Persuasion

Called a 'perfect novel' by Harold Bloom, Persuasion was written while Jane Austen was in failing health. She died soon after its completion, and it was published in an edition with Northanger Abbey in 1818.

In the novel, Anne Elliot, the heroine Austen called 'almost too good for me,' has let herself be persuaded not to marry Frederick Wentworth, a fine and attractive man without means. Eight years later, Captain Wentworth returns from the Napoleonic Wars with a triumphant naval career behind him, a substantial fortune to his name, and an eagerness to wed. Austen explores the complexities of human relationships as they change over time. 'She is a prose Shakespeare,' Thomas Macaulay wrote of Austen in 1842. 'She has given us a multitude of characters, all, in a certain sense, commonplace. Yet they are all as perfectly discriminated from each other as if they were the most eccentric of human beings.'

Persuasion is the last work of one of the greatest of novelists, the end of a quiet career pursued in anonymity in rural England that produced novels which continue to give pleasure to millions of readers throughout the world.

Jane Austen's last completed novel, a brilliantly insightful story of regret, second chances, and the courage to follow our hearts

Anne Elliot is twenty-seven and unmarried--by all accounts a spinster in her time--seemingly doomed to spend the rest of her life waiting on her image-obsessed father and extravagant older sister; attempting to maintain their once lavish, now dwindling family estate; and occasionally babysitting the children of her married younger sister.

It wasn't always this way, though. When Anne was nineteen, she was in love with and engaged to Frederick Wentworth, a man with no money and few prospects. Anne's well-meaning family and friends convinced her that a young heiress like herself could do better, so she broke off the engagement. But when chance brings Wentworth and Anne together again eight years later, he is now an accomplished naval captain with an impressive fortune, and Anne must face her feelings for him that remain and consider how different her life could have been if only she hadn't been so easily persuaded by others.

Includes bibliographical references.

Jane Austen was born in Steventon, Hampshire, on December 16, 1775. Her father, the Reverend George Austen, was rector of Steventon, where she spent her first twenty-five years, along with her six brothers (two of them later naval officers in the Napoleonic wars) and her adored sister, Cassandra. She read voraciously from an early age, counting among her favorites the novels of Samuel Richardson, Henry Fielding, and Fanny Burney, and the poetry of William Cowper and George Crabbe. Her family was lively and affectionate and they encouraged her precocious literary efforts, the earliest dating from age twelve, which already displayed the beginnings of her comic style. Her first novels, Elinor and Marianne (1796) and First Impressions (1797), were not published. The gothic parody Northanger Abbey was accepted for publication in 1803 but was ultimately withheld by the publisher.

In 1801 the family moved to Bath, where for four years Austen was able to observe the fashionable watering place that would later figure prominently in her fiction. Austen was sociable in her youth, and was briefly engaged in 1802. Two years later she began work on The Watsons, a novel that remained unfinished. After the death of her father in 1805, she lived with her mother and sister in Southampton for a few years before moving with them to a cottage at Chawton in Hampshire. This would be her home for the rest of her life, and she wrote many of her novels in its parlor. She continued to revise her earlier unpublished work, and in 1811 a version of Elinor and Marianne was published as Sense and Sensibility, followed two years later by Pride and Prejudice, a reworking of First Impressions. In the next few years she published Mansfield Park (1814) and Emma (1816).

Austen became ill in 1815, perhaps with Addison's disease, and she died on July 18, 1817. Persuasion, her last novel, and the earlier Northanger Abbey appeared the following year. Of her last days her brother wrote: 'She wrote whilst she could hold a pen, and with a pencil when a pen was become too laborious. The day preceding her death she composed some stanzas replete with fancy and vigour.' Although Austen received some praise from her contemporaries--notably Sir Walter Scott, who discerned in her work 'the exquisite touch, which renders ordinary commonplace things and characters interesting, from the truth of the description and the sentiment'--her detractors included Charlotte Bronte ('very incomplete and rather insensible') and Ralph Waldo Emerson ('vulgar in tone, sterile in artistic invention'), and her books did not immediately find a wide readership. The turn in her reputation came late in the nineteenth century, and has been succeeded by an enduring popularity and widespread critical praise in the twentieth.

