Synopses & Reviews
We live in a world organized around the container. Standardized twenty- and forty-foot shipping containers carry material goods across oceans and over land; provide shelter, office space, and storage capacity; inspire films, novels, metaphors, and paradigms. Today, TEU (Twenty Foot Equivalent Unit, the official measurement for shipping containers) has become something like a global currency. A container ship, sailing under the flag of one country but owned by a corporation headquartered in another, carrying auto parts from Japan, frozen fish from Vietnam, and rubber ducks from China, offers a vivid representation of the increasing, world-is-flat globalization of the international economy. In
The Container Principle, Alexander Klose investigates the principle of the container and its effect on the way we live and think.
Klose explores a series of "container situations" in their historical, political, and cultural contexts. He examines the container as a time capsule, sometimes breaking loose and washing up onshore to display an inventory of artifacts of our culture. He explains the "Matryoshka principle," explores the history of land-water transport, and charts the three phases of container history. He examines the rise of logistics, the containerization of computing in the form of modularization and standardization, the architecture of container-like housing (citing both Le Corbusier and Malvina Reynolds's "Little Boxes"), and a range of artistic projects inspired by containers. Containerization, spreading from physical storage to organizational metaphors, Klose argues, signals a change in the fundamental order of thinking and things. It has become a principle.
Review
Globalization has created a landscape of shipping containers. Against the methodological background of media theory, Alexander Klose's kaleidoscopic essay traces the containerization of the world. This book explains why the container became an icon of global trade and a powerful object of imaginations. The MIT Press
Review
Klose captures the rise of the infrastructural as a key dynamic in our global world. He explodes the conceptual boundaries of the term, and therewith makes that familiar term unrecognizable, an exciting window into material realities of today's world. Monika Dommann, University of Zürich
Review
The Container Principle captures the fear and imagination inspired by our logistics-driven world. Klose describes the paradoxes of the container: how it collapses time and space and how it has become the most dynamic, networked object on both land and sea. Saskia Sassen, author of < i=""> Expulsions: Brutality and Complexity in the Global Economy <>
Synopsis
A cultural history of the shipping container as a crucible of globalization and a cultural paradigm.
We live in a world organized around the container. Standardized twenty- and forty-foot shipping containers carry material goods across oceans and over land; provide shelter, office space, and storage capacity; inspire films, novels, metaphors, and paradigms. Today, TEU (Twenty Foot Equivalent Unit, the official measurement for shipping containers) has become something like a global currency. A container ship, sailing under the flag of one country but owned by a corporation headquartered in another, carrying auto parts from Japan, frozen fish from Vietnam, and rubber ducks from China, offers a vivid representation of the increasing, world-is-flat globalization of the international economy. In The Container Principle, Alexander Klose investigates the principle of the container and its effect on the way we live and think.
Klose explores a series of "container situations" in their historical, political, and cultural contexts. He examines the container as a time capsule, sometimes breaking loose and washing up onshore to display an inventory of artifacts of our culture. He explains the "Matryoshka principle," explores the history of land-water transport, and charts the three phases of container history. He examines the rise of logistics, the containerization of computing in the form of modularization and standardization, the architecture of container-like housing (citing both Le Corbusier and Malvina Reynolds's "Little Boxes"), and a range of artistic projects inspired by containers. Containerization, spreading from physical storage to organizational metaphors, Klose argues, signals a change in the fundamental order of thinking and things. It has become a principle.
About the Author
Alexander Klose is a researcher and curator in the program department of the German Federal Cultural Foundation.