The Roads to Modernity: The British, French, and American Enlightenments
by Gertrude Himmelfarb
Light sources - Paris, Washington, London: departure points for the modern world
A review by Jonathan Clark
Postmodernists dislike grand narratives; and here is a grand modernist narrative
indeed, wearing its wide learning with a deceptive grace. For Gertrude Himmelfarb,
a distinguished American historian of Victorian Britain, this book is an attempt
to "reclaim the Enlightenment. . . from postmodernists who deny its existence
and historians who belittle or disparage it". It seeks to do this by reinterpreting
the Enlightenment in Britain, America and France to create a scenario for Western
history.
The Enlightenment begins the book in the singular but soon divides into three
national examples, linked because "the three Enlightenments ushered in
modernity", a modernity of which the French Revolution was "one of
the most dramatic events". Whatever the claims of the postmodernists, for
Himmelfarb the achievements of the people she writes about are still current:
"We are, in fact, still floundering in the verities and fallacies, the
assumptions and convictions, about human nature, society, and the polity that
exercised the British moral philosophers, the French philosophes, and the American
Founders". To establish this scheme, the French must be disabused of the
idea that they alone had an Enlightenment. The "British" had it first,
handed it to colonial Americans (Henry Steele Commager's The
Empire of Reason: How Europeans Imagined and America Realized the Enlightenment
lurks in the footnotes), but later lost it. Recent Scots claims to have had
an Enlightenment while England did not are gently deflected: the Scottish Enlightenment
"was not as parochially or exclusively Scottish as might be thought".
To bring the British Enlightenment "center stage" is "to redefine
the very idea of Enlightenment", for in Britain, virtue (especially compassion,
benevolence and sympathy) rather than reason topped society's list of ideals.
This vindicates Britain's unrevolutionary track record from the charge of being
"a species of counter-Enlightenment"; in turn, it allows Himmelfarb
to rescue 1776 from being "a prelude to or a minor version of" 1789,
and to make the American Revolution a moderate, pragmatic, limited event. Indeed,
the French Revolution, like the French Enlightenment, threatens to become the
odd man out: clearly on the correct side in the clash between pre-modernity
and modernity, but hinting at sensationally unacceptable causes. So the American
Revolution comes last, not second, in her analysis. Colonial Americans drew
the right lesson from Britain; the French Revolutionaries failed to do so.
But can we characterize "Enlightenments" like this? Himmelfarb writes
that "To redefine the Enlightenment in this fashion is also to redefine,
in a sense, the British Enlightenment itself, expanding it to include thinkers
and actors not normally identified with it". Certainly, if membership can
be reset at the historian's will, the resulting group's common characteristics
can be whatever the historian chooses. But the question then becomes why the
historian constructs the scenario as she does.
She does so to vindicate a politics of libertarian capitalist virtue in our
own age. For Himmelfarb, Das Adam Smith Problem (centring on discrepancies
between Smith's two great works) is a misconception, for The
Wealth of Nations rests on the same moral foundations as Smith's The
Theory of Moral Sentiments. She also rescues Burke from Isaiah Berlin's
charge of belonging to the "Counter-Enlightenment": Burke "never
attacked the Enlightenment as a whole". Burke was a disciple of Smith,
"a proponent of free trade and a free market economy", and, like Smith,
upheld "the commonality of human nature", accessed by "sympathy".
As with Smith, there was no "early liberal Burke superseded by a later
conservative one". Burke's Enlightenment credentials were established by
his support for the American Revolution, which, insists Himmelfarb, was "fundamentally,
qualitatively different from the French". Burke's Speech on Conciliation,
she claims, rightly depicted "an enlightened America". But if this
is a misreading of Burke, there is a problem.
The problem leads Himmelfarb steadily to distance these Enlightenments: the
British was latitudinarian and religiously plural, while the French was a second
Reformation aimed against religion as such. She also separates America's: "The
driving force of the British Enlightenment was not reason but the 'social virtues'
or 'social affections'. In America, the driving force was political liberty,
the motive for the Revolution and the basis for the republic". Why they
should have diverged in the eighteenth century is never quite clear; colonial
America's different attitude to "liberty" is assumed rather than explained.
The French case was unique, for there it was not benevolence but "reason"
that "served almost as a mantra"; reason "was not just pitted
against religion, defined in opposition to religion; it was implicitly granted
the same absolute, dogmatic status as religion". Morality, argued Diderot
in the Encyclopedie,
was independent of religion. Among the philosophes, deism and even atheism were
the norm; contempt for revealed religion led Voltaire and others into strident
anti-Semitism. In France, the idea of liberty "did not elicit anything
like the passion or commitment that reason did".
