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The
Word from the Curb
Street
papers give voice to people locked out of the major media
By Nick Garafola, Utne Reader
In a surprising twist on our mega-media culture, the
gritty street newspaper has returned to big cities across
North America and Europe, where vendors hawk the tabloids
to help them and other staff members work their way out
of homelessness. Readers may bump into some extraordinary
examples of nonlinear thinking in these papers, but they're
just as often treated to good writing. In all cases, street
papers are a reminder of the many voices that mainstream
papers overlook.
The history of street newspapers can be traced back to
the early years of the 20th century, when Hobo
News featured reports on labor organizing and
essays about the vagabond life. The genre was revived
in 1989 with the appearance of both New York City's Street
News and San Francisco's Street Sheet. Since
1996, the North American Street Newspaper Association
(NASNA) has provided street papers across the continent
with a network for sharing stories and ideas. According
to NASNA, there are 44 such papers in North America and
dozens more on other continents.
The basic business strategy is summed up in a slogan
familiar to most New Yorkers: "Help the homeless help
themselves buy Street News." At most such
publications, vendors hawk papers for a fixed cut of what
they take in. The 40 to 50 people who sell Street News,
for instance, pocket a dollar of the paper's $1.60 price.
Street News is not dated. About 9,000 copies of
each issue are printed; when they sell out, it's time
for the next issue.
The Street News staff also includes some 25 writers.
Most have been homeless at one time or another, but the
paper's subject matter and intended audience are much
wider. "There's a universe of other things besides homelessness
going on in the streets," says former Street News
editor Lee Stringer, and the newspaper's staff is uniquely
positioned to cover it.
They certainly have no problem with the flow of ideas.
In a recent issue, Indio, the paper's current editor,
digs deep into the Old Testament and life in ancient Egypt
and Greece to explain the history of taxation. He's got
a great writing voice: "Yeah, this 'twas going to be really
ruff," he notes of his research, "but that's what my dog
Rex always seyz. And I know that if it ain't ruff it ain't
right." Asked where he got his flair with words, Indio
mentions the slang he learned during his days with the
Harlem Lords street gang in the 1950s.
Like most of the paper's current employees, Indio has
managed to get himself off the streets, he says, but that
common past gives many of the paper's writers a certain
curb-level credibility. One writer reports on the African
herb yawarnba, which is said to up the T-cell count for
people with AIDS, and points readers to the Harlem herb
shops where it sells for the best price. Police brutality
is a common topic, and a recent issue lists various authorities
willing to speak about it. In another article, homeless
youth weigh in on which New York City shelters are the
safest, and which pose the biggest risks for homosexuals.
Street News has been the model and inspiration
for other street papers, including The Big Issue,
which first appeared in London in 1991 with help from
the Body Shop Foundation. The Big Issue has since
launched other street papers in cities around the world,
each with the goal of giving homeless people a way to
make money and a forum in the media. Back at ground zero,
Indio and company take pride in the fact that theirs is
very much a for-profit paper that benefits those who have
made it what it is a thing of their own.
At first glance, most street papers seem to share an
editorial vision akin to the mission of many a social
reformer to comfort the afflicted by afflicting
the comfortable. Closer reading reveals differences in
content and quality, but also a deeper shared element:
unheard voices from the underexplored universe of the
inner city.
Street
Paper Sampler
Street
News
Subscriptions: $19 (6 issues) from
144-46 76th Ave., Flushing, NY 11367.
http://members.aol.com/phpcoach/index.html
Street
Sheet
Subscriptions: $20/yr. (12 issues) from
468 Turk St., San Francisco, CA 94102.
Coh@sfo.com
The
Big Issue
Subscriptions: $98/yr. (52 issues) from
236 240 Pentonville Road, Kings Cross,
London N1 9JY England.
www.bigissue.com
|
Our
staff's selection of good reads
By The Editors, Utne Reader
Sex
and Single Girls by Lee Damsky, editor
A clear, honest depiction of female sexuality – in all its quirky
splendor. While some of the essays are kinky, what’s even more
satisfying about this collection is the feeling that the authors
are, for the most part, letting it all hang out, presenting
women for what we really are: living, breathing human beings,
not airbrushed centerfolds or brainless fantasy fodder. Andy
Steiner
Between
Two Fires: Intimate Writings on Life, Love, Food and Flavor
by Laura Esquivel
From the author of Like
Water for Chocolate comes a sweet, intimate little book
of vignettes on the magic of food and love. Filled with recipes,
biography, and poetic observations, the book is layered with
sensuous thought. Reading it is like eating a good dessert.
Mark Odegard
Susan
Glaspell: A Critical Biography by Barbara Ozieblo
A vital but forgotten voice in American literature who deserves
the credit for discovering playwright Eugene O’Neill, Susan
Glaspell was a key player in the dazzling bohemian crowd of
Greenwich Village celebrated in Warren Beatty’s film Reds.
This academically inclined biography charts Glaspell’s fascinating
progression from a well-mannered but freethinking girl in Davenport,
Iowa, to an early feminist novelist, to an expatriate in Greece,
then back to America, where she won the Pulitzer Prize for drama
in 1931. Jay Walljasper
The
Tipping Point: How Little Things Can Make a Big Difference
by Malcom Gladwell
From Paul Revere’s ride and the mysterious comeback of Hush
Puppies to Peter Jenning’s smile and the secret of teenage smoking,
Gladwell explores the world of mavens, innovators, connectors,
and salesmen and their remarkable ability to shape our world.
Craig Cox
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