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Aldous Huxley: A Biography
by Sybille Bedford
A review by Benjamin Schwarz
Although the acerbic wit of Huxley's early novels Antic
Hay, Crome
Yellow, and Point
Counter Point rivals Waugh's, and although his range and depth as an
essayist are breathtaking, his artistic stature doesn't merit a nearly 800-page
biography. Which makes Bedford's achievement all the more astonishing. Her book,
first published in 1973 and recently reissued, is one of the great literary portraits
of the past fifty years and next to it the forthcoming and perfectly adequate
Huxley
biography by Nicholas Murray seems superfluous. Rarely can a doorstop biography
be described as elegant; an accumulation of quotidian detail almost inevitably
bloats and clogs the work. But Bedford (now ninety-one), a cosmopolitan and stylish
novelist, maintains a sophisticated and coolly ironic tone (aided by her decision
to divide her very long study into many very short chapters) throughout her chronicle.
Not only did Huxley whom Bedford nicely characterizes as "an evolved Victorian
Englishman at home in the second part of the twentieth century, at home in Southern
California" know everything, he knew everybody, from Orwell (who as a fellow
schoolboy at Eton was entranced by Huxley's diction) to Charlie Chaplin. Certainly
Bedford deftly captures Huxley's multi-faceted mind and world (the two writers
were close friends), but what makes her work so singularly absorbing is the complete
sympathy she somehow pairs with her characteristic detachment.
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