The preference of the philosophes for "enlightened despotism" rested
on a prevalent contempt for the irrational canaille quite different from the
British moral philosophers' attribution to the people of "a common humanity
and a common fund of moral and social obligations". Compassion, argues
Himmelfarb, did not feature in the philosophes' social vocabulary. Even in a
work like Rousseau's Emile,
"the common man figured not at all". Diderot's image of the people,
in the Encyclopedie, was of the "ignorant and stupefied" multitude,
whose voice was that of "wickedness, stupidity, inhumanity, unreason, and
prejudice". Without reason, the people were incapable of enlightenment,
and mired in superstition.
The philosophes were not revolutionaries, argues Himmelfarb, "Yet the
ideas of the Enlightenment did have resonance in the Revolution, if not quite
that which their creators might have desired". She lists anticlericalism
and the abolition of church-run charities and schools. But is this enough? If
the Enlightenment was as great a formative episode as its admirers think, can
its consequences have been so trivial?
In the American colonies, Himmelfarb concludes, the consequences of the Enlightenment
were very great indeed. But was the American case so very different from the
French? Himmelfarb censures 1789: "the idea of a civil religion, with all
the solemnity and strictures attached to it, was anything but innocent, for
it was meant to carry out the purpose of the new regime, as Rousseau understood
it, which was nothing less than the radical reshaping not only of society but
of humanity". But a "civil religion" is precisely the idea that
Robert Bellah has coined to explain the coercive, high-minded public purposefulness
of the United States. For Crevecoeur in 1782, asking "What . . . is the
American, this new man?", the American Revolution indeed anticipated Robespierre's
aim of transforming human nature.
The more Himmelfarb reflects on it, the more different the three cases become.
"The three Enlightenments had profoundly different social and political
implications and consequences." The British Enlightenment's "sociology
of virtue" (benevolence, compassion, sympathy) was linked to Britain's
"non revolutionary, reformist temper". There was an "immediate
and obvious" link between the American Enlightenment's "politics of
liberty" and the "pragmatic, cautious temper" manifest in the
Constitution. The French Enlightenment's "ideology of reason laid the groundwork"
for the French Revolution. But if the outcomes were so dissimilar, was the same
cause really at work in each case?
Himmelfarb's problem is that she needs to depict the American Enlightenment
as essentially like the British in order to distinguish the American version
from the French, which ended in the disaster of 1789, and to explain the American
Revolution as a sensible, pragmatic event, conducive to "liberty",
politically revolutionary while socially conservative; yet she has also to distinguish
the American Enlightenment from the British in order to explain why 1776 happened
at all, and happened, as she must believe, for good reasons.
So she argues thus: "In Britain, the social virtues were in the forefront
of philosophical speculation and social policy, the primary condition of the
public good. In America, they were in the background, the necessary but not
sufficient condition. What was in the forefront was liberty". But why?
And were not the English-speaking polities on both sides of the Atlantic equally
preoccupied with both virtue and liberty? If in 1776 they came to implement
different understandings of those elastic terms, then that is the historical
problem to be explained; and it is not clear that different characteristics
of a shared "Enlightenment" are sufficient to explain it. To argue
that the American version was about liberty while the British was not begs the
question at issue: American colonists, for decades until the 1770s, had praised
the British Empire for securing their liberties. For American colonists, writes
Himmelfarb, "It was only because virtue . . . was insufficient to maintain
liberty that politics had to perform that function". Does this mean that
eighteenth-century Britain was free because it was more virtuous?
On what, ultimately, did "virtue" depend? The various and clashing
sectarian commitments of colonial Americans are homogenized in Himmelfarb's
pages into "religion": "religion" in general continued to
be a powerful support for republicanism". She quotes Tocqueville: "All
differ in the worship one must render to the Creator, but all agree on the duties
of men toward one another". If so, one might reply, the two civil wars
of the 1770s and 1860s would never have happened. Himmelfarb claims that "the
Founders did not look upon religion as the enemy of liberty"; what, then,
of the denunciation of "popery and arbitrary power" over many decades,
a critique turned against the Church of England from the 1740s and with destructive
effect in the 1770s?
