Synopses & Reviews
Synopsis
Germany's cultural glory and for a time Germany's political shame: the operatic festival established by Richard Wagner in 1876 is one of the most intriguing phenomena in modern European intellectual history. The oldest and best known of all musical festivals, Bayreuth soon after Wagner's death in 1883 became the center of a reactionary and nationalistic ideological cult. This book is the first to provide a frank and fully rounded account of the institution and the way it operates.
The focus of the study is a critical analysis of the performances and productions, brought alive with photographs and sketches of stage settings, conductors, singers, and costumes from 1876 to 1990. Around this artistic history is woven the remarkable story of why, against tremendous odds, Wagner built his famous Festspielhaus and established his controversial festival and of how his descendants have managed to keep it alive. At the same time, the book traces the institution's association with nationalism and racism, its eventual debasement into "Hitler's court theatre," and its postwar liberation from its chauvinist, anti-Semitic past.
With its own form of Wagnerian Gesamtkunstwerk--linking art, the personalities of the Wagner family, and German ideological development--this provocative study will be compelling reading not only for Wagner enthusiasts but also for anyone interested in European intellectual history since 1876.
Synopsis
The operatic festival Richard Wagner founded in 1876 is the oldest and most famous in the world. It is also the most controversial, for it became the cultural showcase of the Third Reich. In this prize-winning and generously-illustrated book - the first to provide a frank and fully rounded history of Bayreuth - Frederic Spotts describes the festival's performances and productions, the Wagner family who have run it, its debasement into 'Hitler's court theatre', and its postwar liberation from its chauvinistic, anti-Semitic past. Provocative and compelling, the book will fascinate all Wagner enthusiasts as well as those interested in European cultural and intellectual history since 1876. 'A vast body of historic data - musical, personal, political, and generally artistic - presented in smooth, witty prose ... Spotts tells in absorbing detail the complex story of the relationship between the Third Reich and Bayreuth ... As reliable a guide to Bayreuth as we shall ever have.' Michael Tanner, 'The New York Times Book Review' 'Bayreuth is not just a spiritual and political history of the Festival but a sustained attempt to explain the place, uniquely emblematic, that it holds, and has always held, in German cultural life.' Richard Law, 'Opera' 'A readable, authoritative account of the Wagner festival that is compelling and chilling, sketching the cult's evolution and surveying its achievements ... Definitive.' Edward Rothstein, 'The New York Times' 'Spotts knows his Wagner as well as any professional musician ... he writes illuminatingly about the political as well as the musical context of the Bayreuth phenomenon.' David Mellor, 'The Daily Telegraph' 'Music history, cultural comment, and such issues as the family's embrace of Nazism are all deftly combined.' 'Time' Winner of the Royal Philharmonic Society Award for the best music book of 1994. Frederic Spotts is an Associate of the Center for European Studies at Harvard University, and a former member of the American Foreign Service.