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Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein by Julie Salamon

The Wendy Chronicles

A review by Adam Kirsch

The great subject for American Jewish literature has always been the family: its imprisoning intimacy, its guilt-inducing demands, and sometimes even its life-giving warmth. From Arthur Miller's Lomans, cursed by their dreams of success, to Henry Roth's David Schearl, depraved by the sexual tensions in his extended clan, the heroes of American Jewish fiction are generally martyrs to their families. If Judaism had saints, these writers' patron saint would be Jephthah's daughter, who was sacrificed by her father in accordance with a thoughtless vow.

Wendy Wasserstein may not belong in the ranks of the greatest American Jewish writers, but like Neil Simon before her, she helped to popularize the Jewish family romance by making it a subject for heartfelt and accessible comedy. And whether the characters in her plays are explicitly Jewish, as in The Sisters Rosensweig, or atmospherically so, like the heroine of The Heidi Chronicles, Wasserstein left no doubt that it was her personal...

Previously Reviewed by The New Republic
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