But hers is an intellectual, not a practical, point. For both the British moral
philosophers and the American Founding Fathers, "religion was an ally,
not an enemy". Again, much depends on whom we include: for Arians or Socinians
from Newton and Locke to Price, Priestley and Adams, or for Deists from Matthew
Tindal and John Toland to Franklin and Jefferson, the trinitarianism of the
Church of England did indeed provide common cause for those whose French soulmates'
slogan was ecrasez l'infame. And to say that the American Revolution was caused
by a search for "liberty", while not untrue, is hardly sufficient
to grasp the essence of that episode. Liberty to do what?
Gertrude Himmelfarb's scenario, long meditated, indeed a masterly reinterpretation
of modernist scholarship on three countries, is meant to depict a pattern of
historical evolution that leads us to the point at which we now stand: modernity.
The Federalist, like the Constitution of 1787, was "a consciously modern
document". This scenario casts the USA, not France or Britain, as, in a
general sense, The Answer (although France and Britain might have roles as allies,
in so far as they agree). Today, the pressures to accept this scenario as a
self- evident truth are immense.
Yet here is another scenario, not indebted to the postmodernists that she repudiates.
In this scenario, the "Enlightenment" was not an eighteenth-century
term in any European society (even apparent synonyms like "die Aufklarung"
or "le siecle des lumieres" were not the same as our notion). The
spread of light as a metaphor for truth was long familiar from Scripture, and
a British use of the adjective, as in "this enlightened age", did
not generate a reified "Enlightenment". That word was a term of late
nineteenth-century historical art, designed to be projected back onto the eighteenth
century to provide retrospective validation for certain nineteenth-(and, later,
twentieth-) century commitments. Like other such anachronistic terms, it obscures
much and reveals nothing. Since it is anachronistic, one cannot (except arbitrarily)
assign some eighteenth-century people to the Enlightenment while consigning
others to outer darkness.
"The Enlightenment", in this alternative scenario, was not among
the causes of the American Revolution, which drew on genuine revolutionary antecedents
within the British Isles but went far beyond them in the profundity of its social
upheaval; the scholarship of the past thirty years has appropriately moved the
American Revolution much closer to the French in the virulence of its revolutionary
character. Yet although contemporaries like Richard Price certainly claimed
to discern some sacred flame leaping the Atlantic to ignite France, others (notably
Thomas Paine) remarkably failed to see 1789 coming, so that the explanation
of the French Revolution is still as difficult a task as the explanation of
the American: R. R. Palmer's conceptualization of an "Age of the Democratic
Revolution" as an attempted integration of them now seems desperately typical
of the 1950s.
As for modernity, it too was a project of the late nineteenth century, urged
for many powerful reasons but not because its claims were in any simple sense
true. There was indeed a domino effect in the long eighteenth century, but it
was not produced by one Enlightenment virtuously triggering another; it was
a domino effect of war and revolution that severely damaged most of the ideals
that "Enlightenment" was later devised to encapsulate. Paine's claim
in 1776 that "We have it in our power to begin the world over again"
was political rhetoric: no society can do that. The USA was never exceptional;
it was always a state like any other state, as world opinion increasingly appreciates.
In an age in which the slogan ecrasez l'infame has in effect been turned against
the United States itself, we need a better understanding of its nature than
its public myth of origins allows. Is it still sufficient to present that republic
as the apotheosis of enlightenment and modernity? "In America today",
writes Himmelfarb, "the Enlightenment is alive and well . . . . There is
nothing like it in France or Britain . . . . America was exceptional at the
time of its founding, and continues to be so today." Britain "discarded"
the Enlightenment of Adam Smith and David Hume when it adopted the economics
of Thomas Malthus and David Ricardo; the United States preserves the best of
that earlier British Enlightenment, making the USA notably "individualistic,
religious and moralistic". Margaret Thatcher, writes Himmelfarb, should
have appealed beyond "Victorian values" to the "social virtues"
of Hume and Smith.
Perhaps; but, in Himmelfarb's scenario, the USA seems exceptional not in the
sense of being exemplary for kindred societies but in the sense of being unique,
inapplicably different from neighbouring nations. Hostile world opinion may
find in this eloquent, heartfelt book a clarification of just what it is in
the United States of which it so deeply disapproves; but in the United States
itself, this volume, which apparently offers a comparative analysis of the USA,
France and Britain as a route to self-knowledge, will probably be read as a
reassuring paean of praise for the homeland. The United States, Himmelfarb writes,
has recently "superimposed on the politics of liberty something very like
a sociology of virtue. After decades of disuse, virtue is once again a respectable
part of the political and social vocabulary". We seem destined to live
in interesting times.
Jonathan Clark is Hall Distinguished Professor of British History at the University
of Kansas. His books include Our
Shadowed Present: Modernism, Postmodernism and History, published last year.
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