Synopses & Reviews
Artifacts (including works of architecture) play dual roles; they simultaneously perform functions and carry meaning. Columns support roofs, but while the sturdy Tuscan and Doric types traditionally signify masculinity, the slim and elegant Ionic and Corinthian kinds read as feminine. Words are often inscribed on objects. (On a door: "push" or "pull.") Today, information is digitally encoded (dematerialized) and displayed (rematerialized) to become part of many different objects, at one moment appearing on a laptop screen and at another, perhaps, on a building facade (as in Times Square). Well-designed artifacts succeed in being both useful and meaningful. In World's Greatest Architect, William Mitchell offers a series of snapshots--short essays and analyses--that examine the systems of function and meaning currently operating in our buildings, cities, and global networks. In his writing, Mitchell makes connections that aren't necessarily obvious but are always illuminating, moving in one essay from Bush-Cheney's abuse of language to Robert Venturi's argument against rigid ideology and in favor of graceful pragmatism. He traces the evolution of Las Vegas from Sin/Sign City to family-friendly resort and residential real estate boomtown. A purchase of chips leads not only to a complementary purchase of beer but to thoughts of Eames chairs (like Pringles) and Gehry (fun to imitate with tortilla chips in refried beans). As for who the world's greatest architect might be, here's a hint: he's also the oldest.
Review
"Like the extraordinary Whole Earth Catalog of our youth, these brilliant essays create patterns of possibility that allow the reader to see and design one's personal connection between each essay. The allusions to various cultural icons and their views on topics ranging from maps and communication to modern culture and creativity make this book a must read for the hungry mind. World's Greatest Architect is incisively written and along with William Mitchell's other contributions, firmly establishes his place in the pantheon of learning professionals." Richard Saul Wurman The MIT Press
Review
"Here's a provocative collection of witty, insightful, and argumentative essays that helps us think about the world of architecture and design in new and startling ways." Steve Paul Kansas City Star Richard Saul Wurman
Review
William J. Mitchell is the Alexander W. Dreyfoos, Jr. Professor of Architecture and Media Arts and Sciences and directs the Smart Cities research group at MIT's Media Lab. He was formerly Dean of the School of Architecture and Head of the Program in Media Arts and Sciences at MIT. He is the author of Imagining MIT: Designing a Campus for the Twenty-First Century, Placing Words: Symbols, Space, and the City, Me++: The Cyborg Self and the Networked City, e-topia: "Urban Life, Jim--but Not as We Know It", City of Bits: Space, Place, and the Infobahn, and The Reconfigured Eye: Visual Truth in the Post-Photographic Era, all published by The MIT Press. The MIT Press The MIT Press The MIT Press
Review
"Like the extraordinary 'Whole Earth Catalog' of our youth, these brilliant essays create a pattern of possibilities that allow the reader to see and design one's personal connections between each essay. The allusions to various cultural icons and their views on topics ranging from maps and communication to art and creativity make this book a must read for the constructively eclectic design mind. It is incisively written and along with William Mitchell's other contributions, firmly establishes his place in the pantheon of learning professionals."--Richard Saul Wurman The MIT Press The MIT Press
Synopsis
Function and meaning in architecture and elsewhere, from tongue-in-cheek instructions for creating a surveillance state to reflections on the architecture of the potato chip.World's Greatest Architect: Making, Meaning, and Network Culture
Synopsis
Artifacts (including works of architecture) play dual roles; they simultaneously perform functions and carry meaning. Columns support roofs, but while the sturdy Tuscan and Doric types traditionally signify masculinity, the slim and elegant Ionic and Corinthian kinds read as feminine. Words are often inscribed on objects. (On a door: push or pull.) Today, information is digitally encoded (dematerialized) and displayed (rematerialized) to become part of many different objects, at one moment appearing on a laptop screen and at another, perhaps, on a building facade (as in Times Square). Well-designed artifacts succeed in being both useful and meaningful. In
About the Author
William J. Mitchell was the Alexander W. Dreyfoos, Jr., Professor of Architecture and Media Arts and Sciences and directed the Smart Cities research group at MIT's Media Lab.