From the eBook edition.

1. Lady Russell persuades Anne to break off her engagement to avoid

"youth-killing dependence." Does she ultimately succeed in sheltering Anne from this?

2. Persuasion is the aim of rhetoric, yet in this book it often hinders lives and harms feelings. What is Austen commenting on? Consider what happens when Lady Russell or Mrs. Clay persuade others as opposed to what happens when Anne persuades others.

3. Look at how Anne's feelings and perceptions are shown-never through her direct words or thoughts but through an approximate report of these through a distant narrator. What does Austen accomplish by doing this?

4. Consider how sailors such as Wentworth and Admiral Croft have made their fortunes-by capturing enemy ships and enjoying the spoils. With their newfound wealth, they re-join English society in higher social standings. What is Austen's opinion of this? In what ways and situations does she relay this opinion?

5. Many of Austen's earlier works take place in the spring, but this story plays out in autumn. Very often, the characters and narrator notice the colorful leaves and cool air around them. How does the season promote this story?

6. The narrator describes the Christmas scene at the Musgroves' as a "fine-family piece." What is Austen implying with her sarcasm? Do you think she is antifamily?

7. Admiral and Mrs. Croft have the most successful and loving relationship in the novel, even though they are unromantic, eccentric, and deeply rooted in realism. Yet many of the idyllic lovers look to their marriage as a model. What is Austen commenting upon with this ironic reversal?

8. Mr. Elliot is the catalyst for the reunion of Anne and Captain Wentworth, provoking jealousy in Wentworth, which in turn prompts him to reconsider his love for Anne. However, Austen chooses not merely to make Mr. Elliot Anne's unwanted lover but instead to reveal him as a rich and immoral scoundrel, to be cast out of the story. What does Austen accomplish by doing this? What is she saying about the world of property and rank?

9. Compare the original ending chapters and the "real" ending chapters. Why did Austen make these changes? What did she accomplish with them?

1. Lady Russell persuades Anne to break off her engagement to avoid

"youth-killing dependence." Does she ultimately succeed in sheltering Anne from this?

2. Persuasion is the aim of rhetoric, yet in this book it often hinders lives and harms feelings. What is Austen commenting on? Consider what happens when Lady Russell or Mrs. Clay persuade others as opposed to what happens when Anne persuades others.

3. Look at how Anne's feelings and perceptions are shown-never through her direct words or thoughts but through an approximate report of these through a distant narrator. What does Austen accomplish by doing this?

4. Consider how sailors such as Wentworth and Admiral Croft have made their fortunes-by capturing enemy ships and enjoying the spoils. With their newfound wealth, they re-join English society in higher social standings. What is Austen's opinion of this? In what ways and situations does she relay this opinion?

5. Many of Austen's earlier works take place in the spring, but this story plays out in autumn. Very often, the characters and narrator notice the colorful leaves and cool air around them. How does the season promote this story?

6. The narrator describes the Christmas scene at the Musgroves' as a "fine-family piece." What is Austen implying with her sarcasm? Do you think she is antifamily?

7. Admiral and Mrs. Croft have the most successful and loving relationship in the novel, even though they are unromantic, eccentric, and deeply rooted in realism. Yet many of the idyllic lovers look to their marriage as a model. What is Austen commenting upon with this ironic reversal?

8. Mr. Elliot is the catalyst for the reunion of Anne and Captain Wentworth, provoking jealousy in Wentworth, which in turn prompts him to reconsider his love for Anne. However, Austen chooses not merely to make Mr. Elliot Anne's unwanted lover but instead to reveal him as a rich and immoral scoundrel, to be cast out of the story. What does Austen accomplish by doing this? What is she saying about the world of property and rank?

9. Compare the original ending chapters and the "real" ending chapters. Why did Austen make these changes? What did she accomplish with them?