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All-night Lingo Tango (09 Edition)

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All-night Lingo Tango (09 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Review:

"Chatty and whimsical, literary and (at its best) laugh-out-loud funny, Hamby's fourth outing begins with a tour-de-force: monorhyme. All the long lines in Hamby's two-page 'Ode to Anglo Saxon, Film Noir, and the Hundred Thousand Anxieties that Plague Me Like Demons in a Medieval Christian Allegory' (yes, that's the title) rhyme, or at least half-rhyme, with one another: 'Who are you? Not the hippie chick/ of your early twenties or the Sears and Roebuck/ Christian drudge your mother became, though Satan still stalks/ you....' Most of the volume pursues the same jittery, entertaining pace, with frequent reference to baby-boom — era popular culture, especially film: 'Here's to the movie queens with their nose jobs, snow jobs, blow jobs.' Long-lined 'Odes,' most in monorhyme or in loose couplets, give her extroverted, digressive imagination free play, reminiscent by turns of Albert Goldbarth and Ogden Nash: 'I was a vegetarian,/ so I know food hang-ups like a Rastafarian/ knows ganja.' Hamby (Babel) also includes a few dozen 13-line sonnets, more restrained, less forceful, and less personal, but determined to juxtapose the ultra-contemporary and the famously literary: 'Nietzsche Explains the Ubermensch to Lois Lane.' Hamby's autobiographical asides and festive attitudes may seem, to some, like nothing new: yet, often enough, their sheer verve should entertain." Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

This collection is a love letter to language with poems that are drunk and filled with references to the hyperkinetic world of the twenty-first century. Yet Zeus and Hera tangle with Leda on the interstate; Ava Gardner becomes a Hindu princess; and Shiva, the Destroyer, reigns over all. English is the primary god here, with its huge vocabulary and omnivorous gluttony for new words, yet the mystery of the alphabet is behind everything, a funky puppet masterwho can make a new world out of nothing.

About the Author

Barbara Hamby is writer-in-residence at Florida State University. She is the author of two chapbooks and three previous poetry collections: The Alphabet of Desire; Delirium; and Babel, winner of the 2003 Donald Hall Prize in Poetry.  Her poems have appeared in numerous publications including the Paris Review, the Iowa Review, the Kenyon Review, and Best American Poetry 2000.

Product Details

ISBN:
9780822960171
Author:
Hamby
Publisher:
University of Pittsburgh Press
Author:
Hamby, Barbara
Subject:
Single Author / American
Subject:
American - General
Subject:
Poetry-A to Z
Edition Description:
1st Edition
Series:
Pitt Poetry Series
Publication Date:
20090231
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
88
Dimensions:
8.5 x 6 in

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Related Subjects

Fiction and Poetry » Poetry » A to Z
Science and Mathematics » Environmental Studies » Environment

All-night Lingo Tango (09 Edition) Used Trade Paper
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$8.00 In Stock
Product details 88 pages University of Pittsburgh Press - English 9780822960171 Reviews:
"Publishers Weekly Review" by , "Chatty and whimsical, literary and (at its best) laugh-out-loud funny, Hamby's fourth outing begins with a tour-de-force: monorhyme. All the long lines in Hamby's two-page 'Ode to Anglo Saxon, Film Noir, and the Hundred Thousand Anxieties that Plague Me Like Demons in a Medieval Christian Allegory' (yes, that's the title) rhyme, or at least half-rhyme, with one another: 'Who are you? Not the hippie chick/ of your early twenties or the Sears and Roebuck/ Christian drudge your mother became, though Satan still stalks/ you....' Most of the volume pursues the same jittery, entertaining pace, with frequent reference to baby-boom — era popular culture, especially film: 'Here's to the movie queens with their nose jobs, snow jobs, blow jobs.' Long-lined 'Odes,' most in monorhyme or in loose couplets, give her extroverted, digressive imagination free play, reminiscent by turns of Albert Goldbarth and Ogden Nash: 'I was a vegetarian,/ so I know food hang-ups like a Rastafarian/ knows ganja.' Hamby (Babel) also includes a few dozen 13-line sonnets, more restrained, less forceful, and less personal, but determined to juxtapose the ultra-contemporary and the famously literary: 'Nietzsche Explains the Ubermensch to Lois Lane.' Hamby's autobiographical asides and festive attitudes may seem, to some, like nothing new: yet, often enough, their sheer verve should entertain." Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by ,
This collection is a love letter to language with poems that are drunk and filled with references to the hyperkinetic world of the twenty-first century. Yet Zeus and Hera tangle with Leda on the interstate; Ava Gardner becomes a Hindu princess; and Shiva, the Destroyer, reigns over all. English is the primary god here, with its huge vocabulary and omnivorous gluttony for new words, yet the mystery of the alphabet is behind everything, a funky puppet masterwho can make a new world out of nothing.
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