Imposters
A review by Larissa N. Dooley
In an age when porn star Jenna Jameson's memoir climbs the best-seller list, Olympic athletes pose naked for Playboy, mothers bring their daughters to "cardio striptease" classes at the local gym, and primetime TV features the Victoria's Secret fashion show — that is, in an age of raunch culture — women are claiming to be more liberated than ever. In her first book, Ariel Levy exposes this sense of liberation as being as phony as the breasts that over 260,000 women in this country had implanted in themselves last year. Instead of working to elevate the status of the female, Levy argues, women have opted to become "one of the guys." In a particularly "if you can't beat 'em, join 'em" mentality, the new brand of chauvinist pig is female, and she exploits herself, as well as other women. Observe the (heterosexual) female chauvinist pig's two key modes of behavior: she fulfills the stereotype of a woman herself, flaunting big boobs in little...
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Prep: A Novel by Curtis Sittenfeld
 The scores of most competitions aren't recorded in the light bulbs of a scoreboard,
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Subtitles: On the Foreignness of Film by Atom Egoyan and Ian Balfour
 Not unlike the lack of translated works in our bookstores, the dearth of foreign films in our theatres speaks volumes about our cultural isolationism. With this lovingly edited and designed collection, filmmaker Atom Egoyan (The Sweet Hereafter, Ararat) and literature professor Ian Balfour...
City of Nets by Otto Friedrich
 Otto Friedrich's City of Nets is littered with bodies: somebodies, nobodies,
congressional bodies, bodies of work, and even corpses. Hollywood from 1939 to
1950 -- the period covered in this 20-year-old book -- had scandals that
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The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje
 In The Conversations, novelist Michael Ondaatje speaks with legendary film
editor Walter Murch, the man who cut such landmark films as The Conversation,
The Godfather I and II, and Apocalypse Now, as well as last
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