfectly captures a middle-aged rite of passage," Kirkus raves. An executive editor at Tin House magazine, Montgomery "breathes new life into the dysfunctional family memoir with clean, vivid writing laced with a bitter bite" (Variety).

Sara Gruen
Sara GruenSeventy years ago, Jacob Jankowski lost his parents and joined the Benzini Brothers Most Spectacular Show on Earth. Now Jacob is afraid he's losing his mind. The voice of Water for Elephants has been likened to John Irving's. Gruen's story is that kind of character-driven juggernaut. At Powell's to introduce her third novel, she discussed shrunken heads, literary influences, how to steal lemonade without getting caught, and more.

Alison Bechdel and Craig Thompson
Alison Bechdel and Craig ThompsonAlison Bechdel's Fun Home, an illustrated memoir, is the most celebrated book of the year. When a coworker called it "easily the best original graphic novel since Craig Thompson's Blankets," a bright bulb suddenly lit up our office. What if we brought the two groundbreaking artists together for a conversation? They started talking shop before we'd even turned on the recorder.

Gary Shteyngart
Gary ShteyngartAfter the overwhelming success of The Russian Debutante's Handbook, Gary Shteyngart returns with Absurdistan, a gut-busting satire about contemporary capitalism, national identity, love, and war. Aleksandar Hemon attests, "No one is more capable of dealing with the transition from the hell of socialism to the hell of capitalism in Eastern Europe than Shteyngart, the great-great grandson of one Nikolai Gogol and the funniest foreigner alive."

Michael Pollan
Michael PollanOn the heels of his bestselling The Botany of Desire, Michael Pollan has served up an equally fascinating exploration of our relationship with the natural (and not-so-natural) world. One thing The Omnivore's Dilemma makes clear: if we are what we eat, it's getting so we hardly know ourselves at all.

Sebastian Junger
Sebastian JungerIn A Death in Belmont, Sebastian Junger returns with the same nuanced journalism and detail that he brought to the fate of the Andrea Gail in the bestselling The Perfect Storm as well as to his war reporting from Afghanistan. A Death in Belmont is a compact book that focuses on one murder, but it is surprisingly far-reaching, touching on the American justice system, psychology, and Southern history. Junger spoke with us about his new book, journalism, the death penalty, and our responsibility as voting citizens.

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Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and eBooks — here at Powells.com.
  • back to top

Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and eBooks — here at Powells.com.